D. H. Lawrence (1885-1930)

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A Bibliography of Literary Theory, Criticism and Philology


http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)


D. H. Lawrence (1885-1930)

(English novelist and apostle of sexual liberation, b. Nottingham, son of a coal miner and a school teacher, rejected for service WW1 for lung trouble, l. abroad, wife Frieda, no children)



Works

Lawrence, D. H. The White Peacock. Novel. 1911.

_____. The White Peacock. Harmondsworth: Penguin, 1950.

_____. The White Peacock. London: Heinemann, 1955.

_____. The White Peacock. Ed. David Bradshaw. (World's Classics). Oxford: Oxford UP, 1997.

_____. A Collier's Friday Night. Drama. (Before 1912). Not staged for over 50 years.

_____. The Daughter-in-Law. Drama. (Before 1912). Not staged for over 50 years.

_____. The Widowing of Mrs. Holroyd. Drama. (Before 1912). Not staged for over 50 years.

_____. The Trespasser. 1912. London: Heinemann, 1950.

_____. "Love on the Farm." Poem. 1913, 1928. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2346-47.*

_____. Love Poems and Others. London: Duckworth, 1913.

_____. Sons and Lovers. Novel. 1913. London: Heinemann, 1955.

_____. Sons and Lovers. Ed. Julian Moynahan. New York: Viking, 1968.

_____. Sons and Lovers. Harmondsworth: Penguin,1976.

_____.Sons and Lovers. Ed. Helen Baron and Carl Baron. New York: Cambridge UP, 1992. Rev. in English Literature in Transition 37.3 (1994).

_____. Sons and Lovers. Ware: Wordsworth.

_____. Viking Critical Edition of Sons and Lovers. Ed. Julian Moynahan. New York: Viking, 1968.

_____. The Prussian Officer and Other Stories. London: Duckworth, 1914.

_____. "The Prussian Officer." In Great English Short Stories. Ed. Lewis Melville and Reginald Hargreaves. London: Harrap, 1931. 937-56.*

_____. "England, My England." 1915. In The Complete Short Stories. London: Heinemann, 1955. 2.303-33.

_____. The Rainbow. Novel. 1915. London: Heinemann, 1954.

_____. The Rainbow. New York: Viking, 1967.

_____. The Rainbow. Harmondsworth: Penguin.

_____. The Rainbow. Ed. Kate Flint. (World's Classics). Oxford: Oxford UP, 1997.

_____. Amores. Poems. London: Duckworth, 1916.

_____. Twilight in Italy. Essays. 1916. London: Heinemann, 1956.

_____. Look! We Have Come Through! Poems. London: Chatto & Windus, 1917.

_____. "Piano." Poem. 1918. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2347.*

_____. New Poems. London: Martin Secker, 1918.

_____. Bay. Poems. Westminster: Cyril W. Beaumont, 1919.

_____. "Tortoise Shell." Poem. 1921. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2348-49.*

_____. "Tortoise Shout." Poem. 1921. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2349-51.*

_____. Tortoises. Poems. New York: Thomas Seltzer, 1921.

_____. The Lost Girl. 1920. Heinemann, 1955.

_____. Sea and Sardinia. Essays. 1921. London: Heinemann, 1956.

_____. Psychoanalysis and the Unconscious.  Essay. 1921.

_____. Women in Love. Novel. London: Secker; New York: Seltzer, 1921.

_____ . Women in Love. Heinemann, 1954.

_____. Women in Love. New York: Viking, 1960.

_____. Women in Love. Harmondsworth: Penguin, 1976.

_____. Women in Love. Ware: Wordsworth.

_____. Fantasia of the Unconscious. Essay. 1922. New York: Viking, 1960.

_____. Aaron's Rod. Novel. 1922. London: Heinemann, 1954.

_____. Aaron's Rod. New York: Viking, 1961.

_____. "The Horse Dealer's Daughter." 1922. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2330-41.*

_____. Birds, Beasts, and Flowers. Poems. New York: Thomas Seltzer, 1923.

_____. "The Fox." Story. 1923. In Four Short Novels of D. H. Lawrence. 1923.

_____. "The Fox." Story. In The Portable D. H. Lawrence.

_____. "The Fox." Novella. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Arnold, 1997. 1271-1318.*

_____. Four Short Novels of D. H. Lawrence. 1923.

_____. Four Short Novels of D. H. Lawrence. London; Heinemann, 1956.

_____. Four Short Novels of D. H. Lawrence. New York: Viking, 1965.

_____. Kangaroo. Novel. 1923. London: Heinemann, 1955.

_____. "Bavarian Gentians." Poem. 1923. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2351-52.*

_____. "Snake." Poem. 1923. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2352-54.*

_____. "Cypresses." Poem. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2354-56.*

_____. "Dana's Two Years Before the Mast." In Lawrence, Studies in Classic American Literature. 1924. Harmondsworth: Penguin, 1971. 119-38.*

_____. Studies in Classic American Literature. 1923. London: Heinemann, 1964.

_____. Studies in Classic American Literature. Harmondsworth: Penguin, 1971.

_____. "Morality and the Novel." 1925. In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 127-31.*

_____. "The Novel." 1925.

_____. Reflections on the Death of a Porcupine. 1925. Bloomington: Indiana UP, 1963.

_____. St Mawr. 1925.

_____. The Plumed Serpent.  Novel. London: Heinemann, 1926. 1955.

_____ . The Plumed Serpent. New York: Knopf, 1956.

_____. The Plumed Serpent. New York: Random House-Vintage International.

_____. Mornings in Mexico. Prose.

_____. The Collected Poems of D. H. Lawrence. 2 vols. London: Martin Secker, 1928.

_____. The Augustan Books of English Poetry. Second Series, Number Twenty-two. D. H. Lawrence . London: Ernest Benn, 1928.

