ΠΕΡΙΟΧΟΜΕΝΑ ΕΙleen agar claude cahun leonora carrington


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Σουρεαλίστρια : συγγραφέας, φωτογράφος

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photographs of Cindy Sherman and Claude Cahun, ed. Whitman Collge (BA),

Bailey Laura R, (2003), Creative collaborations within same-sex partnerhips: the

domestic dandyism of Claude Cahun and Gluck, ed. Univeristy pf Sussex

(MA), 2003.

Baron Catherine, (2004), Métamorphose et écriture autobiographique dans Aveux non

avenus de Claude Cahun, ed. Universite de Montreal (MA), 2004.
Borgardt Dawn Star, (2005), Beware of domestic objets: art and politics in Claude

Cahun's surrealist ohotography, ed. University of Oregon (MA), 2005.
Bower Gavin James, (2013), Claude Cahun: the Soldier with No Name, ed. John Hunt

Publishing, Lanham, 2013, p.48.

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University of Colorando, 1996.

Brauer Florence, (1998), “L'amer: la mere chez Claude Cahun” in La femme s'entete:La

part du feminin dans le surrealisme, ed. Lanchenal&Ritter, Paris, pp.117-125.

Breen Melinda, (1999), The sound of silence: the multivalent message of Claude Cahun's

self-portraits, ed. Eastern Washington University (MA), 1999.
Bristow Joseph, (2014) ''Surely you are not claiming to be more homosexual than I?'' :

Claude Cahun and Oscar Wilde” in Oscar Wilde and Moderne Culture, ed.

Ohio University Press, Athens, OH, 2014, pp.180-208.
Brookhart Melissa Catherine, (1997), The art of being without: the surrealist evolution of

Claude Cahub, 1920-1945,ed. Washington University (AM), 1997.
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Quinlan, Bologna, 2008, p.108.

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an erotics of encounter, ed. MIT Press, Cambridge, Mass, 1997.
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Representation, 1998.
Chadwick Whitney, (2002), “Claude Cahun and Lee Miller: problematizing the surrealist

territories of gender and ethnicity” in Gender nonconformity, race, and

sexuality: charting the connections, ed. Univeristy of Wisconsin Press,

Madison, 2002.

Charlotte Maria, (2013), Correspondances de Claude Cahun: la lettre et l'œuvre, ed.

Universite de Caen, 2013.

Cole J.(2005), “Claude Cahun, Marcel Moore and the Collaborative Construction of a

Lesbian Subjectivity.” in Reclaiming Female Agency, Feminist Art History after

Postmodernism, ed.Norma Broude and Mary D.Garrard, Berkeley, University of

California Press, 2005.

Colvile Georgiana M.M., (2005), “Self-representation as symptom: the case of Claude

Cahun” in Interfaces: women, autobiography, image, performance), ed.

University of Michigan Press, Ann Arbor, 2005.
Conley Katherine, .(2004), Claude Cahun’s Iconic Heads: from “The Sadistic Judith” to

Human Frontier, 2004.

Conley Katherine, (2013), “Claude Cahun's Exploration of the Autobiographical Human”

in Surrealist Ghostliness, ed. University of Nebraska Press, Lincoln, NE, 2013,


Cottingham L.(1999), Seeing through the Seventies: Essays on Feminism and Art , 1999.
Cottingham L.(2002), Cherchez Claude Cahun, ed. Carobella ex-natura, Lyon, 2002,

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Claude Cahun, ed. Univeristy of Texas at Dallas (MA), 1995.
Doy Gen, (2006), “ Another side of the picture: Looking differently at Claude Cahun” in

Don't kiss me: the art of Claude Cahun and Marcel Moore, ed. Aperture

Foundation, New York, NY, 2006, pp.72-82.

Doy Gen (2007), Claude Cahun-A Sensual Politics of Photography, ed. I.B.Tauris

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ed. Aperture, London, 2006, p.240.

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Claude Cahun,. 3rd ed, Vol.10.N.p.: Taylor and Francis Group, 2006,

CrossRef, Web. 11 Dec. 2010.

Gelinas Marie-Eve, (2010), Le corps duel dans les Aveux non avenus de Claude Cahun: a

la jonction du texte et de l'image, ed. Universite de Montreal (MA), 2010.
Gewurtz Michelle Sara, (2010), Three women.three margins: political engagement and

the art of Calude Cahun, Jean Mammen and Paraskeva Clark, ed. University of

Leeds(phd), 2010.

Grant Catherine Mary, (1999), Reading the androgynous body: the photographic

portraits of Claude Cahun and Collier Schorr, ed. University of London, 1999.
Hetu Julie, (2005), Le motif du masque dans l'oevre litteraire et photographique de

Claude Cahun, ed. Univerite de Montreal (MA), 2005.

