È nato a Huddersfield nel 1963. Vive e lavora a Londra

:)


Download 429.5 Kb.
Page1/5
Date21.10.2017
Size429.5 Kb.
  1   2   3   4   5
Biografie

Ajamu


è nato a Huddersfield nel 1963.

Vive e lavora a Londra.



Personali
1993

First Out, London.


1994

Aytoun Gallery, Manchester.

Huddersfield Art Gallery, Huddersfield.

Camerawork, London.


1995

Pinacoteca Do Estado, São Paulo.


1999

Standpoint Gallery, London.



Collettive
1991

Value for Culture, Black Art Gallery, London.
1992

Critical Decade, Cave Arts Centre, Birmingham.
1994

Strangers in Paradise, Foto Institute, Rotterdam.
1995

Objects/Subjects of Desire, Konstack National School of Art, Stockholm.
1996

Prospect 96, Schirn Kunstalle, Frankfurt am Main.
1997

Kissing the Dust, Oldham Gallery, Oldham; Walsall Art Gallery, Walsall; Huddersfield Art Gallery, Huddersfield.

In Visible Light, Museum of Modern Art, Oxford; Museum Villa Stuck, München; Museum of Contemporary Art, Sydney.

Transforming the Crown, Caribbean Cultural Centre, New York.
1998

Africa by Itself, Maison Européenne de la Photographie, Paris.

The Miniature Museum, The Academic Medical Centre, Amsterdam.

Black Nude. New Identities, Tropen Museum, Amsterdam.
2000

East International, Norwich School of Art and Design, Norwich.


Sexmutant, Nunnery Gallery, London.
2001

Mens Bodies, University of Nottingham, Nottingham.
2002

Odalisque, Mafuji Gallery, London.
2003

Phantom of Desire, Neue Galerie, Graz.
2004

Transformation, Manchester Museum, Manchester.

Hidden Histories, Walsall New Art Gallery, Walsall.

Chantal Akerman

è nata a Bruxelles nel 1950.

Vive e lavora a Parigi.



Personali
1995

D’Est. Au bord de la fiction, Galerie nationale du Jeu de Paume, Paris; Walker Art Center, Minneapolis; San Francisco Museum of Modern Art, San Francisco; Societé des Expositions du Palais des Beaux-Arts, Brussel; Kunstmuseum, Wolfsburg; IVAM Centre del Carme, Valencia.
1997

D’Est. Au bord de la fiction, The Jewish Museum, New York.
1998

Selfportrait /Autobiography. A work in progress, Sean Kelly Gallery, New York; Frith Street Gallery, London.
2004

Retrospective Integral, Cinema at Centre Pompidou, Paris.

Crossing The Line. Human trafficking, Kunsthalle wien am karlsplatz, Wien.

Galerie Marian Goodman, Paris



Sputnikprojekt, Kunstverein München, München
2005

Du fragment à la femme, Espace Croix-Baragnon, Toulouse; École superieure des Beaux-Arts, Toulouse

From the other side - Desde el otro lado, Galeria Elba Benitez, Madrid.

Retrospectiva fílmica, Malba Colección Constantini, Buenos Aires.


D’Est. Au bord de la fiction, Malba Colección Constantini, Buenos Aires.

Collettive
1999

So Faraway So Close’, Encore... Bruxelles, Espace Meredian, Brussel.


2000

Media City Seoul Biennal, Seoul.
2001

XLIX Biennale di Venezia, Venezia.

XVI International Video & Multimedia Arts Fesitval, Musée d’art moderne de la ville de Paris, Paris.
2002

Documenta XI, Kassel.

Les enfants du Paradis, Yvon Lambert, Paris.

Extreme Existence, Pratt Institute, New York.
2003

True Stories, Witte de With, Rotterdam.

Frequencies, Frith Street Gallery, London.

Experience, Foto Biënnale Rotterdam, Nederlands Fotomuseum, Rotterdam.

Fate of Alien Modes, Wiener Secession, Wien.

After the News. Postmedia Documentaries, CCCB Centre de Cultura Contemporània de Barcelona, Barcelona.

Tri(o)ptique. Akerman - Ono - Moral, Luxflux Museo Laboratorio di Arte Contemporanea, Università La Sapienza, Roma.
2004

Fast forward. Media Art, Sammlung Goetz, ZKM I Zentrum für Kunst und Medietechnologie, Karlsruhe.

Mouvements de fonds: acquisitions 2002 du Fonds nationale d’art contemporain, MAC Musée d’art contemporain, Marseille.

Die Sehnsucht des Kartografen, Kunstverein, Hannover.

Artists’ Favourites Act II, ICA Institute of Contemporary Arts, London.

Sieben Frauen Sieben Sünden - Seven Women Seven Sins, Galerie im Taxispalais, Innsbruck.

Shadowland. An Exhibition as a Film, Walker Art Center, Minneapolis.

Regie cinematografiche
1972

Hotel Monterey, 16mm, colore, 65’, Paradise Films, Brussel.

La Chambre 1, 16mm, colore, 11’, Paradise Films, Brussel.

La Chambre 2, 16mm, colore, 11’, Paradise Films, Brussel.
1973

Le 15/8, 16mm, b/n, 42’, Paradise Films, Brussel; regia di Chantal Akerman e Samy Szlingerbaum.

Hanging Out Yonkers, inachevé-16mm, colore, 90’, Paradise Films, Brussel.
1975

Je Tu Il Elle, 35mm, b/n, 90’, Paradise Films, Brussel.

Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, 35mm, colore, 200’, Paradise Films, Brussel-Unite Trois, Paris.
1976

News From Home, 16mm, colore, 85’, Unite Trois, Paris-INA, Paris-Paradise Films, Brussel.
1978

Les rendez-vous d’Anna (1978) 35mm, colour, 127’, Helene Films, Paris-Unite Trois, Paris-Paradise Films, Brussel-ZDF, Mainz.
1980

Dis-moi, 16mm, colore, 45’, INA, Paris.
1982

Toute Une Nuit, 35mm, colore, 89’, Avidia Films, Paris-Paradise Films, Brussel.
1983

Les années 80, video/35mm, colore, 82’, Paradise Films, Brussel-Abilene Production, Paris.


Un jour Pina m’a demandé (1983) 16mm, colore, 57’, INA, A2, R.M. Arts, RTBF, SSR.

L’homme à la valise (1983) 16mm, colore, 60’, INA, Paris.
1984

Paris vu par 20 ans aprèes... J’ai faim, j’ai froid, 35mm, b/n, 12’, JM Production, Films A2.

Family Business, 16mm, colore, 18’, Large Door LTD, London.

Lettre d’une cinéaste, 16mm, colore, 8’, Paradise Films, Brussel.

New-York, New-York Bis, 35mm, b/n, 8’.
1985

Golden Eighties, 35mm, colore, 96’, La Cecilia, Paris-Paradise Films, Brussel-Limbo Film, Zürich. regia di Chantal Akerman, Leora Barish, Henry Bean, Pascal Bonitzer, Jean Gruault.
1986

Le Marteau, video, colore, 4’.

La Paresse, 35mm, colore, 14’.

Letters Home, video, colore, 104’, Centre Simone de Beauvoir, Paris.

Mallet-Stevens, video, colore, 7’, BRT.
1988

Histoires d’Amérique, 35mm, colore, 92’, Mallia Films, Paris-Paradise Films, Brussel-La Sept-La

Bibliothéque Publique d’Information-Le Centre Geoges Pompidou-RTBF.


1989

Trois strophes sur le nom de Sacher, video, colore, 30’, Mallia Films-La Sept-Arcanal-CGP.


Les trois dernières sonates de Franz Schubert, video, colore , 49’, La Sept-INA, Paris.
1991

Nuit et jour, 35mm, colre, 90’, Pierre Grise Production, Paris-Paradise Films, Brussel-George Reinhart Production, Zürich-C.N.C; Canal plus-RTBF, regia di Chantal Akerman e Pascal Bonitzer.
1992

Le déménagement, 35mm, colore, 42’, Le Poisson Volant, Paris.
1993

D’Est, 35mm, colore, 107’, Paradise Films, Bruxelles-Lieurac production, Paris.

Portrait d’une jeune fille de la fin des années 60 à Bruxelles, 35mm, colore, 60’, IMA, Paris.
1996

Chantal Akerman By Chantal Akerman, video, 63’, Amip-Chemah I S-Arte.

Un divan à New-York, 35mm, colore, 105’, Les Films Balenciaga, Paris-Babelsberg Films-Paradise films, Brussel-RTBF, regia di Chantal Akerman e Jean-Louis Benoît.
1997

Le jour où, 35mm, colore, 7’, WAKA Films, Pregassona.
1998-1999

Sud, video, 70’, Amip-Chemah IS-Arte, Paris.
1999

La Captive, 35 m, Gemini Films, Paris.

Jananne Al-Ani

è nata in Irak nel 1966.

Vive e lavora a Londra.