_____. Lady Chatterley's Lover. Novel. 1928. London: Heinemann, 1960.

_____. Lady Chatterley's Lover. New York: Random House, 1957.

_____. Lady Chatterley's Lover. Harmondsworth: Penguin, 1960.

_____. Lady Chatterley's Lover. Bantam, 1968.

_____. El amante de Lady Chatterley. Madrid: Turner, 1980.

_____. "The Woman Who Rode Away." Story. 1928. In The Complete Short Stories of D. H. Lawrence. London: Heinemann; New York: Knopf, 1928.

_____. The Man Who Died. 1928.

_____. "How Beastly the Bourgeois Is." Poem. 1929. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2356-57.*

_____. "A Propos of Lady Chatterley's Lover." 1929.

_____. Pansies. Poems. London: Secker, 1929.

_____. "The Ship of Death." Poem. 1929-1930, pub. 1933. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2357-60.

_____. Nettles. London: Faber & Faber, 1930.

_____. Pornography and Obscenity.

_____. "The Rocking-Horse Winner." Story. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 302-15.*

_____. ["An Aversion from Hamlet"]. From Lawrence, D. H. Lawrence and Italy. Viking Penguin. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 175-80.*

_____. Apocalypse. Essay. London, 1931.

_____. Apocalypse. New York: Viking, 1966.

_____. Apocalypse. 1931. Harmondsworth: Penguin, 1974.

_____. Etruscan Places. Essays. 1932. London: Heinemann, 1956.

_____. Last Poems. Ed. Richard Aldington and Giuseppe Orioli. Florence: G. Orioli, 1932.

_____. The Letters of D. H. Lawrence. Ed. Aldous Huxley. London: Heinemann, 1932.

_____. The Collected Short Stories. 1933. Viking Penguin, 1961.

_____. "A Study of Thomas Hardy." In Phoenix: The Posthumous Papers of D. H. Lawrence.

_____. "Why the Novel Matters." In Phoenix: The Posthumous Papers of D. H. Lawrence. 1936.

_____. "Why the Novel Matters." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 131-35.*

_____. "Why the Novel Matters." In D. H. Lawrence: Selected Literary Criticism. Ed. Anthony Beale. New York: Viking, 1966.

_____. "Why the Novel Matters." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2341-45.*

_____. Phoenix: The Posthumous Papers of D. H. Lawrence. Ed. Edward Mcdonald. London: Heinemann; New York: Viking, 1936. 1972.

_____. Phoenix: The Posthumous Papers of D. H. Lawrence. London: Heinemann, 1961.

_____. "The Spirit of Place." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 122-27.*

_____. "Snake." Poem. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Arnold, 1997. 1319-20.*

_____. "The Man Who Loved Islands." In The Oxford Book of English Short Stories. Ed. A. S. Byatt. Oxford: Oxford UP, 1998. 1999. 210-32.*

_____. "Two Blue Birds." In Reading Narrative Fiction. By Seymour Chatman with Brian Attebery. New York: Macmillan, 1993.*

_____. "Monkey Nuts." In Women, Men, and the Great War: An Anthology of Stories. Ed. Trudi Tate. Manchester: Manchester UP, 1995. 148-59.*

_____. "Tickets, Please." In The Penguin Book of First World War Stories. Ed. Barbara Korte with Marie Einhaus. (Penguin Classics). London: Penguin, 2007. 224-37.*

_____. Fire and Other Poems. Foreword by Robinson Jeffers, note by Frieda Lawrence. [San Francisco:] Grabhorn Press for the Book Club of California, 1940.

_____. The Portable D. H. Lawrence. Ed. Diana Trilling. New York: Viking, 1946.

_____. St Mawr and The Man Who Died. New York: Random House, 1953.

_____. The Complete Short Stories. London: Heinemann, 1955.

_____. Selected Literary Criticism. Ed. Anthony Beale. London: Heinemann, 1956.

_____. Selected Poems. London: Heinemann, 1957.

_____. Selected Letters. Ed. Lionel Trilling. New York, 1958.

_____. Sex, Literature and Censorship. New York: Twayne, 1953.

_____. Sex, Literature and Censorship: Essays by D. H. Lawrence. Ed. Harry T. Moore. London: Heinemann, 1958; New York: Viking, 1959.

_____. The Complete Short Stories of D. H. Lawrence. 3 vols. New York: Viking, 1961.

_____. The Collected Letters of D. H. Lawrence. Ed. Harry T. Moore. New York: Viking, 1962.

_____. The Collected Letters of D. H. Lawrence. Ed. H. Moore. 2 vols. London: Heinemann, 1965.

_____. The Woman Who Rode away and Other Stories. New York: Berkeley Medallion, 1962.

_____. "Song of a Man Who Has Come Through." Poem. In Lawrence, Complete Poems. Ed. Vivian de Sola Pinto and F. Warren Roberts. New York: Penguin Classics, 1994. 250.

_____. "Song of a Man Who Has Come Through." In Old Poetry.



http://oldpoetry.com/opoem/10436-D-H-Lawrence-The-Song-of-a-Man-Who-has-Come-Through

2009

_____. The Letters. Ed. A. Huxley. 1932.

_____. The Complete Poems of D. H. Lawrence. Ed. Vivian de Sola Pinto and F. Warren Roberts. New York: Viking, 1964. 1971.

_____. The Complete Poems of D. H. Lawrence. Ed. Vivian de Sola Pinto and Warren Roberts. Penguin, 1993.

_____. The Complete Poems of D. H. Lawrence. Ed. Vivian de Sola Pinto and F. Warren Roberts. New York: Penguin Classics, 1994. 250.

_____. In Understanding Poetry. By Cleanth Brooks and Robert Penn Warren. Fort Worth: Harcourt, 1988.

_____. The Symbolic Meaning: The Uncollected Versions of Studies on Classic American Literature1918-21. Ed. Armin Arnold. 1964.

