ΠΕΡΙΟΧΟΜΕΝΑ ΕΙleen agar claude cahun leonora carrington

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ΠΕΡΙΟΧΟΜΕΝΑ

1. ΕΙLEEN AGAR
2. CLAUDE CAHUN
3. LEONORA CARRINGTON
4. ITHELL COLQUHOUN
5. ΝELLY KAPLAN
6. GISELE PRASSINOS
7. DOROTHEA TANNING
8. UNIKA ZURN

EILEEN AGAR

(1899-1901)

Σουρεαλίστρια : ζωγράφος, φωτογράφος

BIBΛΙΟΓΡΑΦΙΑ
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ΔΙΑΔΥΚΤΙΑΚΕΣ ΠΗΓΕΣ

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www.yorkshirfavourites.org

CLAUDE CAHUN

(1894-1954)

Σουρεαλίστρια : συγγραφέας, φωτογράφος

Βιβλιογραφία
ΕΛΛΗΝΙΚΗ
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σουρρεαλισμού(1924), μτφρ.Μοσχονά Ε., εκδ. Δωδώνη, 1972, σσ. 7-51.
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Allain Patrice, (2006), Au-delà de la peinture : ces rêveurs définitifs : actes de colloque,

ed. Ed. ''joca seria'', Nantes, 2006, p.109.

Ball Katherine Darris, (2000), The revealing mask: subersive strategies in the

photographs of Cindy Sherman and Claude Cahun, ed. Whitman Collge (BA),

2000.
Bailey Laura R, (2003), Creative collaborations within same-sex partnerhips: the



domestic dandyism of Claude Cahun and Gluck, ed. Univeristy pf Sussex

(MA), 2003.


Baron Catherine, (2004), Métamorphose et écriture autobiographique dans Aveux non

avenus de Claude Cahun, ed. Universite de Montreal (MA), 2004.
Borgardt Dawn Star, (2005), Beware of domestic objets: art and politics in Claude

Cahun's surrealist ohotography, ed. University of Oregon (MA), 2005.
Bower Gavin James, (2013), Claude Cahun: the Soldier with No Name, ed. John Hunt

Publishing, Lanham, 2013, p.48.

Brauer, Florence, (1996), Claude Cahun: speculum de la meme femme, ed. (phd)

University of Colorando, 1996.

Brauer Florence, (1998), “L'amer: la mere chez Claude Cahun” in La femme s'entete:La

part du feminin dans le surrealisme, ed. Lanchenal&Ritter, Paris, pp.117-125.

Breen Melinda, (1999), The sound of silence: the multivalent message of Claude Cahun's


self-portraits, ed. Eastern Washington University (MA), 1999.
Bristow Joseph, (2014) ''Surely you are not claiming to be more homosexual than I?'' :

Claude Cahun and Oscar Wilde” in Oscar Wilde and Moderne Culture, ed.

Ohio University Press, Athens, OH, 2014, pp.180-208.
Brookhart Melissa Catherine, (1997), The art of being without: the surrealist evolution of

Claude Cahub, 1920-1945,ed. Washington University (AM), 1997.
Carpanini Clara, (2008) Vedermi alla terza persona: la fotografia di Claude Cahun, ed.

Quinlan, Bologna, 2008, p.108.


Caws Mary Ann, (1997), “ Doubling: Claude Cahun's Split Self “in : The surrealist look:

an erotics of encounter, ed. MIT Press, Cambridge, Mass, 1997.
Chadwick W. & Ades D,(1998), Mirror Images: Women, Surrealism, and Self-

Representation, 1998.
Chadwick Whitney, (2002), “Claude Cahun and Lee Miller: problematizing the surrealist

territories of gender and ethnicity” in Gender nonconformity, race, and



sexuality: charting the connections, ed. Univeristy of Wisconsin Press,

Madison, 2002.

Charlotte Maria, (2013), Correspondances de Claude Cahun: la lettre et l'œuvre, ed.

Universite de Caen, 2013.

Cole J.(2005), “Claude Cahun, Marcel Moore and the Collaborative Construction of a

Lesbian Subjectivity.” in Reclaiming Female Agency, Feminist Art History after



Postmodernism, ed.Norma Broude and Mary D.Garrard, Berkeley, University of

California Press, 2005.


Colvile Georgiana M.M., (2005), “Self-representation as symptom: the case of Claude

Cahun” in Interfaces: women, autobiography, image, performance), ed.

University of Michigan Press, Ann Arbor, 2005.
Conley Katherine, .(2004), Claude Cahun’s Iconic Heads: from “The Sadistic Judith” to

Human Frontier, 2004.