Personali
1997

Harriet Green Gallery, London.

1998

Margaret Harvey Gallery, Saint Albans.

1999

Smithsonian Institution, Washington, DC.


2002

Dryphoto Arte Contemporanea, Prato.

Imperial War Museum, London.

Les rencontres de la photographie, Musée Reattu, Arles.
2004

The Visit, Norwich Gallery, Norwich.
2005

The Visit Art Now, Tate Britain, London.

Collettive
1987

Women in View, Brixton Art Gallery, London.
1989

The Whitechapel Open, The Whitechapel Gallery, London.
1990

The Whitechapel Open, The Whitechapel Gallery, London.
1991

Contact. South Bank Photo Show, Royal Festival Hall, London.

Sign of the Times, Camerawork, London.

Guernica revisited. Artists response to the Gulf War, Kufa Gallery, London.
1992

Fine Material for a Dream...? A Reappraisal of Orientalism, Harris Museum and Art Gallery, Preston; Ferens Museum and Art Gallery, Hull; Oldham Art Gallery, Oldham.

The Whitechapel Open, The Whitechapel Gallery, London.
1993

No more heroes anymore, The Royal Scottish Academy, Edinburgh.

Declarations of War. Contemporary Art from the Collection of the Imperial War Museum, Kettle’s Yard Gallery, Cambridge.
1994

Who’s Looking at the Family?, Barbican Art Gallery, London.
1995

Natural Settings, The Chelsea Physic Garden, London.

The Punters Art Show, Saint Columbs Park, Derry.


Art History Representation, The Concourse Gallery, London.
1996

After Eden, Garden Galleries, Yoxall.

The John Kobal Photographic Portrait Award, National Portrait Gallery, London; The Royal Photographic Society, Bath; Scottish National Portrait Gallery, Edinburgh; The Midlands Art Centre, Birmingham.
1997

Modern Narrative, Artsway, Sway.

20/20, Kingsgate Gallery, London.

Ruch, GI Gallery, Zielona Góra.
1998

Shoreditch Biennale, Hoxton Square, London.

On Site, Lauderdale House, London.

Photofit, Bluecoat Gallery, Liverpool.
1999

Dialogue of the Present, Brunei Gallery, London; Hot Bath Gallery, Bath; Plymouth Arts Centre, Plymouth.
2000

Ekbatana?, Nikolaj Contemporary Art Centre, Copenaghen.

East International, Norwich Art Gallery, Norwich.

Strokes of Genius. Contemporary Iraqi, Art Brunei Gallery, London.

Attitude. A History of Posing, Victoria & Albert Museum, London.

In Memoriam, The New Art Gallery, Walsall.

Look Out. Art Society Politics, Wolverhampton Art Gallery, Wolverhampton; Pitshanger Manor Gallery, London.
2001

Essor Gallery, London.



Fair Play, Danielle Arnaud Contemporary Art, London.

Entomology, Vandal Cover Up, London.

Tweener, Norwich Art Gallery, Norwich.

EV+A 2001. Expanded Limerick, City Gallery of Art, Limerick.

2002


Sans commune mesure. Image et texte dans l’art actuel, Musée d’Art Moderne Lille Métropole, Lille.

Fair Play. De nouvelles règles du jeu, Fondation d’Art Contemporain Daniel & Florence Guerlain, Paris.

Curio Hanbury Street, London.



Elsewhere, WBD, Berlin.

The John Kobal Photographic Portrait Award, National Portrait Gallery, London.

Fair Play, Angel Row Gallery, Nottingham.
2003

Veil. Veiling, Representation and Contemporary Art, New Art Gallery, Walsall; Bluecoat Arts Centre and Open Eye Gallery, Liverpool; Modern Art, Oxford; Kulturhuset, Stockholm.

The new Sheherazad, CCCB Centre de Cultura Contemporània de Barcelona, Barcelona; Muséum d’Histoire Naturelle, Lyon.

DisOrientation, Haus Der Kulturen Der Welt, Berlin.

And the One doesn’t stir without the Other, Ormeau Baths Gallery, Belfast.

Love Affairs, IFA-Galerie, Stuttgart.

Alethia. The Real of Concealment, Göteborgs Konstmuseum, Göteborg.
2004

Amman Meeting Points, Al Beit, Amman.

Shot by the Sea, The Ice House, Hastings.

Women by Women. Acht Fotografinnen aus der Arabischen Welt, Fotografie Forum International, Frankfurt am Main.

Stranger than Fiction. From the Arts Council Collection, City Art Gallery, Leeds; Tullie House Museum & Art Gallery, Carlisle; Aberystwyth Arts Centre, Aberystwyth; Usher Gallery Lincoln, Nottingham Castle; Brighton Museum and Art Gallery, Brighton.

Beyond East and West. Seven Transnational Artists, Krannert Art Museum, Champaign; Louisiana State University Museum of Art, Baton Rouge; Louisiana Hood Museum of Art, Dartmouth College, Hanover; Williams College Museum of Art, Williamstown.

2005

The World is a Stage. Stories behind Pictures, Mori Art Museum, Tokyo.

Ghada Amer

è nata nel 1963 a Il Cairo.

Vive e lavora a New York.



Personali
1990

Villa Arson, Nice.


1992

Hôpital Ephémère, Paris.

Projekt Raum, Zürich.
1993

Galerie Météo, Paris.


1994

Centre Jules Verne, Brétigny-sur-Orge.

Zoo Galerie, Nantes.
1996

Annina Nosei Gallery, New York.

Hanes Art Center, University of North Carolina, Chapel Hill.
1997

Météo-show, Galerie Météo, Paris.

Espace Karim Francis, Cairo.


1998

Annina Nosei Gallery, New York.

Espace Karim Francis, Cairo.

Galerie Karin Sachs, München.


1999

Centro Andaluz de Arte Contemporáneo, Sevilla.

Brownstone, Corréard & Cie, Paris.
2000

Anadil Gallery, Jerusalem.



Intimate Confessions, Deitch Projects, New York; Tel Aviv Museum of Art, Tel Aviv; Kunst-Werke, Berlin.

Institute of Visual Arts, Milwaukee.

Centre Culturel Contemporain, Tours.
2001

Encyclopedia of Pleasure, Deitch Projects, New York

Ghada Amer. Pleasure, Contemporary Arts Museum, Houston.

Reading Between the Threads, Henie Onstad Kunstcenter, Oslo; Kunst Palast, Düsseldorf; Bildmuseet, Umeå.

Rhona Hoffman Gallery, Chicago.

2002

Gagosian Gallery, London.


Works by Ghada Amer, San Francisco Art Institute, San Francisco.

De Appel Foundation, Amsterdam.

Museum Kunst Palace, Düsseldorf.
2003

Forefront 45. Ghada Amer, Indianapolis Museum of Art, Indianapolis.

Galleria Massimo Minini, Brescia.



Universal Strangers, Galeria Filomena Soares, Lisboa.
2004

The Reign of Terror, Davis Museum and Cultural Center, Wellesley College, Boston.

H&R Block Artspace at Kansas City Art Institute, Kansas City.

Gagosian Gallery, Beverly Hills.

Institut Valencià d’Art Modern, Valencia.



Collettive
1992

37ème Salon de Montrouge, Montrouge.



Montrouge à Montbéliard, Musée de Montbéliard, Montbéliard.

I love Paris, Hôpital Ephémère, Paris.
1993

June, Galerie Thaddaeus Ropac, Paris.

The Armoire Show, Hôtel Carlton Palace, Paris.
1994-1995

Bifurcations, Abbaye Saint-André Cente d’art contemporain, Meymac; Musée de Beaux-Arts, Dôle; CAC Saint-Léger, Pougues-les-Eaux; Cimaise et Portique, Centre Départmental d’Art Contemporain, Albi.

Le duc..., Schloss Friedenstein, Gotha; Château de Villeneuve-Lembron, FRAC Auvergne.

The Mutated Painting, Galerie Martina Detterer, Frankfurt am Main.

Pittura/Immedia, Neue Galerie am Landesmuseum Joanneum, Graz.

Group International Show, Annina Nosei Gallery, New York.

Territoires occupés, FRAC Lorraine.

4th International Istanbul Biennial: Orient/ation, Istanbul.


...Wie gemalt, Kunstverein, Aachen.

Annina Nosei Gallery, New York.

1996

Le Bonheur Vivre..., Galerie Météo, Paris.

Container ’96, Copenaghen.

The Sense of Order, Moderna Galeria, Ljubljana.

Miniatures, Espace Karim Francis, Cairo.

Ceremonial, Apex Art Gallery, New York.
1997

Heurex le visionnaire..., Maison Levanneur Centre Nationale de l’estampe et de l’art imprimé, Chatou.

Sous le Manteau, Galerie Thaddaeus Ropac, Paris.

Vraiment. Féminisme et art, Le Magasin, Grenoble.

Alternating Currents, 2nd Johannesburg Biennale, Johannesburg.