_____. Selected Literary Criticism. Ed. Anthony Beale. New York: Viking, 1966.

_____. Lawrence. Ed. Keith Sagar. (Penguin Poetry Library). Harmondsworth: Penguin.

_____. Poenix II: Uncollected,. Unpublished and Other Prose Works. Ed. Warren Roberts and Harry T. Moore. 1970.

_____. Apocalypse and the Writings on Revelation.  Ed. Mara Kalnins. Cambridge: Cambridge UP, 1979.

_____. Selected Essays. Harmondsworth: Penguin, 1981.

_____. "Odour of Chrysanthemums." Story. In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 367-81.

_____. "Odour of Chrysantemums." Story. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2316-30.*

_____. The Letters of D. H. Lawrence. Ed. James T. Boulton. 7 vols. Cambridge: Cambridge UP, 1979-.

_____. Letters of D. H. Lawrence. Volume VII, November 1928-February 1930. Ed. Keith Sagar and James Boulton. New York: Cambridge UP, 1993. Rev. in English Literature in Transition 37.2 (1994).

_____. Three Plays (The Collier's Friday Night, The Daughter-in-Law, The Widowing of Mrs Holroyd). Harmondsworth: Penguin.

_____. Selected Poetry and Non-Fictional Prose. Ed. John Lucas.  London: Routledge, 1991.

_____. The Virgin and the Gypsy. Novella. New York: Random House-Vintage International.

_____. Sketches of Etruscan Places and Other Italian Essays. Ed. Sionetta de Filippis. New York: Cambridge UP, 1992. Rev. in English Literature in Transition 37.4 (1994).

_____. "Samson and Delilah." In The Oxford Book of English Love Stories. Ed. John Sutherland. Oxford: Oxford UP, 1997. 223-38.* (Estranged couple).

_____. The Selected Letters of D. H. Lawrence. Ed. James T. Boulton. Cambridge: Cambridge UP, 1997.

_____. Three Plays (The Collier's Friday Night. The Daughter-in-Law. The Widowing of Mrs Holroyd). Harmondsworth: Penguin.

_____. Selected Critical Writings. Ed. Michael Herbert. (Oxford World's Classics). Oxford: Oxford UP, 1998.

_____. In The Green Studies Reader: From Romanticism to Ecocriticism. Ed. Laurence Coupe. London: Routledge, 2000.


Biography

Aldington, Richard. Portrait of a Genius, But... Biography of D. H. Lawrence. 1950.

Carswell, Catherine. The Savage Pilgrimage: A Narrative of D. H. Lawrence. 1981.

Chambers, Jessie. D. H. Lawrence: A Personal Record, by 'E.T.' 2nd rev. ed. New York: Barnes, 1965. Frank Cass, 1965.

Delavenay, E. D. H. Lawrence, l'homme et la génèse de son œuvre (1885-1919). 2 vols. 1969.

Ellis, David. D. H. Lawrence: Dying Game 1922-1930. Cambridge: Cambridge University Press, 1998.

Feinstein, Elaine. Lawrence's Women: The Intimate Life of D. H. Lawrence. New York: HarperCollins, 1993.

Kaplan, Sydney Janet. Circulating Genius: John Middleton Murry, Katherine Mansfield and D. H. Lawrence. Edinburgh: Edinburgh UP, 2012.

Kinkead-Weekes, Mark. D. H. Lawrence: Triumph to Exile 1912-1922 . Cambridge: Cambridge UP, 1996.

Kingsmill, Hugh. (D. H. Lawrence ). Biography. 1938.

Lawrence, Frieda. The Memoirs and Correspondence. Ed. E. W. Tedlock, Jr. New York: Knopf, 1964.

Moore, Harry Thornton. The Priest of Love: A Life of D. H. Lawrence. Rev. ed. New York: Ferrar, Straus, and Giroux, 1974.

_____. The Intelligent Heart: The Story of D. H. Lawrence. Harmondsworth: Penguin.

Tindall, William York. D. H. Lawrence and Susan His Cow. 1939.

_____. The Late D. H. Lawrence, 1925-30. New York: Knopf, 1952.

West, Anthony. D. H. Lawrence. 1950.

Worthen, John. D. H. Lawrence: the Early Years 1885-1912. Vol. 1 of The Cambridge Biography of D. H. Lawrence. Cambridge: Cambridge UP, 1992.



Criticism
Ackroyd, Peter. Rev. of Thought, Words and Creativity. By F. R. Leavis. The Spectator 28 August 1976. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 39-42.*

Albright, Daniel. Personality and Impersonality: Lawrence, Woolf and Mann. Chicago: U of Chicago P, 1978.

Baxter, Giséle Marie. "'After such knowledge, what forgiveness?': Exile, Marriage and the Resistence to Commitment in D. H. Lawrence's Kangaroo ." Journal of Narrative Technique 24.2 (1994): 127-140.*

Beach, Joseph Warren. "Impressionism: Lawrence." In Beach, The Twentieth Century Novel. New York: Appleton, 1932. 366-84.*

Beauvoir, Simone de. "D. H. Lawrence ou l'orgueil phallique." In Beauvoir, Le Deuxième sexe. Paris: Gallimard, 1949. 1.331-42.*

Becket, Fiona. (Staffordshire U). D. H. Lawrence: The Thinker as Poet. Basingstoke: Macmillan, 1997.

Bedient, Calvin. Architects of the Self: George Eliot, D. H. Lawrence, and E. M. Forster. Berkeley: U of California P, 1972.

Beer, John. Post-Romantic Consciousness: Dickens to Plath. Houndmills: Palgrave Macmillan, 2003. (Heidegger, Sartre, Havel, Woolf, Lawrence, Hughes, Dickens, Plath).

Bell, Michael. D. H. Lawrence: Language and Being. 1992.

Bentley, Eric. A Century of Hero Worship. Philadelphia: Lippincott, 1944

Bickerton, Derek. "The Language of Women in Love." 1967. Select. in The Language of Literature. Ed. Norman Page. London: Macmillan, 1984. 181-93.*

Black, Michael. Lawrence: Sons and Lovers. (Landmarks of World Literature). New York: Cambridge UP, 1992.

