Gothic Novel; Horror Fiction



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A Bibliography of Literary Theory, Criticism and Philology



http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)


Gothic Novel; Horror Fiction


Ackroyd, Peter. Rev. of The Oxford Book of Gothic Tales. Ed. Chris Baldick. The Times 14 March 1992. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 243-45.*

Aguirre Dabán, Manuel. The Closed Space: Horror Literature and Western Symbolism. Manchester: Manchester UP, 1990.

_____. "On Victorian Horror." From The Closed Space. In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 199-232.*

Aldana Reyes, Xavier. Body Gothic: Corporal Transgression in Contemporary Literature and Horror Film. Cardiff: U of Wales P, 2014.

Álvarez Rodríguez, Román. "De la novela gótica a la novela histórica, 1760-1840." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 65-106.*

Badley, Linda. Writing Horror and the Body: The Fiction of Stephen King, Clive Barker, and Anne Rice. (Contributions to the Study of Popular Culture, 51). Westport (CT): Greenwood Press, 1996.*

Ballesteros González, Antonio. Narciso y el doble en la literatura fantástica victoriana. Cuenca: Servicio de Publicaciones de la Universidad de Castilla-La Mancha, 1998.

_____. "Vampire Chronicle": Historia natural del vampiro en la literatura anglosajona. (Villa Dyonisos, 3). Zaragoza: Una Luna, 1998.

Barker, Clive. "On Horror and Subversion." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 99-100.*

Bayer-Berenbaum, Linda. The Gothic Imagination: Expansion in Gothic Literature and Art. London: Associated UPs; Toronto: Fairleigh Dickinson UP, 1982.

Belloc, Hilaire. (On Algernon Blackwood.) In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 51-52.*

Bhall, A. The Cartographers of Hell: Essays on the Gothic Novel and the Social History of England. 1991.

Bleiler, Everett F., ed. Supernatural Fiction Writers: Fantasy and Horror. 2 vols. New York, 1985.

Bloch, Robert. (On Horror Writers). In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 77.*

Bloom, Clive, ed. Creepers: British Horror and Fantasy in the Twentieth Century. London: Pluto, 1993.

_____, ed. Gothic Horror: A Critical Anthology. Basingstoke: Macmillan, 1997.

Bloom, Clive, et al., eds. Nineteenth Century Suspense. New York: St. Martin's, 1988.

Botting, Fred. Gothic. (The New Critical Idiom). London: Routledge, 1996.*

Brantlinger, Patrick. "Imperial Gothic: Atavism and the Occult in the British Adventure Novel, 1880-1914." English Literature in Transition 1880-1920 28.3 (1985).

Bredvold, Louis I. "Sensibility and the Novel of Terror." In Bredvold, The Literature of the Restoration and the Eighteenth Century 1660-1798. London: Collier-Macmillan, 1962. 168-71.*

Breton, André. "English Romans noirs and Surrealism." 1937. In The Gothick Novel. Ed. Victor Sage. (Casebook Series). Houndmills: Macmillan, 1990. 112-15.*

Brewer, Derek. English Gothic Literature. London: Macmillan, 1983.*

Briggs, Julia. Night Visitors: The Rise and Fall of the English Ghost Story.

_____. Extract from Night Visitors. In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 101-17.*

Büssing, Sabine. Aliens in the Home: The Child in Horror Fiction. New York: Greenwood Press, 1987.

Caraher, Brian. "Conclusion/Epilogue: Melodramas of Horror: On Contemporary Fiction and Film." In Caraher, Trespassing Tragedy: Melodramas of Horror. Houndmills: Macmillan, 2000.

Cawelti, John G. Adventure, Mystery, and Romance: Formula Stories as Art and Popular Culture. Chicago, 1976.

Charras, Françoise, and Liliane Abensour, eds. Romantisme Noir. Les Cahiers de L'Herne 34 (1978).

Clasen, Mathias F. "Primal Fear: A Darwinian Perspective on Dan Simmons' Song of Kali." Horror Studies 2.1 (2011): 89-104.