Thread, Cristinerose Gallery, New York.
1997-1998

French Kiss, Contemporary Art Gallery, Vancouver.
1998

Loose Threads, Serpentine Gallery, London.

Echolot, Museum Fridericianum, Kassel.

L’envers du décor. Dimensiones décoratives dans l’art du XXème siècle, Musée d’art moderne Lille Métropole, Villeneuve-d’Ascq.
1999

Corps Social, École Nationale Supérieure des Beaux-Arts, Paris.

APERTO Over All, XLVIII Biennale di Venezia, Venezia.
2000

Greater New York. New Art in New York Now, PS 1, New York.

Friends & Neighbors, Limerick.

2000 Biennial Exhibition, Whitney Museum of American Art, New York.

Kwangju Biennale 2000, Kwangju.

Rooms & Secrets, Spazio Milano, Milano.

Partage D’exotisme. Biennale d’art Contemporain de Lyon, Lyon.

2001

Sous-Tirée X, École supérieure des Beaux-Arts, Tours.

ARS 01, Kiasma, Helsinki.



Uncommon Threads. Contemporary Artists Clothing, Cornell University, Ithaca.

The Short Century, Museum Village Stuck, München; Museum of Contemporary Art, Chicago; PS 1, New York.

Barcelona Art Report, Experiences, Barcelona.

Mediterranean: a new wall?, Culturgest, Lisboa.

Cleveland Center for Contemporary Art, Cleveland.



Art Through the Eye of the Needle, Henie Onstad Kunstcenter, Oslo.
2003

Harem Fantasies and the New Scheherazades, Centre de Cultura Contemporanea de Barcelona, Barcelona.

Aligned, Florence Lynch Gallery, New York.

Feminine Persuasion. Contemporary Women’s Sexualities, The School of Fine Arts Gallery-The Kinsey Institute of Research in Sex, Gender and Reproduction, Indiana University, Bloomington.
2004

Beyond East and West. Seven Transnational Artists, Williams College Museum of Art, Williamstown.

Looking Both Ways. Art of the Contemporary African Diaspora, Cranbrook Academy of Art, Detroit.

Freedom Salon, Imagine Festival of Arts, Issues & Ideas, Deitch Projects, New York.

Monument to Now, Deste Foundation, Athína.

Kunst Stoff, Galerie Nächst St. Stephan Rosemarie Schwarzwälder, Wien.

Ghada Amer, Shirazeh Houshiary, Sue Williams, Kukje Gallery, Seoul.

Looking both Ways. Art for the Contemporary African Diaspora, Museum for African Art, New York.

Africa Remix. Zeitgenössische Kunst eines Kontinents, Museum Kunst Palast, Düsseldorf.

2005


Africa Remix. Contemporary Art of a Continent, Hayward Gallery, London.

Africa Remix. L’art contemporain d’un continent, Centre Georges Pompidou, Paris.

Works on Paper, Gagosian Gallery, Beverly Hills.

Confluence, Sun Valley Center for the Arts, Sun Valley.

LI Biennale di Venezia, Always a Little Further, Venezia.

TEXTures. Word and Symbol in Contemporary African Art, National Museum of African Art, Washington, DC.

Carlos Amorales

è nato a Città del Messico, nel 1970.

Vive e lavora tra Amsterdam e Città del Messico.



Personali e progetti
1997

Amorales Table dance, W139, Amsterdam.

Amorales in conversation with... Superbarrio, De Balie-W139-RABK Rijksakademie van Beeldende Kunsten, Amsterdam.
1998

Amorales Interim, Galerie Micheline Szwajcer, Antwerpen.
1999

As Amorales, Galerie Fons Welters, Amsterdam.

Project room, Museo Carrillo Gil, Ciudad de Mexico.



Los Mutantes 1 (con Joan Jonas), strade di Ciudad de Mexico e El Caracol.

Stoplight Pastimes, Marres Centrum, Maastricht.
2000

A World All Too Familiar (con Christine Hill), CCS Museum, Bard College, Annandale-on-Hudson.

Funny 13, Galerie Micheline Szwajcer, Antwerpen.

Los Mutantes 2 (con Michael Blum), strade di Ciudad de Mexico e El Caracol.

2001

Cuerpo sin alma, Galeria Nina Menocal, Ciudad de Mexico.

Cabaret Amorales, Migros Museum, Zürich.

Open, Serge Ziegler Galerie, Zürich.
2002

Fighting Evil (with style), USF Contemporary Art Museum, Tampa.

Solitario, Le Studio, Galerie Yvon Lambert, Paris.

Simpatia por el Diablo, ŠKUC, Ljubljana.

Sympathy, Serge Ziegler Galerie, Zürich.
2003

Devil Dance, Museum Boijmans van Beunigen, Rotterdam.

Stage for an Imaginary Friend, Galerie Yvon Lambert, Paris.

Turbulencias, Galeria Enrique Guerrero, Ciudad de Mexico.

Amorales vs Amorales, Challenge 2003, Tate & Egg Live, Tate Modern, London; SFMoMA, San Francisco; Hebbel Theatre, Berlin.

The bad sleep well, Galerie Yvon Lambert, New York.

FIND Festival International de Nouvelle Danse, Montréal.


2004

Musik Total III, De Appel, Amsterdam.

The Nightlife of a Shadow, Annet Gelink Gallery, Amsterdam.

Nuevos Ricos, Annet Gelink Gallery, Art Basel 35, Basel.

Origami Bomb, Annet Gelink Gallery, ARCO, Madrid.

Nuevos Ricos (con Julian Lede), Chiesa di San Matteo, Associazione Prometeo, Lucca.
2005

In Gold We Trust. Nuevos Ricos wintertour 2005, New York, Madrid, Barcelona, Genève, Ciudad de Mexico.

Why To Fear the Future, Casa De America, Madrid.

Nuevos Ricos, Annet Gelink Gallery & kurimanzutto, ARCO, Madrid.

Collettive

1997


Niet de kustvlaai, Westergas Fabriek, Amsterdam.
1998

Not strictly private, Shed im eisenwerk, Frauenfeld.

Faces and Names, Exedra, Hilversum.
1999

Peace, Migros Museum, Zürich.
2000

Makeshift, ArtPace, San Antonio.

Unlimited NL-3, De Appel, Amsterdam.

Territorios ausentes, Casa de America, Madrid.

Let’s Entertain, Walker Art Center, Minneapolis.

Ideas for Living, De Paviljoens, Almere.

Au dela du spectacle, Centre Georges Pompidou, Paris.

Insite 2000, San Diego; Tijuana.
2001

Kunst macht Spass, Wolfsburg Museum, Wolfsburg.

The Overexcited Body, Palazzo dell’Arengario, Milano.

Sesc Pompei, São Paulo.

We in FLAMES, Berlin Biennial 2, Berlin.

House of Games, Festival a/d Werf, Utrecht.

Sportcult, Apex Art, New York.

Tirana Biennial, National Gallery, Tirana.
2002

Living like a lover with a radar phone, Dublin.

Coartadas/ Alibis, Witte de Wit, Rotterdam.

Telepathic Journeys, MIT List Visual Arts Center, Cambridge, MA.

Mexico City. An Exhibition about the Exchange Rates of Bodies and Values, PS1, New York; Knustwerke, Berlin.

20 Million Mexicans can’t be wrong, South London Gallery, London.

Fuora di Uso, Pescara.

Busan Bienial, Busan.

2003


We are the World. L Biennale di Venezia, Padiglione olandese, Venezia.

L Biennale di Venezia, Venezia.

Armour, Fort van Asperen.

Mexico Attack!, Chiesa di San Matteo, Associazione Prometeo, Lucca.

M_ARS, Graz Kunstverein, Graz.

Independence, South London Gallery, London.

Mexico Iluminado, Freedman Gallery, Albright College, Philadelphia.
2003-2004

No lo llames performance - Don’t Call it Performance, MNCARS Museo Nacional Centro de Arte Reina Sofia, Madrid; CAAC Centro Andaluz de Arte Contemporanéo, Sevilla; Domus Artium 2002, Salamanca; Museo del Barrio, New York.
2004

The 59th Minute, Video Art on the NBC Astrovision in Times Square, New York.

Re:visei. As the world turns, Centraal Museum, Utrecht.

À Fripon, Fripon et demi, Collection Lambert, Avignon.

Imagine Limerick, EV+A, Limerick.

We are the World, Boijmans Van Beuningen Museum, Rotterdam.
2004-2005

Contested Fields, Des Moines Art Center, Des Moines.

Nuria Carrasco

è nata a Ronda (Málaga) nel 1962.

Vive e lavora a Madrid.



Personali
1990

Pabellón de Uruguay, Sevilla.


1992

Caja de Ahorros San Fernando, Sevilla.


1994

Galería Cavecanem, Sevilla.


1996

Sala de espera, Galería Cavecanem, Sevilla.