Blackmur, R. P. "D. H. Lawrence and Expressive Form." 1935. In Blackmur, Language as Gesture. 1952. Westport (CT): Greenwood Press, 1977. 286-300.*

Blanchard, Lydia. "Lawrence as Reader of Classic American Literature." In The Challenge of D. H. Lawrence. Ed. Michael Squires and Keith Cushman. Madison: U of Wisconsin P, 1990. 159-75.*

Bowlby, Rachel. "'But She Would Learn Something from Lady Chatterley': The Obscene Side of the Canon." In Decolonizing Tradition: New Views of Twentieth-Century "British" Literary Canons. Ed. Karen R. Lawrence. Urbana: U of Illinois P, 1992. 113-35.*

Brodsky, Archie. "D. H. Lawrence's Theory of Character as an Informing Principle of Women in Love." Honors essay U of Pennsylvania, 1967.

Burden, Robert. "Symbolic Processes in Freud and Lawrence." Symbolism 1 (1998).

Chaudhuri, Amit. D. H. Lawrence and 'Difference': Postcoloniality and the Poetry of the Present. Foreword by Tom Paulin. Oxford: Oxford UP, 2003.

Clark, L. D. Dark Night of the Body. Austin: U of Texas P, 1964.

Clarke, Colin, ed. D. H. Lawrence: The Rainbow and Women in Love. (Casebooks series). Houndmills: Macmillan, 1969.

Collado Rodríguez, Francisco. "Women in Love: Notas sobre el lenguaje poético y el punto de vista." Miscelánea 6 (1985): 151-8.*

Conde Silvestre, Juan Camilo. "'A Lesson on a Tortoise' and D. H. Lawrence's Earliest Crisis of Social Identity." Revista Alicantina de Estudios Ingleses 7 (1994): 47-54.

Coombes, H. "D. H. Lawrence Placed: A Note by F. R. Leavis." Scrutiny 16 (1949). Rpt. in A Selection from Scrutiny. Comp. F. R. Leavis. Cambridge: Cambridge UP, 1968. 156-60.*

Crespo Fernández, Eliecer. "Sexual Metaphors in D. H. Lawrence's The Rainbow. A Cognitive Analysis." In Los caminos de la lengua: Estudios en homenaje a Enrique Alcaraz Varó. Ed. J. L. Cifuentes et al. San Vicente del Raspeig (Alicante): Publicaciones de la Universidad de Alicante, 2010. 1041-51.*

Cunchillos Jaime, Carmelo. "D. H. Lawrence y la innovación literaria de principios de siglo." Miscelánea 6 (1985): 109-18.*

Delany, Paul. D. H. Lawrence's Nightmare. 1978.

_____. "Lawrence and the Decline of the Industrial Spirit." In The Challenge of D. H. Lawrence. Ed. Michael Squires and Keith Cushman. Madison: U of Wisconsin P, 1990. 77-88.*

Díez-Medrano, Conchita. "Breaking Moulds, Smashing Mirrors: The Intertextual Dynamics of D. H. Lawrence's 'The Lovely Lady'." Revista Alicantina de Estudios Ingleses 9 (November 1996): 91-104.*

Dobrée, Bonamy. "D. H. Lawrence." In Dobrée, The Lamp and the Lute. Oxford: Clarendon, 1929. 86-106.*

Doherty, Gerald. "The Dialectic of Space in D. H. Lawrence's Sons and Lovers." MFS 39.2 (1993).*

_____. "Ars Erotica or Scientia Sexualis?: Narrative Vicissitudes in D. H. Lawrence's Women in Love." Estudios Ingleses de la Universidad Complutense 4 (1996): 137-58.*

Dollimore, Jonathan. "16. Beyond Essentialist Humanism." In Dollimore, Radical Tragedy. 3rd ed. Houndmills: Palgrave, 2004. 249-71.* (Pope, Eliot, Lawrence, Leavis, Enlightenment, humanism, subject).

_____. "Beyond Essentialist Humanism." 1984. In Issues in Contemporary Literary Theory. Ed. Peter Barry. Houndmills: Macmillan, 1987. 38-52.*

Donaldson, George, and Mara Kalnins, eds. D. H. Lawrence in Italy and England. Houndmills: Macmillan, 1998.

Dorbad, L. J. Sexually Balanced Relationships in the Novels of D. H. Lawrence. 1991.

Dowling, David, ed. "D. H. Lawrence." In Dowling, Novelists on Novelists. London: Macmillan, 1983. 159-68.*

Eagleton, Terry. "D. H. Lawrence." In Eagleton, The English Novel. Oxford: Blackwell, 2005. 256-80.*

Eldred, Janet M. "Plot and Subplot in Women in Love." Journal of Narrative Technique 20.3 (1990): 284-295.*

Ellis, David, and Howard Mills. D.H. Lawrence's Non-Fiction: Art, Thought and Genre. 1988.

Faber, Pamela. "Lectura semiótica de un poema de D. H. Lawrence." In Actas del X Congreso Nacional AEDEAN. Zaragoza: AEDEAN, 1988. 283-90.*

Fernihough, Anne. D. H. Lawrence: Aesthetics and Ideology.

Finney, Brian. D. H. Lawrence: Sons and Lovers. (Penguin Critical Studies). Harmondsworth: Penguin, 1990.*

Fjágesund, Peter. The Apocalyptic World Of D. H. Lawrence.

_____. Rev. of D. H. Lawrence: Aesthetics and Ideology. by Anne Fernihough. English Studies. A Journal of English Language and Literature 75.1-6 (1994).*

Flores Moreno, Cristina. "Rito de iniciación a la corporeidad en El amante de Lady Chatterley." Cuadernos de Investigación Filológica 25 (1999, issued 2000): 219-37.*

Fludernik, Monika. "Reflectorization and Figuralization: The Malleability of Language." In Fludernik, Towards a 'Natural' Narratology. London: Routledge, 1996. 2001. 178-221.* (Point of view, Lawrence, Weldon, K. Mansfield, reflectors, narrators).