_____. "11. Terrifying Monsters, Malevolent Ghosts, and Evolved Danger Management Architecture: A Consilient Approach to Horror Fiction." In Darwin's Bridge: Uniting the Humanities and Sciences. Ed. Joseph Carroll, Dan P. McAdams and E. O. Wilson. Oxford: Oxford UP, 2016. 183-94.*

Clemens, Valdine. "Introduction: What Gothic Nightmares Do." In Clemens,The Return of the Repressed: Gothic Horror from The Castle of Otranto to Alien. Albany: SUNY Press, 1999. 1-14.*

_____. The Return of the Repressed: Gothic Horror from The Castle of Otranto to Alien. Albany: SUNY Press, 1999.*

Cohen, Emily Jane. "Museums of the Mind: The Gothic and the Art of Memory." ELH 62.4 (Winter 1995): 883-907.*

Couégnas, Daniel. "Le Roman 'gothique', essai d'analyse structurale." Diss. 3ème cycle, Paris: Ecole Pratique des Hautes Etudes / Université de Paris VII, 1975.

Craig, Stephanie F. "Ghosts of the Mind: The Supernatural and Madness in Victorian Gothic Literature". Honors thesis. Mississippi: University of Southern Mississippi, 2012.

Crow, Charles L., ed. American Gothic: An Anthology 1787-1916. Oxford: Blackwell, 1999.*

_____, coed. The Haunted Dusk: American Supernatural Fiction, 1820-1920.

Daly, Nicholas. Gothic: Four Hundred Years of Excess, Horror, Evil and Ruin. New York: North Point Press / Farrar, Straus and Giroux, 1998. 2000.*

Day, William Patrick. In the Circles of Fear and Desire: A Study of Gothic Fantasy. Chicago: U of Chicago P, 1985.

DeLamotte, Eugenia C. Perils of the Night: A Feminist Study of Nineteenth Century Gothic. New York: Oxford UP, 1990.

Domingo Baguer, Ignacio. "The Roots of Fear: Classical Horror and the Reading Process." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 705-12.*

Doody, Margaret Anne. "Deserts, Ruins and Troubled Waters: Female Dreams in Fiction and the Development of the Gothic Novel." In The English Novel: vol. 2. Smollett to Austen. Ed. Richard Kroll. Harlow: Addison Wesley Longman, 1998. 55-94.*

Dryden, Linda. The Modern Gothic and Literary Doubles: Stevenson, Wilde and Wells. Foreword by Laurence Davies. Oxford: Oxford UP, 2003.

Du Coudray, Chantal Bourgault. The Curse of the Werewolf: Fantasy, Horror, and the Beast Within. London: IB Tauris, 2006.

Duncan, Ian. Modern Romance and Transformations of the Novel: The Gothic, Scott, Dickens. Cambridge: Cambridge UP, 1992.

Ellis, Kate Ferguson. The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology. Urbana: U of Illinois P, 1989.

Estévez Saá, Margarita, and Susana Mª Jiménez Placer. "Uses of the Trope of the Ghost at the Turn of the Nineteenth Century." In AEDEAN XXX: Proceedings of the 30th International AEDEAN Conference. [Huelva, 2006]. Ed. María Losada Friend et al. Huelva: U de Huelva, 2007.*



Europe no. 659 (March 1984): Le Roman gothique.

Fiedler, Leslie. "The Substitution of Terror for Love." 1960. In The Gothick Novel. Ed. Victor Sage. (Casebook Series). Houndmills: Macmillan, 1990. 130-39. (From Love and Death in the American Novel).

Freud, Sigmund. "Das Unheimliche." Imago 5.5/6 (1919): 297-324.

_____. "The 'Uncanny'." In The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol 17. London: Hogarth Press / Institute of Psycho-Analysis, 1955.

_____. "The 'Uncanny'." In Studies in Parapsychology. Ed. Philip Rieff. New York: Collier, 1963.

_____. "The 'Uncanny'." In Freud, Art and Literature: Jensen's GRADIVA, Leonardo Da Vinci and Other Works. Trans. James Strachey et al. Ed. Albert Dickson. (Pelican Freud Library). London: Penguin-Pelican, 1985. Rpt. (Penguin Freud Library, 14). London: Penguin, 1990. 335-76.*

_____. "The 'Uncanny'." In The Gothick Novel. Ed. Victor Sage. (Casebook Series). Houndmills: Macmillan, 1990. 76-87.*

_____. Extract from "The Uncanny." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 50.*

_____. L'Inquiétante étrangeté. Paris: Gallimard, 1985.

_____. Lo siniestro. Buenos Aires: Ed. Americana, 1943.

_____. "Lo siniestro." In Obras Completas. Madrid: Biblioteca Nueva, 1974. 7.2483-2505.

_____. "Lo siniestro." In Freud, Obras completas. Madrid: Orbis, 1988. 13.2483-2506.*

_____. "Lo siniestro." In Freud, Obras completas. Madrid: Orbis, 1988. 13.2483-2506.

Geary, Robert F. "On Horror and Religion." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 287-301.*

Graham, Kenneth W., ed. Gothic Fictions: Prohibition / Transgression. New York: AMS Press, 1989.