Gravina Centro de Arte, Huelva.

1997


Habitantes, Galería Juana de Aizpuru, Madrid.
1999

De lo terreno y lo humano, Galería Juana de Aizpuru, Sevilla.
2001-2002

El suelo se mueve, Galería Juana de Aizpuru, Madrid.
2003

1969-1974, The Art Palace, Madrid.
2004

Ser y estar, Museo de Huelva.
2005

El suelo de mi casa no es particular, CAC Málaga, Málaga.

Collettive
1993

Primera bienal de arte en la frontera, Armacen Regimental, Lagos.

100%, Museo de Arte Contemporáneo, Sevilla.

Palacio Episcopal, Málaga.



La situación, Encuentros de Arte español, Cuenca.
1994

Uno cada uno, Galería Juana de Aizpuru, Madrid.

Gravina, Centro de Arte, Huelva


1995

El agua de la vida, Museo de Huelva, Huelva.
1996

New Art, Galería Cavecanem, Barcelona.

Galería Juana de Aizpuru, Sevilla.

Laurence Miller Gallery, New York.

50 artistas contra el SIDA, Casa Murillo, Sevilla.

Proyecto Delft, Museo de Arte Contemporáneo, Sevilla.
1997

Andalucinaciones, Teatro Central, Sevilla.

Biblioteca pública, Granada.



Norte-Centro-Sur, Galería Juana de Aizpuru, Sevilla.
1999

Galería Miguel Marcos, Barcelona


Arte de mujeres, Palacio Episcopal, Málaga; Pabellón Mudéjar, Sevilla


Gráfica contemporánea, Centro de Arte Unicef, Sevilla.

Translacje 99 Art Meeting, Piotrków Trybunalski.

99 del 99 en Sevhilla, Convento Santa Inés, Sevilla.

Art 98 Basel, Galería Juana de Aizpuru, Suiza.



Otras lecturas, Palacio Episcopal, Málaga.
2000

Maldito seas, Casa de la Moneda, Sevilla.

Galería Juana de Aizpuru, Sevilla.



Apuntes para una colección, Centro Andaluz de Arte Contemporáneo, Sevilla.

El canto del gallo, Galería Juana de Aizpuru, Madrid.

Panorama 3, Centro Artístico, Literario y Científico, Granada.
2001

SOLIDARIOS, Centro Andaluz de Arte Contemporáneo, Se villa.

50 Ojos, Caja San Fernando, Sevilla.

Ayuntamiento de Poyença, Mallorca.


2002

La chispa del arte 2002, Castillo de San Vicente de la Barquera.

Impacto de ida y vuelta, Galería Cavecanem, Sevilla.

Artistas solidarios con el autismo, Fundación El Monte, Sevilla.

III Trienal de arte gráfico, Palacio Revillagigedo, Gijón.
2004

Cine y casi cine, Museo Nacional Centro de Arte Reina Sofía, Madrid

Identidades múltiples, Reales Atarazanas de Sevilla.

Chen Zhen

è nato a Shanghai nel 1955 ed è morto a Parigi nel 2000.

Personali

1986


Galerie de l’Institut théâtral de Shanghai, Shanghai.

1989

Hôtel des Sociétés de Verdun, Verdun.

1990

Hangar 028, in collaborazione con il Musée départemental des Vosges, Paris.
1991

Galleria Valentina Moncada, Roma.

Ecole nationale supérieure des Beaux-Arts, Paris.

Natur und Objekt. Ready-Made Mumifikation, Galerie Dany Keller, München.
1992

La Porte de re-naissance, Espace des arts, Colomiers.

Objets illuminés la nuit, Galleria Vivita, Firenze.

Chen Zhen au Magasin, Magasin-Centre national d’art contemporain, Grenoble.

Eruption future, Arts 04, Centre d’art contemporain de Saint-Rémy-de-Provence.
1993

Polymorphie, Galerie Michel Rein, Tours.

Light of Confession, Centraal Museum, Utrecht.

La Maison de “l’autel”, Lumen Travo Gallery, Amsterdam.

The Fire. Water as Purification, Galerie Dany Keller, München.
1994

Field of Waste, The New Museum of Contemporary Art, New York.

Chen Zhen, École nationale des Beaux-Arts, Nancy.
1995

Field of Purification, Galerie Ghislaine Hussenot, Paris.

No Way to Sky, no Door to Earth, Jean Bernier Gallery, Athína.
1996

Daily Incantations, Deitch Projects, New York.

La Digestion perpétuelle, Musée Léon Dierx, Saint-Denis.

Centre international d’Art contemporain de Montréal, 11ème édition des 100 Jours d’art contemporain de Montréal, Montréal.


1997

Fu Dao/Fu Dao, Upside-down Buddha. Arrival at Good Fortune, CCA Center for Contemporary Art, Kitakyushu.
1998

Jue Chang/Fifty Strokes to Each, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv.

Chen Zhen, entre thérapie et méditation, Galerie Ghislaine Hussenot, Paris.
1999

Chen Zhen, entre thérapie et méditation, ADDC Espace culturel François Mitterrand, Périgueux.
2000

Nightly Imprecations, Art & Public, Genève.

Jardin-Lavoir, Cimaise & Portique-Centre départemental d’art contemporain, Albi.

Chen Zhen, Elogio della magia nera - In Praise of Black Magic - Eloge de la magie noire, GAM Galleria Civica d’Arte Moderna e Contemporanea, Torino.

Six Roots, Museum of Contemporary Art, Zagreb.

Field of Synergy, Galleria Continua, San Gimignano.

The Ritual Music. Daily Incantations, Paris.
2001

Serpentine Gallery, London.

Maison portable, Art & Public, Genève.

Omaggio a Chen Zhen, L’Arte per la Città per l’Arte, III Rassegna d’Arte Contemporanea, Fortino di Sant’Antonio, Bari.
2002

Chen Zhen. Metaphors of the Body, National Museum of Contemporary Art, Athína.

Résidence-Résonance-Résistance, CCC Centre de création contemporaine, Tours.

Chen Zhen. Inner Body Landscapes, ICA Institute of Contemporary Art, Boston.
2003

Chen Zhen: a Tribute, PS 1, New York.

Chen Zhen. Un artista fra oriente e occidente, PAC Padiglione d’arte contemporanea, Milano. Résidence-Résonance-Résistance, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster.


Chen Zhen, Silence sonore, Palais de Tokyo, Paris.

Le Festival d’automne à Paris, 32ème édition, Espace Topographie de l’Art, Paris.


2004

Chen Zhen. Dancing Body - Drumming Mind, GEM (Haags Gemeentemuseum), Den Haag.

Une soirée en l’honneur de Chen Zhen, Académie de France à Rome,Villa Medici, Roma, 23 settembre.

Collettive
1987

Carrefour de la Chine, Rue Sainte-Anne, Paris.

Chine contemporaine, Galerie Schèmes, Lille.

Six générations de peintres chinois à Paris, Maison des Sciences de l’Homme, Paris.

Salon des réalités nouvelles, Grand Palais, Paris.
1988

Salon des réalités nouvelles, Grand Palais, Paris.
1989

Quatre artistes asiatiques, Ecole nationale supérieure des Beaux-Arts, Paris.
1990

Laboratoire, Russian Museum, St. Petersburg.

Chine demain pour hier, Pourrières.

Von mir aus, Galerie Dany Keller, München.
1991

Sous le signe de..., Centre lotois d’art contemporain, Figeac.

Parcours privés, quartier du Marais, Paris.

L’Art de la lecture, FRAC Alsace.

East Wind, Asian American Art’s Center, New York.
1992

Allocaties/Allocations. Art for a Natural and Artificial Environment, Floriade Parc, Den Haag.

3011, Galerie des Archives, Paris.

La Technologie dans l’art, Galleria Vivita, Firenze.


Paesaggio con rovine, Museo Civico di Arte Contemporanea, Gibellina.
1993

Energotopes, Institut français d’Athènes, Contemporary Art Center Iléana Tounta, Athína; Institut français de Salonique, Thessaloniki.

PROSPECT 1993, Frankfurter Kunstverein und Schirn Kunsthalle Frankfurt, Frankfurt am Main.

Plötzlich ist eine Zeit hereingebrochen, in der alles möglich sein sollte, Kunstverein, Ludwigsburg.

Trésors de voyage, 45a Esposizione Internazionale d’Arte, Biennale di Venezia, Venezia.

Devant, le futur, Taejon Expo ’93, Taedok Science Town, Taejon.

Before the Sound of the Beep. A Parisian exhibition (on answering machine) - Avant le bip sonore, une exposition parisienne (sur répondeur), Paris.

Concession perpétuelle, Musée Léon Dierx, Saint-Denis-de-la-Réunion.

The Silent Energy, The Museum of Modern Art, Oxford.

Rencontres dans un couloir, 12, rue Lacordaire, Paris.