Foster, Richard. "Criticism as Rage: D. H. Lawrence." In D. H. Lawrence: A Collection of Critical Essays. Ed. Mark Spilka. Englewood Cliffs (NJ): Prentice-Hall, 1963. 151-161.

Fowler, Roger. "The Lost Girl: Discourse and Focalization." (D. H. Lawrence). In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 5-18.

Freeman, Mary. D. H. Lawrence: A Basic Study of His Ideas. New York: Grosset and Dunlap, 1955.

García-Caro, Pedro. (King's College, London). "Lawrence's American Period: Under Western Eyes." In Proceedings of the 22nd International Conference of AEDEAN (Asociación Española de Estudios Anglonorteamericanos). Lleida, 17-19 December 1998. Ed. Pere Gallardo and Enric Llurda. Lleida: Edicions de la Universitat de Lleida, 2000. 281-85.*

Gass, William H. "From Some Ashes No Bird Rises." In Gass, Fiction and the Figures of Life. Boston: Godine, 1979.* (D. H. Lawrence).

Gilbert, Sandra M. Acts of Attention: the Major Poems of D. H. Lawrence. Ph.D. diss., pub. 1973.

_____. Acts of Attention: The Poems of D. H. Lawrence. 2nd ed. Carbondale: Southern Illinois UP, 1990.

Giles, Steve. "Marxism and Form: D. H. Lawrence, St Mawr." In Literary Theory at Work: Three Texts. Ed Douglas Tallack. London: B. T. Batsford, 1987. 39-66.*

Golding, Alan. "Lawrence and Recent American Poetry." In The Challenge of D. H. Lawrence. Ed. Michael Squires and Keith Cushman. Madison: U of Wisconsin P, 1990. 187-208.*

González Groba, Constante. "From the Hothouse to the Inner Chaos: An Analysis of D. H. Lawrence's The Princess." In Stvdia Patriciae Shaw oblata. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 3.251-62.

Gordon, David J. "D. H. Lawrence as a Literary Critic." Diss. 1966.

Górriz Villaroya, Manuel. "Análisis de los personajes en Women in Love."   Miscelánea 6 (1985): 159-70.

Green, Martin. "Studies in Classical American Literature." In Green, Re-Appraisals: Some Commonsense Readings in American Literature. New York: Norton, 1967. 231-247.

Gregory, Horace. D. H. Lawrence, Pilgrim of the Apocalypse: A Critical Study.  New York: Viking, 1933.

Hamilton, Craig. "Cognitive Poetics and Women in Love." BELL ns 2 (2004): 49-62.

Hewitt, Douglas. "D. H. Lawrence: Our bert versus Our Lorenzo." In Hewitt, English Fiction of the Early Modern Period, 1890-1940. London: Longman, 1988. 175-95.*

Hidalgo, Pilar. "D. H. Lawrence y el modernismo: Women in Love." Atlantis 1.1 (1979).

Hirai, Masako. Sisters in Literature: Female Sexuality in Antigone, Middlemarch, Howards end and Women in Love. Houndmills: Macmillan, 1998.

Hoffman, Frederick J. Freudianism and the Literary Mind. Baton Rouge: Louisiana State UP, 1945. (Lawrence).

Holderness, Graham. D. H. Lawrence: History, Ideology and Fiction. 1982.

Hollington, Michael. "Simultaneous Orgasm in Late Lawrence." European English Messenger 5.1 (Spring 1996): 25-29.*

Hough, Graham. The Dark Sun: A Study of D. H. Lawrence. New York: Capricorn, 1956.

_____. Dark Sun: A Study of D. H. Lawrence. London: Duckworth, 1968.

Hühn, Peter. "D. H. Lawrence: 'Man and Bat'." In The Narratological Analysis of Lyric Poetry: Studies in English Poetry from the 16th to the 20th Century. By Peter Hühn and Jens Kiefer. Berlin and New York: Walter de Gruyter, 2005. 187-99.*

_____. "4.7. D. H. Lawrence: 'Bavarian Gentians'." (4. "Confronting One's Own Death."). In Facing Loss and Death: Narrative and Eventfulness in Lyric Poetry. By Peter Hühn, with contributions by Britta Goerke, Heilna du Plooy, and Stefan Schenk-Haupt. (Narratologia, 55). Berlin and Boston: Walter de Gruyter, 2016. 181-84.*

Hyde, George M. "D. H. Lawrence as Translator." Delos 4 (U of Texas, 1970).

Ingram, Allan. The Language of D. H. Lawrence. London: Macmillan, 1990.

Kazin, Alfred. "Sons, Lovers, and Mothers." In the Viking Critical Edition of Sons and Lovers. Ed. Julian Moynahan. New York: Viking, 1968.

_____. "Lady Chatterley in America." 1959. In Kazin, Contemporaries. London: Secker, 1963. 105-11.

Kempf, Markus. "D. H. Lawrence: 'Fanny and Annie' (1921)." In Eventfulness in British Fiction. By Peter Hühn et al. Berlin and New York: De Gruyter, 2010. 156-63.*

Kettle, Arnold. "D. H. Lawrence: The Rainbow." In Kettle, An Introduction to the English Novel. London: Hutchinson, 1953. 2.111-35.*

Kiely, Robert. Beyond Egotism: The Fiction of James Joyce, Virginia Woolf, and D. H. Lawrence. Cambridge (MA): Harvard UP, 1980.

_____. "Out on Strike: The Language and Power of the Working Class in Lawrence's Fiction." In The Challenge of D. H. Lawrence. Ed. Michael Squires and Keith Cushman. Madison: U of Wisconsin P, 1990. 89-102.*

Klingopoulos, G. D. "Lawrence's Criticism". Essays in Criticism 7 (1957): 294-303.