Gubern, Román. "Mito y terror." Mito y literatura. Revista de Occidente 158-159 (1994): 146-61.

Haggerty, George E. Gothic Fiction / Gothic Form. Philadelphia: U of Pennsylvania P, 1988.*

_____. "The Gothic Novel, 1764-1824." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 220-46.*

Halberstam, Judith. Skin Shows: Gothic Horror and the Technology of Monsters. Durham (NC): Duke UP, 1995.*

Halttunen, Karen. Murder Most Foul: The Killer and the American Gothic Imagination. Cambridge (MA): Harvard UP, 1998.*

Harrison, M. John. "Following the Embalmer's Trade." (Gothic). TLS 9 october 1992: 23.

Haslam, Jason, and Joel Faflak, eds. American Gothic Culture: An Edinburgh Companion. Edinburgh: Edinburgh UP, 2016.

Hawthorne, Nathaniel. Preface to The House of the Seven Gables. In Gothic Horror: An Anthology from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 37-39.*

Hearn, Lafcadio. Extract from "Nightmare-Touch." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 43-49.*

Heiland, Donna. Gothic and Gender: An Introduction. Oxford: Blackwell, 2004.

Heilman, Robert. "Charlotte Brontë's 'New' Gothic." In From Jane Austen to Joseph Conrad. Ed. Robert C. Rathburn and Martin Steinmann, Jr. Minneapolis: U of Minnesota P, 1958.

Herald, Diana Tixier. Genreflecting: A Guide to Reading Interests in Genre Fiction. Englewood (Colorado): Libraries Unlimited, 1982. 5th ed. 2000.* (Historical novel, Westerns, Detective fiction, adventure, SF, fantasy, romance, horror).

Hohne, Karen A. "The Voice of Cthulhu: Language Interaction in Contemporary Horror Fiction." In Styles of Creation: Aesthetic Technique and the Creation of Fictional Worlds. Ed. George Slusser and Eric S. Rabkin. Athens (GA): U of Georgia P, 1992. 79-87.*

Holland, Norman. "Why Are There Horror Movies." In Psychology Today (Your Brain on Culture) 4 Jan. 2010.*

http://www.psychologytoday.com/blog/is-your-brain-culture/201001/why-are-there-horror-movies

2009


Holland, Norman and Leona Sherman. "Gothic Possibilities." New Literary History 8.2 (1977): 279-94.

_____. "Gothic Possibilities." In Gender and Reading: Essays on Readers, Texts, and Contexts. Ed. Elizabeth A. Flynn and Patrocinio P. Schweickart. Baltimore: Johns Hopkins UP, 1984.

Holland, Steve. "On Horror and Censorship." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 277-87.*

Howard, Jacqueline. Reading Gothic Fiction: A Bakhtinian Approach (Reviewed by Donya Samara). Novel (Winter 1996): 243-48.*

Howells, Coral Ann. Love, Mystery and Misery: Feeling in Gothic Fiction. 1978. London: Athlone, 1995.

Hurley, Kelly. The Gothic Body: Sexuality, Materialism and Degeneration at the Fin de Siecle. (Cambridge Studies in Nineteenth-Century Literature and Culture 8). Cambridge: Cambridge UP, 1996.

Jackson, Rosemary. Extract from Fantasy. In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 125-33.*

Jacobs, Edward. "Anonymous Signatures: Circulating Libraries, Conventionality, and the Production of Gothic Romances." ELH. 62.3 (1995).*

James, M. R. Extract from the Preface to The Collected Ghost Stories. In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 53-54.*

Jancovich, Mark. "The Gothic Novel." In Jankovich, Horror. London: Batsford, 1992. 19-33.*

Joseph-Vilain, Melanie, and Judith Misrahi-Barak, eds. Postcolonial Ghosts. (Les Carnets du Cerpac, 8). Montpellier: Presses Universitaires de la Méditerranée, 2009.