Thalatta, Thalatta, XXXVIII Mostra Internazionale d’Arte Contemporanea, Museo Internazionale d’Arte Contemporanea, Termoli.

Viennese Story, Wiener Secession, Wien.
1994

L’Œuvre a-t-elle lieu ?, Witte de With, Rotterdam.

In altre parole, Galleria Valentina Moncada, Roma.

Out of the Center, Jari-Pekka Vanhala, Pori.

Art Museum, Pori.



Le Shuttle, Künstlerhaus Bethanien, Berlin.

Heart of Darkness, Kröller-Müller Museum, Otterlo.
1995

Dialogue de paix, Palais des Nations Unies, Genève.

25 Jahre Galerie, Galerie Dany Keller, München.


10ème Bourse d’Art monumental d’Ivry, Centre d’art contemporain d’Ivry-Galerie Fernand Léger, Ivry.

On board, Il Nuovo Trionfo, Riva San Biagio, Venezia.

Shopping, CAPC - Musée d’art contemporain, Bordeaux.

Aperto 95, Le Nouveau Musée, Villeurbanne.

Dada-Fluxus-Tecno, Galleria Vivita, Firenze.

Infra Sound, Woche die Bildenden Kunst, Hamburg.
1996

1st Shanghai Art Biennial, Shanghai Art Museum, Shanghai.

Artistes français de A à Z, Galerie Gabrielle Maubrie, Paris.

Shopping, Deitch Projects, New York.

Sites et artistes, Villette-Amazone, Paris.

Origin and Myths of Fire, New Art from Japan, China and Korea, The Museum of Modern Art, Saitama.

The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers, The Shaker Community, Sabbathday Lake.

Stipendiaten in der Villa Waldberta, Galerie Dany Keller, München.

Inklusion-Exklusion, Graz.
1997

Parisien(ne)s, Institute of International Visual Arts, Camden Arts Centre, London.

Fueki-Ryuko (Immutability and Fashion): Chinese Contemporary Art at the Midst of Changing Surroundings, Kirin Art Space, Harajuku, Kirin Plaza, Osaka, Mitsubishi-Jisho Artium, Fukuoka.

Meditations, Art for The World, Médersa Ibn Youssef, Marrakech.

L’Autre, 4ème Biennale de Lyon, Maison de Lyon, Lyon.

In-between the Limits, Sonje Museum of Contemporary Art, Kyungju.

The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers, ICA, Maine College for Art, Portland.


Hybrid, Kwangju Biennale, Kwangju.

Hong Kong, etc., 2nd Johannesburg Biennial, Johannesburg.

Cities on the Move, Wiener Secession, Wien.

Artist Projects, The re-opening show of PS 1 Museum, PS 1 Contemporary Art Center, New York.
1998

Chen Zhen and Ken Lum, Catriona Jeffries Gallery, Vancouver.

In(ter)fection: Chen Zhen and Nari Ward, in Archipelago: Crash Between Islands, National Maritime Museum, Stockholm.

Futur à rencontrer, Passage de Retz, Paris.

Passage(s), Centre international d’art contemporain, Montréal.



The Edge of Awareness, Art for the World, Headquarters of WHO (World Health Organization), Genève; PS 1, New York & United Nations; SESC Pompei; São Paulo; New Delhi.

Cities on the Move, CAPC - Musée d’art contemporain de Bordeaux, Bordeaux; PS 1, New York.

The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers, ICA, Boston.

1998 Taipei Biennial: Site of Desire, Taipei Fine Arts Museum, Taipei.

Desire of Home (Sehnsucht Heimat), Kunsthalle Tyrol, Tyrol.

1re Biennale de Montréal, Montréal.

Global Vision. New Art from the 90’s, Deste Foundation, Athína.

Gare de l’Est, Casino de Luxembourg, Luxembourg.
1999

Cities on the Move, Louisiana Museum of Modern Art, Humlebaek; Hayward Gallery, London; Kiasma Museum of Contemporary Art, Helsinki.

Tales of the Tip, Fundament Foundation, Praktijkbureau Beeldende Kunstopdrachten of the Mondrian Foundation, Breda.


Jardin Secret, Hôpital Charles Foix, Ivry.

Magical Reality of Unnatural, Kunsthaus Bregenz, Bregenz.

dAPERTutto, XLVIII Biennale di Venezia, Venezia.

Between Artificial and Nature, Brunico.

In de Ban Van de Ring, Provenciaal Centrum voor Beeldende Kunsten, Hasset.

The Quiet in the Land: Everyday Life, Contemporary Art and Projeto Axé, Salvador de Bahia.

Let’s get Lost, Central St. Martin College of Art and Design, London.

Street Life, Project Row House, Houston.

Panorama 2000, Centraal Museum, Utrecht.

Beyond the Future. The Third Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, South Brisbane.

Kunstwelten in Dialog, Museum Ludwig, Köln.

1999 Carnegie International, Carnegie Museum of Art, Pittsburgh.
2000

Art grandeur nature, Parc départemental de La Courneuve, La Courneuve.

The Quiet in the Land: Everyday Life, Contemporary Art and Projecto Axé, MOMA - Museum of Modern Art of Bahia, Salvador.

Parisien(ne)s, ARC, Musée d’Art moderne de la Ville de Paris, Paris.

Paris pour escale, ARC, Musée d’Art moderne de la Ville de Paris, Paris.

Collection, Kirishima Open Air Museum, Kagoshima.

Continental Shift, Ludwig Forum, Aachen.

Playground & Toys for Refugee Children, Art for the World, Musée international de la Croix-Rouge, Genève.
2001

Belvedere, 1951-2001 Made in Italy?, Palazzo della Triennale, Milano.

The Body of Art, 1era Bienal de Valencia, Valencia.


Platea dell’Umanità, XLIX Esposizione Internazionale d’Arte, Biennale di Venezia, Venezia.
2002

Musicaxocchi/Augenmusik/Eyemusic, Bolzano.

Prière(s), Musée d’art et histoire, Saint-Denis.

Glassway, Le Stanze del vetro, Museo Archeologico Regionale, Aosta.

Continuità. Magnete. Presenze artistiche in Toscana nella seconda metà del XX secolo, Fattoria di Celle, Santomato di Pistoia.
2003

microutopÍas, 2a Bienal de Valencia, Valencia.
2004

The Beauty of Failure / The Failure of Beauty, Fondació Mirò, Barcelona.

11th Biennial of Visual Art, Pancevo.



A secret History of Clay: from Gauguin to Gormley, Tate Liverpool, Liverpool.

permercati dell’arte. Il consumo rappresentato ironizzato contestato, Complesso mussale di Santa Maria della Scala, Siena.

Marlene Dumas

è nata nel 1953 a Cape Town.

Vive e lavora ad Amsterdam.



Personali
1979

Galerie Annemarie de Kruyff, Paris.


1980

Galerie Lambelet, Basel.


1983

Unsatisfied Desire, Galerie Paul Andriesse, Amsterdam.
1984

Ons Land Lickt Lager Dan De Zee, Centraal Museum, Utrecht.

The Artist as a Young Girl, Galerie Flatland, Utrecht.
1985

The Eyes of the Night Creatures, Galerie Paul Andriesse, Amsterdam.
1986

Fear of Babies, De Expeditie, Amsterdam.

1987


The Private versus the Public, Galerie Paul Andriesse, Amsterdam.
1988

Nightmares, Galerie Wanda Reiff, Maastricht.

Ecco Pier Paolo Pasolini, Filmmuseum, Amsterdam.
1989

The Question of Human Pink, Kunsthalle Bern, Bern.
1990

Couples, Museum Overholland, Amsterdam.

The Origin of the Species, Staatsgalerie Moderner Kunst, München.
1991

The Origin of the Species, Galerie Paul Andriesse, Amsterdam.

Ausser Reichweite von Kindern, Galerie Stampa, Basel.
1992

Ask me no Questions and I’ll tell you no Lies, Galerie Isabella Kacprzak, Köln.

Insight, Axe-Neo-7, Hull Quebec.

Strips, In Situ/Ardi Poels, Maastricht.

Miss Interpreted, StedelijkVan Abbemuseum, Eindhoven.
1993

Give ‘em what they Want, Zeno X, Antwerpen.

Land of Milk and Honey, Produzentengalerie, Hamburg; Bonner Kunstverein, am August-Macke- Platz, Bonn.

ICA, Philadelphia.



La normalita dell’Arte, La Galleria del Credito Valtellinese, Milano.
1994

The Arts Club of Chicago, Chicago.

Art Gallery of York University, Toronto.

Not From Here, Jack Tilton Gallery, New York.

Chlorosis, Douglas Hyde Gallery, Dublin Kunst-Station Sankt Peter, Köln.
1995

XLVI Biennale di Venezia, Padiglione olandese, Venezia.

Raum aktueller Kunst, Wien.


Models, Kunstverein, Salzburg.

Portikus, Frankfurt am Main.

1996

Models, NGBK Haus am Kleistpark, Berlin; Tate Gallery, London.