Hicks Christina, (2006), The fantastical self: Claude Cahun, Meret Oppenheim, and

Leonora Carrington, ed. Hunter College (MA), 2006.
Hille Karoline, (2011), “Die ungleichen Swestern: Claude Cahun, Dora Maar und der

Surrealismus“ in Die andere Seite des Mondes, ed. DuMont Buchverlag,

Dusseldolf, 2011, pp.214-227.

Hudek Antony, (1999), Do you know where your children are? : Claude Cahun and her

Poupees, ed. Dartmouth College (senior honors thesis), 1999.

Hutchison S., Convulsive Beauty: Images of Hysteria and Transgressive Sexuality Clade

Cahun and Djuna Barnes, ed University of Nebraska PressStable, 226.
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News and Media, 14 Feb. 2012. Web. 11 Dec. 2012.
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Melusine 29. Le surrealisme sans l'architecture, ed. L'Age d'Homme, Lausanne,

2009, pp.309-321.

Juliette Melia, (2009), De Claude Cahun a Flickr.com: la necessite du nu dans

l'autoportrait photographique feminin, ed. Universite de Paris VIII (MA), 2009.
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surrealism, and self-representation, ed. MIT Press, Cambridge, Mass, 1998.

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ed. Routledge, 1961.

Knafo Danielle, (2009), “Claude Cahun:the third sex” in In her own image: women's

self-representation in twentieth-century art, ed. Fairleigh Dickinson University

Press, Madison, 2009.

Latimer T.T.(2005), “Narcissus and Narcissus: Claude Cahun and Marcel Moore” in

Women Togetrher/Women Apart: Portaits of Lesbian Paris, New

Brunswick, ed. Rutgers University Press, 2005, pp.68-104.

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Lowy Michael, (2009), “ CLAUDE CAHUN: The Extreme Point of the Needle” in

Morning Star, ed. University of Texas Press, Austin, 2009, pp.65-82.
Lusty, Natalya, (2001), Surrealism, feminism and psychoanalysis: the crisis of

representation in the work of Leonora Carrington, Claude Cahun and Cindy

Sherman, ed. University of Sydney, 2001.
Mazzucchelli Silvia, (2012), Claude Cahun e Suzanne Malherbe: l'immaginario du un

sodalizio, ed. Sestante, Bergamo, 2012, p.72.

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Womanliness” in Inside the Visible, Institute of Contemporary Art, ed.Boston &

MIT Press, Cambridge, Mass, 1996.

Montlack Michael, (2014), “Claude Cahun(1894): Masks, Makeup, Meaning” in My

Diva, ed. University of Wisconsin Press, Madison, WI, 2014, pp.33-36.
Morris Sharon Mary, (2000) Shifting eyes: self-representation in words and images, re-

reading Freud through the semiotics of C.S. Peirce, with particular reference to

the work of the poet H.D. and artist Claude Cahun, ed. University of London

(phd), 2000.

Oberhuber Andrea, (2005), “Pour une esthetique de l'entre-deux: a propos des strategies

intermediales dans l'oeuvre de Claude Cahun” in Littérature et représentations

artistiques ed. Narratologie, Paris, 2005, pp.343-384.
Oberhuber Andrea, (2007), Claude Cahun: contexe, posture, filiation: pour une

esthetique de l'entre-deux, ed. Universite de Montreal, Montreal, 2007, p.257.
Oehsen Kristine von, (2003), Claude Cahun': published/unpublished: the textual

identities of Lucy Schwob: 1914-1944, ed. University of East Anglia (phd), 2002.
Parsell Margaret L, (2003), A never-failing succession of masks: gender and identity in

the work of Claude Cahun, ed. Vanderbilt University (MA in art history), 2003.

Paschalidou Maria, (2004), Ritualizing global statements: Claude Cahun as Buddha and

Yasumasa Morimura as Mona Lisa, ed. Collumbia college, 2004.

Rice S.(1999), Inverted Odysseys: Claude Cahun, Maya Deren, Cindy Sherman,

Cambridge, Massachuesetts, MIT Press, 1999.

Schwakopf Nadine, (2007), Polygraphies de l'intime: le projet autofictionnel de Claude

Cahun(1894-1954) et d'Unica Zurn(1916-1970), ed. Univerite de Montreal

(MA), 2007.

Shaw Jennifer Laurie, (2009), “Deconstructing girlhood: Claude Cahu's ''Sophie la

Symboliste'' in Essays on women's artistic and cultural contributions 1919-

1939: expanded social roles for the new woman following the First World War),

ed. Edwin Mellen Press, Lewiston, NY, 2009.

Shaw Jennifer Laurie, (2013), Reading Claude Cahun's Disavowals, ed. Ashgate,

Burlington, VT, 2013, p.23.