Kahane, Claire. "Gothic Mirrors and Feminine Identity." Centennial Review 24 (1980).

_____. "The Gothic Mirror." In The (M)Other Tongue. Ed. Shirley Nelson Garner et al. Ithaca (NY): Cornell UP, 1985. 334-51.

Keeling, Thomas H. "Science Fiction and the Gothic." In Bridges to Science Fiction. Ed. George E. Slusser et al. Carbondale: Southern Illinois UP, 1980. 107-19.

Kendrick, Walter M. The Thrill of Fear: 250 Years of Scary Entertainment. New York: Grove Weidenfield, 1991.

Ketelaar, Timothy. "Lions, Tigers, and Bears. O God! How the Ancient Problem of Predator Detection may Lie Beneath the Modern Link between Religion and Horror." Behavioral and Brain Sciences 27 (2004): 740-41.

Kilgour, Maggie. The Rise of the Gothic Novel. London and New York: Routledge,1995.*

Killen, Alice M. "Le Roman terrifiant ou Roman noir, de Walpole à Ann Radcliffe, et son influence sur la littérature française jusqu'en 1840." Diss. Crès, 1915.

_____. Le Roman terrifiant. Paris, 1920, 1923.

_____. Le Roman terrifiant ou Roman noir, de Walpole à Ann Radcliffe, et son influence sur la littérature française jusqu'en 1840. 2nd ed. Paris: Honorè Champion, 1967.

_____. Le Roman terrifiant ou Roman noir, de Walpole à Ann Radcliffe, et son influence sur la littérature française jusqu'en 1840. Geneva: Slatkine, 1984.

King, Stephen. Extracts from an Interview in Playboy and from "An Evening at Billerica Public Library." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 96-97.*

Kliger, Samuel. "The 'Goths' in England." 1945. In The Gothick Novel. Ed. Victor Sage. (Casebook Series). Houndmills: Macmillan, 1990. 115-30.*

Lebrun, Annie. Les Châteaux de la subversion. Pauvert et Garnier, 1982. Rpt. (Folio/Essais). Paris: Gallimard, 1986.

Lévy, Maurice. Le Roman "gothique" anglais (1764-1824). Thèse de doctorat d'Etat. Toulouse: Publications de la faculté des lettres et sciences humaines, 1968.

_____. Images du roman noir. Eric Losfeld, 1973. (Illustrations).

Lovecraft, H. P. "Supernatural Horror in Literature." In Lovecraft, Dagon and Other Macabre Tales. 1939.

_____. Supernatural Horror in Literature. New York: Dover, 1973.

_____. Extract from "Supernatural Horror in Literature." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 55-57.*

_____. El horror en la literatura. Trans. Francisco Torres Oliver. Madrid: Alianza, 1984.*

Llopis, Rafael. Historia natural de los cuentos de miedo. Madrid: Júcar, 1974.

Lloyd-Smith, Allan. American Gothic Fiction: An Introduction. New York: Continuum, 2005.

Lundie, Catherine A. Restless Spirits: Ghost Stories by American Women 1872-1926. Amherst: U of Massachusetts P, 1996.*

Martín Alegre, Sara. Siete relatos góticos: Del papel a la pantalla. Madrid: La Barca de Caronte - Jaguar, 2006.

Massé, Michelle A. In the Name of Love: Women, Masochism, and the Gothic. Ithaca (NY): Cornell UP, 1992.*

Mighall, Robert. A Geography of Victorian Gothic Fiction: Mapping History's Nightmares. Oxford: Oxford UP, 1999.

Milbank, Alison. Daughters of the House: Modes of Gothic in Victorian Fiction. London: Macmillan, 1992.

Miles, Robert. Gothic Writing, 1750-1820: A Genealogy. London: Routledge, 1993.*

Mishra, Vijay. The Gothic Sublime. SUNY Press, 1994.

Moers, Ellen. "Female Gothic: The Monster's Mother." New York Review 21 March 1974. Rpt. in Moers, Literary Women.

_____. "Female Gothic." In The Endurance of Frankenstein. Ed. George Levine and V. C. Knoepflmacher. Berkeley: U of Califonia P, 1982. 77-87.