Pin Up, Stedelijk Museum “het Toreke”, Tienen.

Gallery Koyanagi, Tokyo.


1997

Young Boys. Part II, Gallery Koyanagi, Tokyo.

Marlene Dumas Wolkenkieker, Produzentengalerie Hamburg, Hamburg.
1998

Miss World, Galerie Paul Andriesse, Amsterdam.

Fantasma, Fundacao Gulbenkian, Lisboa.

Damenwahl, Kasseler Kunstverein, Kassel.
1999

M D-light, Frith Street Gallery, London.
2000

Figuration, Museion, Bolzano.

Strippinggirls, con Anton Corbijn, Theatermuseum Amsterdam, 15.4 - 3.7, SMAK, Gent.
2002

Zeno X, Antwerpen.
2003

Wet Dreams, Stadtische Galerie Ravensburg, Ravensburg.

Museum of Modern Art, Arken.



Focus, Art Insitute, Chicago.

Suspect, Fondazione Bevilacqua La Masa, Venezia.
2004

The Second Coming, Frith Street Gallery, London.



Con vista al celestiale (con Marijke van Warmerdam), Galleria Civica Montevergini, Siracusa.

Collettive
1977

Marlene Dumas, Elisabeth de Vaal, Edelambachtshuis, Gouda.
1978

Atelier 15 (10 young artists), Stedelijk Museum, Amsterdam.
1980

The Critic Sees, Museum Fodor, Amsterdam.

1982


Documenta 7, Museum Fridericianum, Kassel.
1983

Rainer Fetting, Marlene Dumas, Rene Daniels, Walter Dahn, Galerie Helen van der Meij, Amsterdam.

Amsterdam 1983 in Berline, Berlin 1983 in Amsterdam, 14 Niederlaische Kunstler zeigen eigene Werke, 14 Deutsche Kunstler zeigen eigene Werke, Kunstambt Kreuzberg, Berlin; Aorta, Amsterdam.

Fourteen Artists from The Netherlands, Museum Boymans Van Beuningen, Rotterdam.

Restrisiko, Bonnefantenmuseum, Maastricht.

Amsterdam-Reykjavik, on both sides of the meridian, The Living Art Museum, Reykjavik Museum Fodor, Amsterdam.
1984

Paravents, Schloss Lorsfeld, Kerpen.
1984-1985

Vindsulor. Painting Sculpture and Video in Holland, Konsthallen, Goteborg.

1985 Cover/Dubbelganger, Aorta, Amsterdam.

Vijftien kunstenaars, Stedelijk van Abbemuseum, Eindhoven.

Kunst tegen apartheid De Nieuwe Kerk, Amsterdam.

Original d’Amsterdam, Exhibition of Contemporary Art from Holland, Centre Cultural de la Caixa de Pensiones, Barcelona.

Rene Daniels, Marlene Dumas, Henk Visch, Barbara Jandrig Galerie, Krefeld.
1985

Het Avondmaal, Grote of Jacobijnenkerk, Leeuwarden Wat Amsterdam betreft (As far as Amsterdam goes), Stedelijk Museum, Amsterdam.
1986

6 Plasticiens contemporains des Pays-Bas, Musée d’Art Moderne, Villeneuve-d’Ascq.

Innovation and Tradition. Dutch Art of the Eighties Badischer Kunstverien, Karlsruhe; Stadtische Galerie Erlangen, Erlangen; Central Museum, Utrecht.


The Meaning of Drawing. Drawings by ten Dutch artists, Rijksdienst Beeldende Kunst, Den Haag.
1987

Art From Europe, Tate Gallery, London.

Holland’s Landscape, Museum Overholland, Amsterdam.

Century Art, Amsterdam.


1988

Bluebeard Stills, Shaffy Theater, Amsterdam.

Nightfire, Stichting de Appel, Amsterdam.

Rosemarie Trockel: arbeiten 1988; Marlene Dumas; arbeiten 1986/88, Galerie Stampa, Basel.
1989

6 Dutch Artists, The Fruitmarket Gallery, Edinburgh.

Hommage aan Pasolini, Gemeentemuseum, Arnhem.

Prospect ’89. Eine Ausstellung Aktueller Kunst, Frankfurter Kunstverein, Frankfurt am Main.


1990

Selfportraits, Galerie Tania Rumpff, Haarlem.

Inconsolable, An Exhibition about Painting, Louver Gallery, New York.

Bevrijdingen, Het Joods Historisch Museum, Amsterdam
1991

The Interrupted Life, The New Museum, New York.

Forbidden Games, Jack Tilton Gallery, New York.
1992

Bildnisse Figuren, Stampa, Basel.

Drawn in the Nineties, New York.

Documenta IX, Kassel.

Ars Pro Domo, Zeitgenossische Kunst aus Kolner Privatbesitz, Museum Ludwig, Köln.
1993

The 21st Century, Kunsthalle, Basel.

Gegenbilder, Lambertkirche, Münster.

Deichtorhalle, Wien; Hamburg.

Uberleben, Bonner Kunstverein, Bonn.

1994

Marlene Dumas, Mike Kelley, Christopher Wool (Drawings), Galerie Samia Souma, Paris.

Art des Pays Bas au XXème Siècle. Du Concept à l’Image, Musée d’art moderne de la Ville de Paris, Paris.

Andries Botha, Marlene Dumas, Sandra Kriel, Galerie Paul Andriesse, Amsterdam Centre d’Art Contemporain, Genève.

Marlene Dumas, Juan Munoz, Thomas Schütte, Frith Street Gallery, London.

4 x 1 im Albertinum (con Gunther Fruhtrunk, Louise Lawler, Marcel Odenbach), Gemäldegalerie Neue Meister, Staatliche Kunstsammlungen Dresden.

Cocido Y Crudo, Museo Nacional Centro de Arte Reina Sofia, Madrid.
1995

ARS 95, Museum of Contemporary Art, Helsinki.

Africus, Johannesburg Biennale, Johannesburg.

Identità e Alterità, Palazzo Grassi, Venezia.

Der Eeuw van Mondriaan, Museum Paleis Lange Voorhout, Den Haag.

Hedendaags Zuid-Afrika, 12 artists from South Africa, Museum’t Coopmanshus, Franeker.

Carnegie International 1995, Carnegie, Pittsburgh.



The Particularity of Being Human, Malmö Konsthall, Malmö; Castello di Rivoli, Torino.
1996

Ver na Vermeer, De Beyerd, Breda.

Distemper: Dissonant Themes in the Art of the 1990’s, Hirshhorn Museum, Washington, DC.

Take Two, Centraal Museum Utrecht.
1997

Kaapse Lading, Oudtshorn.

De Bruiloftsreportage, Centraal Museum, Utrecht.

Palazzo Grassi, Biennale, Venezia.


De Versameling, Muhka, Antwerpen.

Floating Images of Women in Art History, Tochigi prefectoral Museum of Fine Arts, Utsunomiya.
1998

Between Democracy and Redemption in Contemporary Art, Moderna Museet, Stockholm.

Szenenwechsel, Museum fur Moderne Kunst, Frankfurt am Main.

8 People from Europe, Museum of Modern Art, Gunma.

Hungry Ghosts, Douglas Hyde Gallery, Dublin.

Ideal und Wirklichkeit, Rupertinum, Salzburg.
1999

Physical Evidence, Kettle’s Yard, Cambridge.

Marlene Dumas, Fondazione Teseco per l’Arte, Pisa.

Galerie Paul Andriesse, Amsterdam.



Spaced Out, Californian College of Arts and Crafts, San Francisco

Trouble Spot, Muhka, Antwerpen.

Pathologiae, Museion, Bolzano.

0 to 60 in 10 years, Frith Street Gallery, London.

Micro / Macro, University of Texas, Austin.

Presumes Innocents, Capc, Bordeaux.

Regarding Beauty, Hirshhorn Museum and Sculpture Garden, Washington, DC.

Zeitwenden, Kunstmuseum, Bonn.
2000-2001

Le Sommeil ou quand la raison s’absente, Musée cantonal des Beaux-Arts, Lausanne.
2001

Stop Press: beautiful productions, Whitechapel Art Gallery, London.
2002

The Beauty of Intimacy, Kunstraum, Innsbruck.

Schwarz/Weiss, Muscarnok, Budapest.

Hofvijver in Poezie en Beeld, Den Haag.

Moffat, Kruger, Dumas, Monika Sprueth Galerie, Köln.

Royal Academy, London.


Refuge, Henie Onstad Center, Oslo.


Summer Show, RA London, Frith Street Gallery, London.

Extreme Existence, Pratt Institute, New York.

The Nude in Art of the 20th Century, Kunsthalle, Emden.

The Galleries, Royal Academy, London.



Loud and Clear, Stedelijk Bureau Amsterdam, DVD project con Ryuichi Sakamoto ed Erik Kessell
2003

The Nude in Art of the 20th Century, Museum of Modern Art, Arken.