Laird, Holly A. Self and Sequence: The Poetry of D. H. Lawrence. Charlottesville: UP of Virginia, 1988.

Lawrence: Sons and Lovers. (Brodie's Notes). Houndmills: Macmillan.

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Lawrence: Women in Love. (Brodie's Notes). Houndmills: Macmillan.

Leavis, F. R. Review of Lawrence's Phoenix. Scrutiny 6 (1937): 352-54.

_____. "Genius as Critic". [On D. H. Lawrence]. Spectator (24 March 1961).

_____. "Keynes, Lawrence and Cambridge." In Leavis, The Common Pursuit. Harmondsworth: Penguin, 1962. 255-60.

_____. "Mr Eliot, Mr Wyndham Lewis and Lawrence." In Leavis, The Common Pursuit. 240-7.

_____. "The Wild, Untutored Phoenix." (Lawrence). In Leavis, The Common Pursuit. 233-9.

_____. D. H. Lawrence, Novelist. London: Chatto & Windus, 1955.

_____. D. H. Lawrence: Novelist. Harmondsworth: Penguin, 1964. 1994.

_____. Thought, Words and Creativity: Art and Thought in Lawrence. 1976.

Levine, George. The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterley. Chicago: U of Chicago P, 1981.

Lewiecki-Wilson, Cynthia.Writing Against the Family: Gender in Lawrence and Joyce. Carbondale: Southern Illinois UP, 1994.

López Román, Blanca. "D. H. Lawrence: Procesos de traducción y transformación entre 'Odour of Chrysantemums' y 'The Widowing of Mrs. Holroyd'." In Aspectos comparativos en la lengua y literatura de habla inglesa: AEDEAN, Actas del IX Congreso Nacional. Murcia: AEDEAN-Departamento de Filología Inglesa de la Universidad de Murcia, 1986. 127-34.*

Lozano, Susana. "D. H. Lawrence, transgresor de transgresores. Una propuesta radical y revolucionaria." The Grove: Working Papers on English Studies. Publicaciones de la Universidad de Jaén, 1996. 41-60.*

Lucente, Gregory. The Narrative of Realism and Myth: Verga, Lawrence, Faulkner, Pavese. Baltimore: Johns Hopkins UP, 1981.

Marks, Peter. "The Odyssey of D. H. Lawrence: Modernism, Europe and the New World." Miscelánea 20 (1999): 223-34.*

Marsh, Nicholas. D. H. Lawrence: The Novels. Houndmills: Macmillan, 2000.

Martin, Graham. "D. H. Lawrence and Class." In The Uses of Fiction. Ed. Douglas Jefferson and Graham Martin. Milton Keynes: Open UP, 1982. 83-98.*

Martín Gaite, Carmen. "La demagogia del sexo. El amante de Lady Chatterley, de D. H. Lawrence." Diario 16 21 Jan. 1980. Rpt. in Martín Gaite, Tirando del hilo (artículos 1949-2000). Ed. José Teruel. Madrid: Siruela, 2006. 325-26.*

Martínez-Dueñas Espejo, José Luis. "Diálogo y narración: The Captain's Doll." In Martínez-Dueñas, Estilística del discurso narrativo. Granada: Universidad de Granada, 1991. 99-103.

Mateo Martínez, José. "Algunas claves lingüísticas y pragmáticas en la evolución de los pronombres de segunda persona en inglés: su uso en Henry IV (Part I) y Sons and Lovers." Miscelánea 12 (1991): 131-48.

McDowell, Frederick P. W. "'The Individual in His Pure Singleness': Theme and Symbol in The Captain's Doll.' In The Challenge of D. H. Lawrence. Ed. Michael Squires and Keith Cushman. Madison: U of Wisconsin P, 1990. 143-58.*

Messenger, Nigel. How to Study a D. H. Lawrence Novel.  (How to Study series). Houndmills: Macmillan, 1989.

Michelucci, Stefania. "The Functional Aspect of the Wood in the Shorter Fiction by D. H. Lawrence." BAS 1.1 (1996): 50-55.*

_____. "Rites and Places in D. H. Lawrence's The Prussian Officer." BAS (1997): 98-105.*

_____. "The Violated Silence: D. H. Lawrence's 'The Man Who Loved Islands'." In Anatomies of Silence. Ed. Ann R. Cacoullos and Maria Sifianou. Athens: U of Athens, 1998. 106-113.*

Millard, Elaine. "Feminism II: Reading as a Woman. D. H. Lawrence, St. Mawr." In Literary Theory at Work: Three Texts. Ed Douglas Tallack. London: B. T. Batsford, 1987. 135-58.*

Millett, Kate. "D. H. Lawrence." In Millett, Sexual Politics. 1969. London: Virago, 1977. 237-93.*

Montes Granado, Consuelo. "El nuevo ser y las tres generaciones de The Rainbow." Atlantis 7 (1985): 89-96.*

_____. "Análisis lingüístico de un poema dialectal." (D. H. Lawrence). Atlantis 10 (1988): 21-38.*

_____. "Un fenómeno sociolingüístico y su ilustración en el temprano devenir lingüístico de D. H. Lawrence." Revista Alicantina de Estudios Ingleses 3 (1990): 107-13.*

_____. D. H. Lawrence: El dialecto en sus novelas. Salamanca: Publicaciones de la Universidad de Salamanca, 1990.*

_____. "Dialectology Applied to Literature: General and Specific Bibliography on the Works of D. H. Lawrence." Revista Alicantina de Estudios Ingleses 3 (1990): 139-41.*

_____. "El dialecto en la literatura inglesa: notas diacrónicas de sus usos y estudio sincrónico de la aportación de D. H. Lawrence." Revista Canaria de Estudios Ingleses  22/23 (1991): 37-50.*

_____. "Apreciación de la caracterización dialectal de Pariin en The First Lady Chatterley." Atlantis 13 (1991): 37-50.*

_____. "Interpretación sociolingüística del dialecto del guardabosques en Lady Chatterley's Lover." XIV Congreso de AEDEAN. Bilbao: Servicio Editorial de la Universidad del País Vasco, 1992. 267-74.*

Moynahan, Julian. "Sons and Lovers: The Search for Form." In the Viking Critical Edition of Sons and Lovers. Ed. Julian Moynahan. New York: Viking, 1968.