Conley Katherine, (2013), “Claude Cahun's Exploration of the Autobiographical Human”

in Surrealist Ghostliness, ed. University of Nebraska Press, Lincoln, NE, 2013,

pp.45-67.

Cottingham L.(1999), Seeing through the Seventies: Essays on Feminism and Art , 1999.
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p.60.
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Claude Cahun, ed. Univeristy of Texas at Dallas (MA), 1995.
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Don't kiss me: the art of Claude Cahun and Marcel Moore, ed. Aperture

Foundation, New York, NY, 2006, pp.72-82.

Doy Gen (2007), Claude Cahun-A Sensual Politics of Photography, ed. I.B.Tauris

London, 2007, p.204.


Downie L.(2006), Don’t Kiss Me: The Art of Claude Cahun and Marcel Moore,

ed. Aperture, London, 2006, p.240.


Gayle Z.(2012), “The Photographic Intertext: Invisible Adventures” in the Work of

Claude Cahun,. 3rd ed, Vol.10.N.p.: Taylor and Francis Group, 2006,

CrossRef, Web. 11 Dec. 2010.


Gelinas Marie-Eve, (2010), Le corps duel dans les Aveux non avenus de Claude Cahun: a

la jonction du texte et de l'image, ed. Universite de Montreal (MA), 2010.
Gewurtz Michelle Sara, (2010), Three women.three margins: political engagement and

the art of Calude Cahun, Jean Mammen and Paraskeva Clark, ed. University of

Leeds(phd), 2010.


Grant Catherine Mary, (1999), Reading the androgynous body: the photographic

portraits of Claude Cahun and Collier Schorr, ed. University of London, 1999.
Hetu Julie, (2005), Le motif du masque dans l'oevre litteraire et photographique de

Claude Cahun, ed. Univerite de Montreal (MA), 2005.

Hicks Christina, (2006), The fantastical self: Claude Cahun, Meret Oppenheim, and


Leonora Carrington, ed. Hunter College (MA), 2006.
Hille Karoline, (2011), “Die ungleichen Swestern: Claude Cahun, Dora Maar und der

Surrealismus“ in Die andere Seite des Mondes, ed. DuMont Buchverlag,

Dusseldolf, 2011, pp.214-227.

Hudek Antony, (1999), Do you know where your children are? : Claude Cahun and her



Poupees, ed. Dartmouth College (senior honors thesis), 1999.

Hutchison S., Convulsive Beauty: Images of Hysteria and Transgressive Sexuality Clade



Cahun and Djuna Barnes, ed University of Nebraska PressStable, 226.
James B.,G.(2012), “Claude Cahun: Finding a Lost Great” in The Guardian.Guardian

News and Media, 14 Feb. 2012. Web. 11 Dec. 2012.
Jeangeorges-Lhermitte, Agnes, (2009) “Panorama critique autour de Claude Cahun” in

Melusine 29. Le surrealisme sans l'architecture, ed. L'Age d'Homme, Lausanne,

2009, pp.309-321.


Juliette Melia, (2009), De Claude Cahun a Flickr.com: la necessite du nu dans

l'autoportrait photographique feminin, ed. Universite de Paris VIII (MA), 2009.
Kline Katy, (1998), “Claude Cahun and Cindy Sherman” in Mirror Images: women,

surrealism, and self-representation, ed. MIT Press, Cambridge, Mass, 1998.

Knafo D.Ph.D (1961), Studies in Gender and Sexuality, Claude Cahun: The Third Sex,

ed. Routledge, 1961.

Knafo Danielle, (2009), “Claude Cahun:the third sex” in In her own image: women's

self-representation in twentieth-century art, ed. Fairleigh Dickinson University

Press, Madison, 2009.


Latimer T.T.(2005), “Narcissus and Narcissus: Claude Cahun and Marcel Moore” in

Women Togetrher/Women Apart: Portaits of Lesbian Paris, New

Brunswick, ed. Rutgers University Press, 2005, pp.68-104.


Lauren E.(2012), “Reading Claude Cahun” in Quarterly Conversation RSS.Quarterly

Conversation RSS, n.d. Web. 11 Dec. 2012.
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surrealsime et a la Resistance, Paris 1 (phd), 1991.
Leperlier Francois(1992), Claude Cahun : L’ ecart et la metamorpose : essai, ed. Jean-

Michel Place, Paris, 1992, p.309.


Leperlier Francois, (1998), “L'assomption de Claude Cahun” in La femme s'entete:La

part du feminin dans le surrealisme, ed. Lanchenal&Ritter, Paris, p.100-116.
Leperlier, Francois, (1999), Claude Cahun, ed. Nathan, Paris, 1999.