Focus, Art Insitute, Chicago.
2004

(In Search of) The Perfect Lover, Hauser and Wirth, London.

L’AAAir du Temps, Das Migro Museum, Zürich.

Tracey Emin

è nata a Londra nel 1963.

Vive e lavora a Londra.



Personali
1993

The Shop (con Sarah Lucas), 103 Bethnal Green Road, London.

My Major Retrospective, White Cube-Jay Jopling, London.

From Army to Armani (con Sarah Lucas), Analix Gallery, Genève.
1994

Exploration of the Soul. Journey Across America, letture presso i seguenti luoghi: Rena Bransten, Los Angeles; Regen Projects, Los Angeles; Museum of Contemporary Art, San Diego; David Klein Gallery, Detroit; Mattress Factory, Pittsburgh; Sandra Gehring Gallery, New York; White Columns, New York.
1995

Tracey Emin Museum, 221 Waterloo Road, London.
1996

It’s not me that’s crying, it’s my soul, Galerie Mot & Van den Boogard, Brussel.

Exorcism of The Last Painting I Ever Made, Gallery Andreas Brändström, Stockholm.

Habitat, London.

1997

I need Art like I need God, South London Gallery, London.

Moo Gallery, Helsinki.


1998

Cunt Vernacular, Galerie Gebauer, Berlin.

Pandaemonium, London Electronic Arts Gallery, London.

Sobasex (My Cunt is Wet with Fear), Sagacho Exhibition Space, Tokyo.

I Need Art Like I Need God, Gesellschaft für Aktuelle Kunst, Bremen.

Galerie Phillippe Rizzo, Paris.


1999

Every Part of Me’s Bleeding, Lehmann Maupin, New York.
2000

Love is a Strange Thing, Figure 1, London.

What Do You Know About Love, Gebauer, Berlin.
2001

You Forgot to Kiss My Soul, White Cube.
2002

Istanbul Biennial, Pera Palace Hotel, Istanbul.



This is Another Place, Museum of Modern Art, Oxford.

Ten Years, Tracey Emin, Stedelijk Museum of Modern Art, Amsterdam.

Tracey Emin Showreel, The Genesis Cinema, London.

Tracey Emin, Haus der Kunst, München.

I Think It’s in My Head, Lehmann Maupin, New York.

The Agression of Beauty, Galerie Arndt & Partner, Berlin.
2003

Art Gallery of New South Wales, Sydney.



Ten Years Tracey Emin, Stedelijk Museum, Amsterdam.

This is Another Place, Modern Art, Oxford.

De Hallen, Haarlem.


2004

Memphis, Counter Gallery, London.

Monoprints, Museo de Bellas Artes, Santiago.

Tracey Istanbulda, Platform Garanti Contemporary Art Center, Istanbul.


I’ll Meet You In Heaven, Galleria Lorcan O’Neill, Roma.

BP British Art Displays, Tate Britain, London.



Fear, War and The Scream, Roslyn Oxley9 Gallery, Sydney; City Gallery Wellington, Wellington.

Galleria Lorcan O’Neill, Roma.



Can’t see past my own eyes, Sketch, London.

Roslyn Oxley Gallery, Sydney.



Collettive
1992

The Phone Box, London; Liverpool.
1993

Carlton Palace Chambre 763, Hotel Carlton Palace, Paris.
1994

Gramercy Park Hotel Art Fair, New York.



Karaoke and Football, Portikus, Frankfurt am Main.

Other Men’s Flowers, Joshua Compston-London Portfolio, London.

Hotel Carlton palace Chambre 763, Hotel Carlton Palace, Paris.
1995

Brilliant! New Art from London, Walker Art Center, Minneapolis.

Brill: Works on Paper by Brilliant Artists, Montgomery Glasgow Fine Art, Minneapolis.

Mysterium Alltag, Kampnagel, Hamburg.

Milky Manky, South London Gallery, London; Arnolfini, Bristol.

Whistling Women, Chelsea Room, Royal Festival Hall, London.

The Friendly Village, Milwaukee Institute of Art and Design, Milwaukee.

Art for Aids, Gallerie Nicoli Wainer, Copenaghen.

Other Men’s Flowers, IceBox, Athína.
1996

Full House: Young British Art, Kunstmuseum, Wolfsburg.

Sad, Gasworks, London.

Life/Live, Musee d’Art Moderne de la Ville de Paris, Paris.


The Agression of Beauty, Galerie Arndt & Partner, Berlin.

Yerself is Steam, 85 Charlotte Street, London.

A Grapefruit in The World Park, Transmission Gallery, Glasgow.

Other Men’s Flowers, Aurel Scheibler, Köln.

Faustrecht der Freiheit, Kunstsammlung Gera, Berlin, Neues Museum Weserburg, Bremen.

Co-operation, Southampton City Art Gallery, Southampton.

Loosy, Galerie Philippe Rizzo, Paris.
1997

History. Image-based work in Britain in the late 20th Century, The Ferens Art Gallery, Kingston Upon Hull.

Private Face. Urban Space, Old Gasworks, Athína.

between the devil and the deep (blue) sea, MUU Gallery, Helsinki.

Ca-Ca Poo-Poo, Kunstverein, Köln.

Package Holiday, Hydra Workshops, Hydra.

Time Out, Kunsthalle Nürnberg, Nürnberg.

Istanbul Biennial, Istanbul.

Tales from the City, Stills Gallery, Edinburgh.

Craft, Richard Salmon, London.

Sensation, Royal Academy of Arts, London.

Such is Life, Serpentine Gallery Bookshop, London; Palais des Beaux-Arts, Brussel.

Summer Love, Fatouhi Cramer Gallery, New York.

Dissolution, Laurent Dalaye Gallery, London.

Hypermnesiac Fabulations. The New British Art Scene, The Power Plant, Toronto.

Slight, Norwich Galley, Norwich; Collective Gallery, Edinburgh.

Kunst: Arbeit: 1st Presentation of the Banks Collection, Südwest LB, Stuttgart.

Absolute Secret, Royal College of Art, London.

Urban Legends, Baden-Baden.


Time Out, Kunsthalle Nürnberg.
1998

Encyclopedia, Turner & Runyon, Dallas.

The Colony Room 50th Anniversary Art Exhibition, A22 Projects, London.

Emotion: Young British and American Art from the Goetz Collection, Deichtorhallen, Hamburg.

Loose Threads, Serpentine Gallery, London.

Life is a Bitch, De Appel, Amsterdam.

La Biennale de Montréal, Center International d’Art Contemporain de Montréal, Montréal.

Real Life, Galleria S.A.L.E.S., Roma.

English Rose in Japan, The Ginza Art Space, Tokyo; North Miami MoCA, Miami.

Art from the UK. Angela Bulloch, Willie Doherty, Tracey Emin, Sarah Lucas, Sam Taylor-Wood, Sammlung Goetz, München.

Made in London. An exhibition of works by London based artists made in the 1990’s, Museu de Electricidade, Lisboa.

Personal Effects, Spacex Gallery, Exeter; Angel Row Gallery, Nottingham.

The Human Factor, Achenbach Kunsthanden, Düsseldorf.

Sam Taylor-Wood, Tracey Emin, Gillian Wearing, Marc Quinn, Galerija Marino Cettina, Umaq.

Live and Let Die, Apex Art C.P., New York.

Beach Life, Upper Street, London.

10 SupaStore Supastars, SupaStore at Tomato, London.

UK Maximum Diversity, Galeire Krinzinger, Benger Fabrik Bregenz, Bregenz.

Hidden Desires and Images, Art Dynamics, Tayayo Lida, Tokyo.
1999

Turner Prize, Tate Gallery, London.

Selections from the Permanent Collection, North Miami MoCA, Miami.

Sensation, Brooklyn Museum of Art, New York.

Free Coke, Greene Naftali, New York.

Hundstage, Gesellschaft für Aktuelle Kunst, Bremen.

Imagen em Movimento, Moving Image, Chiva [S]ynergies Art, São Paulo.

Art Lovers, The Liverpool Biennial of Contemporary Art, Compton House, Liverpool.

Now It’s My Turn to Scream, Works by Contemporary British Artists from the Logan Collection, Haines Gallery, San Francisco.

Self Evident, Vaknin Schwartz, Atlanta.

Sweetie, The British School at Rome, Roma.
Heads Up, North Miami MoCA, Miami.

Potent, Logan Galleries, California College of Arts and Crafts, San Francisco.

Drawings 2000, Barbara Gladstone Gallery, New York.

Sex and the British, Galerie Thaddaeus Ropac, Paris.

Saatchi Collection, Saatchi Gallery, London.

Peter Blake: About Collage, Tate Gallery, London.

Nurture and Desire, Hayward Gallery, London.

1960s, Gallerie Thaddaeus Ropac, Salzburg; Gallerie Thaddaeus Ropac, Paris.