Murry, John Middleton. Son of Woman: The Story of D. H. Lawrence. 1931.

_____. Reminiscences of D. H. Lawrence. 1933.

Nadal Blasco, María Benita. "Elementos recurrentes en England, My England" Miscelánea 6 (1985): 171-80.*

Nelson, Jane A. "The Familial Isotopy in The Fox." In The Challenge of D. H. Lawrence. Ed. Michael Squires and Keith Cushman. Madison: U of Wisconsin P, 1990. 129-42.*

Niven, Alistair. D. H. Lawrence: The Novels. (British and Irish Authors). 1978.

Oates, Joyce Carol. The Hostile Sun: The Poetry of D.H. Lawrence. Criticism. 1974.

Onega, Susana. "Constantes temáticas en The Rainbow." Miscelánea 6 (1985): 135-50.*

Pacccaud-Huguet, Josiane. "Structure perverse et écriture dans Women in Love." Études Anglaises 41 (1993).*

Padhi, Bibhu. "Lawrence's Idea of Language." Modernist Studies: Literature and Culture 4 (1982): 65-76.

Pease, Allison. Modernism, Mass Culture and the Aesthetics of Obscenity. Cambridge: Cambridge UP, c. 2000. (Swinburne, Joyce, Lawrence, Aubrey Beardsley).

Pecora, Vincent P. "D. H. Lawrence." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 715-38.*

Pinkney, Tony. D. H. Lawrence. Hemel Hempstead: Harvester Wheatsheaf, 1990.

Pinto, Vivian de Sola. D. H. Lawrence, Prophet of the Midlands: A Lecture.  Notthingham, 1951.

Plo Alastrué, Ramón. "Sons and Lovers: la aventura del héroe." Miscelánea 6 (1985): 119-34.*

Poole, Roger. "Psychoanalytic Theory. D. H. Lawrence, St Mawr." In Literary Theory at Work: Three Texts. Ed Douglas Tallack. London: B. T. Batsford, 1987. 89-114.*

Poplawski, Paul. Promptings of Desire: Creativity and the Religious Impulse in the Works of D. H. Lawrence. Westport (CT): Greenwood, 1993. Rev. in English Literature in Transition 37.3 (1994).

Praga Terente, Inés. "Algunas consideraciones sobre la traducción al castellano de Sons and Lovers de D. H. Lawrence." ES 13 (1983): 185-202.*

Pritchett, V. S. "Sons and Lovers." In Pritchett, The Living Novel. London: Chatto, 1946. 131-8.*

Rahv, Philip. "On F. R. Leavis and D. H. Lawrence". In Philip Rahv, Essays in Literature and Politics, 1932-1972. Ed. Arabel J. Porter and Andrew J. Dvosin. Boston: Houghton Mifflin, 1978. 263-77.

Read, Herbert. "The Figure of Grammar: Whitman and Lawrence." In Read, The True Voice of Feeling: Studies in English Romantic Poetry. London: Faber and Faber, 1953. 1968. 87-100.*

Robbins, Ruth. "Conclusions: Rainbow's End: the Janus Period." In Robbins, Pater to Forster, 1873-1924. (Transitions). Oxford: Oxford UP, 2003.

Robson, W. W. "D. H. Lawrence and Women in Love." InThe Modern Age. Vol. 7 of The Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1961. 2nd ed. 1963. 280-300.*

Rodway, Allan. "'Hibiscus and Salvia Flowers' (with 'Kangaroo'), D. H. Lawrence." In Rodway, The Craft of Criticism. Cambridge: Cambridge UP, 1982. 78-92.*

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_____, ed. D. H. Lawrence: Sons and Lovers. (Casebooks series). Basingstoke: Macmillan, 1969.

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Sasaki, Toru. "Towards a Systematic Description of Narrative 'Point of View': An Examination of Chatman's Theory with an Analysis of 'The Blind Man' by D. H. Lawrence." Language and Literature 3.2 (1994): 125-38.

Scanlon, Joan. "Bad Language vs. Bad Prose? Lady Chatterley and The Well." Critical Quarterly 38.3 (Autumn 1996): 3-13.*

Schapiro, Barbara Ann. "Gender, Self, and the Relational Matrix: D. H. Lawrence and Virginia Woolf." In Schapiro, Literature and the Relational Self. New York: New York UP, 1994. 62-83.*

Seeber, H. U. "D. H. Lawrence, German Expressionism, and Weberian Formal Rationality." Miscelánea 20 (1999): 235-58.*

Sillars, Stuart. Structure and Dissolution in English Writing, 1910-1920. Houndmills: Macmillan, 1999.

Simpson, Hilary. D. H. Lawrence and Feminism. London, 1982.

Spilka, Mark. The Love Ethic of D. H. Lawrence. Dobson, 1958.

_____. "Lessing and Lawrence: The Battle of the Sexes." Contemporary Literature 15 (1975): 218-40.

_____. "Lawrence and the Clitoris." In The Challenge of D. H. Lawrence. Ed. Michael Squires and Keith Cushman. Madison: U of Wisconsin P, 1990. 176-86.*

_____. Renewing the Normative: D. H. Lawrence: A Personal Progress. Columbia: U of Missouri P, 1992. Rev. English Literature in Transition 37.2 (1994).