Smith Amber, (2008), Upping the anti in Claude Cahun and Marcel Moore's

collaborative ''self-portraits'', ed. State Univeristy of New York (MA), 2008.
Snyder Neil Kennedy, (2000), Responding to Surrealism: the identity of women in te

works of Meret Oppenheim, Claude Cahun, and Leonor Fini, ed. Collorando

College, 2000.

Stahl Andrea, (2011), Artikulierte Phanomenalitat: der Korper in den Texten und

Fotografien Claude Cahuns, ed. Universitat, Siegen (phd), 2011.

Stelmach Angelina, (2002), La femme et le masque: la subjectivite selon Claude Cahun,

ed. Dartmouth College (senior honors thesis), 2002.
Stephens Nathalie, (2007), L'absence au lieu (Claude Cahun et le livre inouvert), ed.

Editions Nota bene, Quebec, 2007, p.108.

Stephens Nathalie, (2009), Absence where as: Claude Cahun and the unopened book, ed.

Nightboat Books, N.York, 2009, p.100.

Symons Sophie, (2001), The performance of self in the photographs and photomontages

of Claude Cahun, 2001.
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representatiom, and avant-garde photography 1917-1947, ed. Yale university

(phd thesis), 2002.

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Williamson, United States, 2011, p.31.

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works of Claude Cahun, ed. University of Georgia(MA), 2012.


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Christine Filippone, (2007), “Women Together / Women Apart: Portraits of Lesbian

Paris by Tirza True Latimer; Don'tKiss Me: The Art of Claude Cahun &Marcel

Moore by Louise Downie” in Woman's Art Journal, vol.28, No 2, ed. Old City

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Sex/Different Text, Cay and Lesbian Writing in French, ed. Yale

University PressStable, 1996, pp 71-92.

Funk Julika, (2008), “Sappho am Fenster der Guillotine: zu intermedialen Reflexionen

von Visualitat und Queerness bei Claude Cahun“ in FKW, vol.45, ed. Jonas

Verlag fur Kunst und Literatur, Marburg, 2008, pp.46-59.

Latimer T.T.(2006), “Entre Nous: Between Claude Cahun and Marcel Moore” in A

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Studiorun, Universita di Bologna, Bologna, 2013.

Miranda Welby-Everard, ( 2006),” Imaging the Actor: The Theatre of Claude Cahun” in

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Monika Boehringer, ( 2008), “Claude Cahun : contexte, pour une esthétique de l'entre-

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Romano Pace Alba, (2011), “Il gioco delle maschere: Claude Cahun” in Art e dossier,

vol.280, ed. Casa editrice Giunti Barbera, Firenze, 2011, pp.16-21.

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de Madrid, Madrid, 2002, p.p.197-215.
Sharla Hutchison, (2003), “Convulsive Beauty: Images of Hysteria and Transgressive

Sexuality Claude Cahun and DjunaBarnes” in symplokē, vol. 11, No ½, ed.

University of Nebraska Press, Lincoln, NE, 2003, pp.212-226.

Solomon-Godeau Abigail, (2002), “Le ''Je'' equivoque: Claude Cahun, sujet lesbien” in

Les cahiers du Musee National d'Art Moderne, vol.80, ed. Centre Georges

Pompidou, Paris, 2002, pp.18-39.

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international, Vol.30, Issue 8, Artforum International Magazine, N.

York, 1992, f.p.64.

Thynne Lizzie, (2010), “Indirect action: politics and the subversion of identity in Calude

Cahun and Marcel Moore's resistance to the occupation of Jersey” in Papers of

Surrealism, Colchester, 2010.
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53, Number 1, Spring 2013, ed. The Johns Hpkins University Press,

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Oxford Art Journal, Vol.29, No.1 (2006), ed. Oxford University Press,

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Vol.53, Number 1, 2013, pp.101-113.


Βείκου Μ., Κοινωνικό φύλο (Φύλο και κοινωνιολογία):



http://goparis.about,com/od/historyculture/ss/Great-Parisian-Women-Of-The-20th -

Century 4.htm

http://www.istor.org.stable/2038124.Accessed: 28/05/2014.
http://www.myfilm.gr/article11064.html:Claude Cahun (Γαλλία, 1894-1954): 5


http://www.toportal.gr/?i=toportal .et.article&id=1859 : Oι πιο ανατρεπτικές γυναίκες

καλλιτέχνες της ιστορίας

http://www.ethnos,gr/article.asp?catid=22784&subid=2&pubid=63001094: ΄Εργα για τον


http://www.photography.asfa.gr/simiosis_arthra.html: Η φανταστική ταυτότητα
http://state2parastatescam.biogspot.gr/2014/05/blog.post_29.html: Oι ασχολίες μου


http://www.surrealistgruppen.org/surrwomen.html: Forshage M.(2008), To the question

of surrealism and women

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