Gut Aufgelegt, Kunsthaus, Hamburg.

Drawings, Sommer Contemporary Art, Tel Aviv.

Drawings, Taché-Lévy Gallery, Brussel.

From Face to Face. Mimics-Gestures-Emotions, Stästisches Museum Leverkusen, Leverkusen.

Out There, White Cube, London.

Art in Sacred Spaces, St. Mary’s Church, Islington, London.

The British Art Show 5, The Scottish National Gallery of Modern Art, Edinburgh.

Diary, Cornerhouse, Manchester.
2001

I Love New York Art Benefit, Lehmann Maupin, New York.

At Sea, Tate Liverpool.

Tattoo Show, Modern Art, London.

Century City, Tate Modern, London.

Trans Sexual Express, Centre d’Art Santa Mònica, Barcelona; Palacio Municipal de Exposiciones, Coruña; Mücsarnok Kunsthalle, Budapest.

For the Love of Dog, Pump House Gallery, London.

Printers Inc., The Gallery, Stratford-upon-Avon, Gallery.

Read-Only Memory, Mead Gallery, Warwick Arts Centre, University of Warwick, Coventry.

Televisions, Kunsthalle Wien, Wien.

Video Project Space, Anthony Wilkinson Gallery, London.

In Formation, Percy Miller Gallery, London.

Summer Exhibition 2001, Royal Academy of Arts, London.

Freestyle, Werke Aus der Sammlung Boros, Museum Morsbroich, Leverkusen.

Insider Trading: profit without honor, Mandeville Hotel, London.
2002

Face Off, Kettle’s Yard, Cambridge.

Rapture: Art’s Seduction by Fashion Since 1970, Barbican Gallery, London.

The Ink Jetty, Neon Gallery, London.

Shine, St. Pancras Chambers, London.

The Glory of God: New Religious Art, Saint Peter’s Church, Liverpool.

Disturb, 1st Public School of Hydra, Hydra.

Die Wohltat der Kunst. Post/Feministische Positionen der neunziger Jahre aus der Sammlung, Staatliche Kunsthalle, Baden-Baden.

Fusion Cuisine, Deste Foundation, Athína.

Public Affairs, Von Beuys bis Zittel: Das Offentliche in der Kunst, Kunsthaus, Zürich.

Landscape, Saatchi Gallery, London.

The Rowan Collection, Contemporary British & Irish Art, Irish Museum of Modern Art, Dublin.

2003

Galleria Lorcan O’Neill, Roma.



Happiness. A Survival Guide for Art and Life, Mori Art Museum, Tokyo.

Fast forward. Media Art, Sammlung Goetz, ZKM I Zentrum für Kunst und Medietechnologie, Karlsruhe.

FRESH: Contemporary British Artists in Print, Edinburgh Printmakers, Edinburgh.

Just Love Me: Post-Feministic Art of the 1990’s, Bergen Art Museum, Bergen.

A Bigger Splash: British Art from Tate 1960-2003, OCA & ITO, São Paulo.

Game Over, Grimm Rosenfeld, München.

Independence, South London Gallery, London.

The Happy Couple, Cartwright Hall Art Gallery, Bradford.

Il Racconto del Filo, Museo di Arte Moderna, Trento.

Europe Exists, Macedonian Museum of Contemporary Art, Thessaloniki.

Let’s See the Nature in You, Pepperton Gallery, London.

Tactics of the Ego, Stiftung Wilhelm Lehmbruck Museum, Duisburg.

Micro/macro, The Budepest Kunsthalle, Budapest.

Words from the Arts Council Collection, The Harris Museum and Art Gallery, Preston.

The Map Is Not The Territory Ill, James Hockey Gallery, The Surrey Institute of Art & Design.

En Route, De Hallen, Haarlem.

I Confess, Nikolaj Contemporary Art Centre, Copenhagen.
2004

The Christmas Exhibition 2004, Edinburgh Printmakers, Edinburgh.

Einlechten, Museum der Moderne, Salzburg.

Printers Inc. Recent British Prints, Manchester Art Gallery, Manchester.

Summer Exhibition, Royal Academy, London.

Collection Agnès B, Les Abattoirs, Toulouse.


Why I Never Became a Dancer, Frans Hals Museum, Haarlem.

See It...Read It, Draíocht, Dublin.

Secrets of the 90’s, Museum voor Moderne Kunst Arnhem, Arnhem.

Social Strategies. Redefining Social Realism, Schick Art Gallery, Skidmore; College, New York; University of California, Santa Barbara.

Flexible 4. Identities, Nederlands Textilemuseum, Tilburg; Kunsthalle Brandts Klaedefabrik, Odense; The Whitworth Art Gallery, Manchester.

The Other Flower Show, Victoria & Albert Museum, South Kensington.
2005

Critic Choice, FACT, Liverpool.

Faltering Flame: Aspects of the Human Condition in Contemporary Art, Graves Art Gallery, Sheffield.

Munch Revisited, Museum am Ostwall, Dortmund.

Jon Mikel Euba

è nato ad Amorebieta nel 1967.

Vive e lavora a Berlino.



Personali

1996


Basauri, Local Aula de Cultura, Basauri.

Petrol, Arbolantza 4, Bilbao.
1997

Coche, House, Horse, Consonni, Bilbao.
1999

Music for Boys, Galeria DV, Donostia.

Special Movie Music, Palacio de Abrantes, Salamanca.
2000

Escenarios, Sala Amadis, Madrid.
2001

Amobil, Imago, Salamanca.
2002

Kill’em all, Museo Artium, Vitoria.

K.Y.D, Kunstlerhaus Bethanien, Berlin.
2003

Kill’em all+ Fiesta 4 Puertas, Fundació Tapies, Barcelona.

Gatika Doble Final, Galeria Moisés Perez de Albeniz, Pamplona.
2005

Some Thinghs are Moving, Galería Soledad Lorenzo, Madrid.

Collettive
1998

Bon Voyage,T.N.B-F.R.A.C. Bretagne, Rennes.

Dibujos Germinales, Museo Reina Sofia, Madrid.
1999

There is no sexual relation, Centre For Freudian Analysis And Research, London.

Jonctions / Verbindingen, Brussel.

Failure, W139, Amsterdam.

Club (Arts & Lounge), Museo de Granollers, Granollers.

Emboîtages ou légères tautologies post-modernes, Art & Essai Gallery, Rennes.
2000

Trasvases, Museo Gil Carrillo, Ciudad de México; CCE, Lima; CCE, Buenos Aires.

Beayond Seasons, Établissement d’en face, Brussel.

San Juan National Museum, San Juan.



Bibujos germinales, Museo Sprengel, Hannover.
2001

Pandemonium, Lux Center London.

Antroapologies, Galeria L. Adelantado,Valencia.

Q.M.C, Galeria Joan Prats, Barcelona.

Gaur Hemen Orain, Museo de Bellas Artes de Bilbao, Bilbao.

Ofelias y Ulises, Venezia.
2002

Manifesta 4, Frankfurt am Main.
2003

Bad Boys, Venezia.

We are not afraid, VTO Gallery London.

M_ARS, LandesMuseum, Graz.

Prix Altadis, Galeria Anne de Villepoix, Paris.


Premios Altadis, Galeria Soledad Lorenzo, Madrid.

Monocanal, Museo Reina Sofía, Madrid.

Manifesta 4, Frankfurt am Main.

25horas,Video, Barcelona.
2004

Paisaje y Memoria, Casa Encendida, Madrid.

Re:Location Academy, Casino Luxembourg, Luxembourg.

Laoconte Devorado, Museo Artium,Vitoria, Salamanca.

Gure Artea, Museo Artium, Výtoria-Kunstlerhaus Bethanien, Berlin.

Las raíces del Vertigo, Museo MALBA, Buenos Aires.

Personne n’est Innocent, Confort Moderne, Poitiers.
2005

One minute in Busan, The Black Box, ARCO, Madrid.

Meschac Gaba


È nato nel 1961 a Cotonou (Benin).

Vive e lavora ad Amsterdam



Personali
1991

Centre Culturel Français, Cotonou.


1993

Dak’Art. Biennale de l’art africain contemporain.


1995

Pour la Francophonie, Cotonou.
1997

Bazar Bizar, Tropenmuseum, Amsterdam.
1998

SBK Kunstuitleen, Amsterdam.

NICC, Antwerpen.

Museum of Contemporary Art, DNB, Amsterdam,
The Architecture of the Museum, Gate Foundation, Amsterdam

1999


Summer collection, Vrije Universiteit, Amsterdam.

Salle de jeux di Musée d’Art Contemporain Africain, Le Pavé dans La Mare, Besançon.

Museum Restaurant, W139, Amsterdam.

Vente en gros and detaille, Lumen Travo, Amsterdam.
Museum Shop, S.M.A.K., Gent

Share with your friends:
  1   2   3   4   5
:)


The database is protected by copyright ©hestories.info 2019
send message

    Main page

:)