_____. "Lawrence Young and Old." Novel 25.3: 388-407.*

_____, ed. D. H. Lawrence: A Collection of Critical Essays. Englewood Cliffs (NJ): Prentice-Hall, 1963.

Spurr, Barry. "Evaluation of Poetry." In Spurr, Studying Poetry. Melbourne: Macmillan Education Australia, 1997. 45-56.* (Dickinson, "There's a certain slant of light"; Pope, "The Dunciad"; Auden, "Lullaby"; George Herbert, "Love III"; D. H. Lawrence, "Piano").

Squires, Michael. "Lawrence, Dickens, and the English Novel." In The Challenge of D. H. Lawrence. Ed. Michael Squires and Keith Cushman. Madison: U of Wisconsin P, 1990. 42-61.*

Squires, Michael, and Keith Cushman, eds. The Challenge of D. H. Lawrence. Madison: U of Wisconsin P, 1990.*

Stewart, J. I. M. Writers of the Early Twentieth Century: Hardy to Lawrence. Vol. XV of The Oxford History of English Literature (orig. vol. XII). Oxford: Oxford UP.

Sumner, Rosemary. A Route to Modernism: Hardy, Lawrence, Woolf. Houndmills: Macmillan; New York: St. Martin's, 2000.*

Swift, John N. "Repetition, Consummation, and 'This Eternal Unrelief'." In The Challenge of D. H. Lawrence. Ed. Michael Squires and Keith Cushman. Madison: U of Wisconsin P, 1990. 121-28.*

Swigg, Richard. Lawrence, Hardy, and American Literature. 1972.

Thompson, David M. "Calling in the Realists: The Revision and Reputation of Lawrence's Sons and Lovers." Novel 27.3: 233-256.*

Tiverton, Fr. W. Lawrence and Human Existence.  1951.

Ulmer, Gregory L. "D. H. Lawrence, Wilhelm Worringer, and the Aesthetics of Modernism". The D. H. Lawrence Review 10 (1977): 165-81.

Van Ghent, Dorothy. The English Novel: Form and Function. New York: Rinehart, 1953.

Wallace, M. Elizabeth. "The Circling Hawk: Philosophy of Knowledge in Polyani and Lawrence." In The Challenge of D. H. Lawrence. Ed. Michael Squires and Keith Cushman. Madison: U of Wisconsin P, 1990. 103-20.*

Wellek, René. "D. H. Lawrence (1885-1930)." In Wellek, A History of Modern Criticism: 1750-1950. Vol. 5: English Criticism, 1900-1950. London: Jonathan Cape, 1986. 116-28.*

Whelan, Peter. "The Relationship between D. H. Lawrence's 'The Rainbow' and 'Women in Love' and Wagner's 'The Ring of the Nibelung'." In Actas del Primer Congreso de la Asociación Española de Estudios Anglo-Norteamericanos: Granada 15 al 17 de diciembre 1977. Granada: U de Granada, Facultad de Filosofía y Letras, Departamento de Filología Inglesa, 1978. 25-30.*

Widdowson, Peter, ed. D. H. Lawrence. (Longman Critical Readers). London: Longman.

Widmer, Kingsley. Defiant Desire: Some Dialectical Legacies of D. H. Lawrence. Carbondale: Southern Illinois UP, 1992. Rev. English Literature in Transition 37.2 (1994).

Wilde, Alan. The English Novel from Dickens to Lawrence. London, 1970.

Williams, Linda Ruth. Sex in the Head: Visions of Femininity and Film in D. H. Lawrence. Hemel Hempstead: Harvester Wheathsheaf, 1994.

_____. D. H. Lawrence. (Writers and Their Work). Plymouth: Northcote House / British Council, 1997.*

Williams, Raymond. "D. H. Lawrence." In Williams, Culture and Society 1780-1950. London: Chatto, 1958. 199-215.*

_____. The English Novel from Dickens to Lawrence. New York: Oxford UP, 1970.

_____. The English Novel from Dickens to Lawrence. London: Paladin, 1974.

_____. The English Novel from Dickens to Lawrence. London: Hogarth, 198-?

Woods, Gregory. Articulate Flesh: Male Homo-Eroticism in Modern Poetry. New Haven: Yale UP, 1987. (D. H. Lawrence, Hart Crane, W. H. Auden, A. Ginsberg, Thom Gunn).

Wright, Elizabeth. Psychoanalytic Criticism. London: Methuen, 1987. (Lawrence, 49-55).

Zschirnt, Christiane. "4. Sexo. Giovanni Boccaccio: El Decamerón. François Villon: Poesías. Denis Diderot: Las joyas indiscretas. John Cleland: Fanny Hill, memorias de una cortesana. Giacomo Girolamo Casanova, Memorias. Marqués de Sade: Justine o los infortunios de la virtud. D. H. Lawrence: El amante de Lady Chatterley." In Zschirnt, Libros: Todo lo que hay que leer. Madrid: Santillana-Taurus, 2004. 105-18.*

Zubizarreta, John. "T. S. Eliot and D. H. Lawrence: The Relationship and Influence." English Language Notes 21.1 (1993).*

Bibliography

Roberts, Warren. A Bibliography of D. H. Lawrence. 2nd edn. Cambridge: Cambridge UP, 1982.
Internet resources

D. H.Lawrence page

http://web.ukonline.co.uk/rananim/lawrence
D. H. Lawrence Kiowa Ranch booklet, U of Mexico. http://www.sci.wsu.edu/math/faculty/barnes/taos/kiowa.htm
Journals

The D. H. Lawrence Review 10 (1977).
Literature

Dyer, Geoff. Out of Sheer Rage. Experimental novel. 1997.

Milligan, Spike. Lady Chatterley's Lover According to Spike Milligan. Novel. Harmondsworth: Penguin, 1995.

Williams, Tennessee. I rise in Flame, Cried the Phoenix. Drama. 1951. (On the death of D. H. Lawrence).


Williams, Tennessee, and Donald Windham. You Touched Me! Drama, adaptation of a story by D. H. Lawrence. 1947.


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