Leperlier Francois, (2001), “La manie de l'exception ou la déclinaison des genres chez

Claude Cahun” in La confusion des genres en photographie, ed. Bibliothèque

nationale de France, Paris, 2001, pp178-191.

Leperlier Francois,(2006), Claude Cahun-L’Exotisme interieur, ed. Fayard, Paris, 2006,

p.504.


Lhermitte Agnes,(2008), “Paroles d'une ''sur-vivante'': les recits de reve dans les ecrits

autobiographiques de Claude Cahun” in Trauma et texte, ed. Lang, Frankfurt am

Main; New York, 2008.
Lichtenstein Therese, (1996), A mutable mirror: Claude Cahun” in Illuminations:

women writing on photography from the 1850s to the present, ed. I.B.Tauris,

London, 1996.


Lowy Michael, (2006), “ Claude Cahun, franc-tireur surrealiste” in Art et politique, ed.

L'Harmattan, Paris, pp. 46-56.


Lowy Michael, (2009), “ CLAUDE CAHUN: The Extreme Point of the Needle” in

Morning Star, ed. University of Texas Press, Austin, 2009, pp.65-82.
Lusty, Natalya, (2001), Surrealism, feminism and psychoanalysis: the crisis of

representation in the work of Leonora Carrington, Claude Cahun and Cindy

Sherman, ed. University of Sydney, 2001.
Mazzucchelli Silvia, (2012), Claude Cahun e Suzanne Malherbe: l'immaginario du un

sodalizio, ed. Sestante, Bergamo, 2012, p.72.

Monahan L.J.(1996), “Radical Transformations: Claude Cahun and the Masquerade of

Womanliness” in Inside the Visible, Institute of Contemporary Art, ed.Boston &

MIT Press, Cambridge, Mass, 1996.

Montlack Michael, (2014), “Claude Cahun(1894): Masks, Makeup, Meaning” in My

Diva, ed. University of Wisconsin Press, Madison, WI, 2014, pp.33-36.
Morris Sharon Mary, (2000) Shifting eyes: self-representation in words and images, re-

reading Freud through the semiotics of C.S. Peirce, with particular reference to

the work of the poet H.D. and artist Claude Cahun, ed. University of London

(phd), 2000.


Oberhuber Andrea, (2005), “Pour une esthetique de l'entre-deux: a propos des strategies

intermediales dans l'oeuvre de Claude Cahun” in Littérature et représentations



artistiques ed. Narratologie, Paris, 2005, pp.343-384.
Oberhuber Andrea, (2007), Claude Cahun: contexe, posture, filiation: pour une

esthetique de l'entre-deux, ed. Universite de Montreal, Montreal, 2007, p.257.
Oehsen Kristine von, (2003), Claude Cahun': published/unpublished: the textual

identities of Lucy Schwob: 1914-1944, ed. University of East Anglia (phd), 2002.
Parsell Margaret L, (2003), A never-failing succession of masks: gender and identity in

the work of Claude Cahun, ed. Vanderbilt University (MA in art history), 2003.

Paschalidou Maria, (2004), Ritualizing global statements: Claude Cahun as Buddha and


Yasumasa Morimura as Mona Lisa, ed. Collumbia college, 2004.

Rice S.(1999), Inverted Odysseys: Claude Cahun, Maya Deren, Cindy Sherman,

Cambridge, Massachuesetts, MIT Press, 1999.


Schwakopf Nadine, (2007), Polygraphies de l'intime: le projet autofictionnel de Claude

Cahun(1894-1954) et d'Unica Zurn(1916-1970), ed. Univerite de Montreal

(MA), 2007.


Shaw Jennifer Laurie, (2009), “Deconstructing girlhood: Claude Cahu's ''Sophie la

Symboliste'' in Essays on women's artistic and cultural contributions 1919-



1939: expanded social roles for the new woman following the First World War),

ed. Edwin Mellen Press, Lewiston, NY, 2009.


Shaw Jennifer Laurie, (2013), Reading Claude Cahun's Disavowals, ed. Ashgate,

Burlington, VT, 2013, p.23.


Smith Amber, (2008), Upping the anti in Claude Cahun and Marcel Moore's

collaborative ''self-portraits'', ed. State Univeristy of New York (MA), 2008.
Snyder Neil Kennedy, (2000), Responding to Surrealism: the identity of women in te

works of Meret Oppenheim, Claude Cahun, and Leonor Fini, ed. Collorando

College, 2000.


Stahl Andrea, (2011), Artikulierte Phanomenalitat: der Korper in den Texten und

Fotografien Claude Cahuns, ed. Universitat, Siegen (phd), 2011.

Stelmach Angelina, (2002), La femme et le masque: la subjectivite selon Claude Cahun,

ed. Dartmouth College (senior honors thesis), 2002.
Stephens Nathalie, (2007), L'absence au lieu (Claude Cahun et le livre inouvert), ed.

Editions Nota bene, Quebec, 2007, p.108.


Stephens Nathalie, (2009), Absence where as: Claude Cahun and the unopened book, ed.

Nightboat Books, N.York, 2009, p.100.


Symons Sophie, (2001), The performance of self in the photographs and photomontages

of Claude Cahun, 2001.
Vayzman Liena, (2002), The self-portraits of Claude Cahun: transgression, self-

representatiom, and avant-garde photography 1917-1947, ed. Yale university

(phd thesis), 2002.


Weaver M. and Hammond A.(1993), “Claude Cahun and Marcel Moore: Surrealist

Sisters” in History of Photography, Summer 1993, 17(2), p.217.

Williamson Marcus, (2011), Claude Cahun at school in England, ed. Marcus

Williamson, United States, 2011, p.31.


Woodlee Angela Christine, (2012), Evidence of Jewish identiry in the photographic

works of Claude Cahun, ed. University of Georgia(MA), 2012.

ΑΡΘΡΑ

Ainsley Brown, ( ), “Claude Cahun: contexte, posture, filiation. Pour une esthétique de

l'entre-deux by AndreaOberhuber” in Dalhousie French Studies, vol.86, ed.

Dalhousie University, 2009, pp.163-164.

Bailey, Laura & Thynne, Lizzie, (2005), “Beyond representation: Claude Cahun's

monstrous mischief-making” in History of photography, Vol.29,

ed.Taylor&Francis Group, Abingdon, 2005, pp.135-148.
Berg Nanda van den, (1990), “Claude Cahun: la révolution individuelle d'une surréaliste

méconnue” in Avantgarde: revue interdisciplinaire et internationale, Number 4,

Rodopi, Amsterdam, 1990, pp. 71-92.
Carolyn J. Dean, (1996), “Claude Cahun's Double” in Yale French Studies, No 90, Yale

University Press, New Haven, 1996, pp.71-82.


Cahun Claude, (1936), “Prenez garde aux objets domestiques” in Cahiers d'art, vol.11,

1936.
Christine Filippone, (2007), “Women Together / Women Apart: Portraits of Lesbian

Paris by Tirza True Latimer; Don'tKiss Me: The Art of Claude Cahun &Marcel

Moore by Louise Downie” in Woman's Art Journal, vol.28, No 2, ed. Old City

Publishing, Inc, Philadelphia, Pa, 2007, pp. 52-57.
Conley Katharine, (2004), “Claude Cahun's iconic heads: for the Sadistic Judith to

human frontier” in Papers of Surrealism in Colchester, Colchester, 2004.

Dean J.C.(1996), “Claude Cahun’s Double, Yale French Studies, No 90”, in Same


Sex/Different Text, Cay and Lesbian Writing in French, ed. Yale

University PressStable, 1996, pp 71-92.


Funk Julika, (2008), “Sappho am Fenster der Guillotine: zu intermedialen Reflexionen

von Visualitat und Queerness bei Claude Cahun“ in FKW, vol.45, ed. Jonas

Verlag fur Kunst und Literatur, Marburg, 2008, pp.46-59.

Latimer T.T.(2006), “Entre Nous: Between Claude Cahun and Marcel Moore” in A

Journal of Lesbian and Gay Studies, Volume 12, Number 2, ed. Duke

University Press, 2006, pp.197-216.


Mandelsohn, Sophie, ( ), “Claude Cahun, l'effacement et l'enigme” in Savoir er clinique,

Number 12, ed. ERES, 2010, pp.158-166.


Marter J. and BarlowSource M.(2007), Woman’s Art Journal, Vol.28, No2 (Fall-Winter,

2007), ed. Old City Publishing, Inc.Stable URL, p.2.


Mazzucchelli Silvia, (2013), “Claude Cahun e Suzanne Malherbe: un ''amour fou'' in

PsicoArt, Vol.3, No.3, ed. Bologna Dipartimento delle Arti Visive. Alma Mater

Studiorun, Universita di Bologna, Bologna, 2013.


Miranda Welby-Everard, ( 2006),” Imaging the Actor: The Theatre of Claude Cahun” in

Oxford Art Journal, vol.29, No 1, ed. Oxford University Press, Oxford, pp.3-24.

Monika Boehringer, ( 2008), “Claude Cahun : contexte, pour une esthétique de l'entre-

deux. « Paragraphes » by AndreaOberhuber”, in Dalhousie French Studies,

vol.85, ed. Dalhousie University, 2008, pp.189-191.

Oberhuber Andrea, (2007), “Claude Cahun, Marcel Moore, Lise Deharme and the

Surrealist book” in History of photography, vol.31, ed. Taylor&Francis Group,

Abingdon, 2007, pp.40-56.
Phillips Christopher, (1992), “To Imagin That I Am Another'' in Art In America, Vol.80,

Issue 7, ed. Brant Art Publications, N.York, 1992, f.p.92.


Pittolo, Veronique, (1995), “Claude Cahun: la vie travestie” in Beaux arts, Vol.131,

Paris, 1995, pp.81-85.


Romano Pace Alba, (2011), “Il gioco delle maschere: Claude Cahun” in Art e dossier,

vol.280, ed. Casa editrice Giunti Barbera, Firenze, 2011, pp.16-21.


Saldana Alfonso Diana, (2002), “Claude Cahun: el tercer genero o la identidad

polimorfa” in Arte, Individuo y Sociedad, vol 14, ed. Universidad Complutense

de Madrid, Madrid, 2002, p.p.197-215.
Sharla Hutchison, (2003), “Convulsive Beauty: Images of Hysteria and Transgressive

Sexuality Claude Cahun and DjunaBarnes” in symplokē, vol. 11, No ½, ed.

University of Nebraska Press, Lincoln, NE, 2003, pp.212-226.

Solomon-Godeau Abigail, (2002), “Le ''Je'' equivoque: Claude Cahun, sujet lesbien” in


Les cahiers du Musee National d'Art Moderne, vol.80, ed. Centre Georges

Pompidou, Paris, 2002, pp.18-39.

Therese, Lichtenstein, (1992), “A mutable mirror:Claude Cahun” in Aftforum

international, Vol.30, Issue 8, Artforum International Magazine, N.

York, 1992, f.p.64.


Thynne Lizzie, (2010), “Indirect action: politics and the subversion of identity in Calude

Cahun and Marcel Moore's resistance to the occupation of Jersey” in Papers of



Surrealism, Colchester, 2010.
Wampoke C.(2013), “The Impudence of Claude Cahun” in L’ Esprit Createur, Volume

53, Number 1, Spring 2013, ed. The Johns Hpkins University Press,

pp.101-113.
Welby-Everard M.(2006), “Imaging the Actor: the Theatre of Claude Cahun, in

Oxford Art Journal, Vol.29, No.1 (2006), ed. Oxford University Press,

pp.3-24.
Wmpole Christy, (2013), “The Impudence of Claude Cahun” in L'espreit Createur,

Vol.53, Number 1, 2013, pp.101-113.

ΔΙΑΔΥΚΤΙΑΚΕΣ ΠΗΓΕΣ


Βείκου Μ., Κοινωνικό φύλο (Φύλο και κοινωνιολογία):

https://spiridopoulou.files.wordpress.com/2012/06/koinoniko_fylo.pdf
http://www.tate.org.uk/
http://www.lifo,gr/team/showtime/47976

http://www.theguardian.com/books/2012/feb/14/claude-cahun-finding-great

http://arttattler.com/archiveclaudecahun.html
http://courses.washington.edu/femart/final_project/wordpress/claude-cahun
http://www.famousphotographers.net/claude/cahun
http://goparis.about,com/od/historyculture/ss/Great-Parisian-Women-Of-The-20th -

Century 4.htm


http://www.jerseyheritage.org/media/Find%20a%20place%20to%20visit/Cahun.pdf
http://www.istor.org.stable/2038124.Accessed: 28/05/2014.
http://www.myfilm.gr/article11064.html:Claude Cahun (Γαλλία, 1894-1954): 5

φωτογραφίες


http://www.toportal.gr/?i=toportal .et.article&id=1859 : Oι πιο ανατρεπτικές γυναίκες

καλλιτέχνες της ιστορίας


http://www.ethnos,gr/article.asp?catid=22784&subid=2&pubid=63001094: ΄Εργα για τον

Νάρκισσο.


http://www.photography.asfa.gr/simiosis_arthra.html: Η φανταστική ταυτότητα
http://state2parastatescam.biogspot.gr/2014/05/blog.post_29.html: Oι ασχολίες μου

http://state2parastatescam.biogspot.gr/2014/02/blog.post_9.html

http://www.surrealistgruppen.org/surrwomen.html: Forshage M.(2008), To the question

of surrealism and women







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