Mooney, Stephen L. "Poe's Gothic Wasteland." Sewanee Review 70 (1962).

Moretti, Franco. "Dialectic of Fear." In Moretti, Signs Taken as Wonders. London: Verso, 1983. 83-108.

Mulvey-Roberts, Marie, ed. The Handbook to Gothic Literature. Houndmills: Macmillan, 1998.*

Mussell, Kay. Women's Gothic and Romantic Fiction. Westport (CT), 1981.

Nadal, Marita. "Poe's American Gothic, or the Gap between Reference and Signification." In Nor Shall Diamond Die: American Studies in Honour of Javier Coy. Ed. Carme Manuel and Paul Scott Derrick. Valencia: Prensas Universitarias de Valencia, 2003. 355-64.

Napier, Elizabeth. The Failure of Gothic. Oxford: Clarendon, 1987.

Navarrete, Susan J. "The Soul of the Plot: The Aesthetics of Fin de Siècle Literature of Horror." In Styles of Creation: Aesthetic Technique and the Creation of Fictional Worlds. Ed. George Slusser and Eric S. Rabkin. Athens (GA): U of Georgia P, 1992. 88-114.*

Oakes, David. Science and Destabilization in the Modern American Gothic: Lovecraft, Matheson and King. Greenwood Press, dist. Eurospan, 2000.

Olivares Merino, Julio Ángel Cenizas del Plenilunio Alado: Pálpitos y vestigios del vampiro en la literatura inglesa anterior a Dracula. (Colección Alonso de Bonilla). Jaén: U de Jaén, 2001.* (Coleridge, Stagg, Byron, Keats, Polidori, Le Fanu, Poe, Stoker)

Palmer, Paulina. Lesbian Gothic: Transgressive Fictions. London: Cassell, 1999.

Pascual, Arturo, and Alejandro Montiel. "El ABC de los monstruos: manual de teratología." Quimera 120 (1993): 46-53.

Pater, Walter. Extract from The Renaissance. In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 39-42.*

Penzoldt, Peter. The Supernatural in Fiction. London: Nevill, 1952.

Phelps, Gilbert. "Varieties of English Gothic." In From Blake to Byron. Ed. Boris Ford. Harmondsworth: Penguin, 1982. 110-27.*

Pinkney, Tony. "Towards a Gothic Criticism." In The State of Theory. Ed. Richard Bradford. London: Routledge, 1993. 75-89.*

Poe, Edgar Allan. Extracts on horror (from "The Man of the Crowd," "The Imp of the Perverse," "The Philosophy of Composition," "Eureka" and "Marginalia." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 23-36.*

Porte, Joel. "In the Hands of an Angry God: Religious Terror in Gothic Fiction." In The Gothic Imagination: Essays in Dark Romanticism. Ed. G. R. Thompson. Pullman (WA): Washington State UP, 1974. 42-64.

Praz, Mario. "The Metamorphoses of Satan." 1933. In The Gothick Novel. Ed. Victor Sage. (Casebook Series). Houndmills: Macmillan, 1990. 108-12.*

_____. Introd. to Three Gothic Novels. Harmondsworth: Penguin, 1968.

Punter, David. The Literature of Terror. London: Longman, 1980.

_____. Extract from The Literature of Terror. In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Houndmills: Macmillan, 1998. 118-23.*

_____. Gothic Pathologies: The Text, the Body and the Law. Houndmills: Macmillan; New York: St. Martin's, 1998.*

_____, ed. A Companion to the Gothic. (Blackwell Companions to Literature and Culture). Oxford: Blackwell, 1999. 2001.

Punter, David, and Glennis Byron. The Gothic. (Blackwell Guides to Literature). Oxford: Blackwell, 2003.

_____, eds. Spectral Readings: Towards a Gothic Geography. Houndmills: Macmillan, 1999.

Railo, Eino. The Haunted Castle. London, 1927.

Richardson, Maurice. "The Psychoanalysis of Ghost Stories." The Twentieth Century 166 (1959): 427-28.

Richter, David H.The Progress of Romance: Literary Historiography and the Gothic Novel. Columbus: Ohio State UP, 1996.*

Robertson, Fiona. Legitimate Histories: Scott, Gothic, and the Authorities of Fiction. Oxford: Clarendon, 1994.

Sage, Victor. Horror Fiction in the Protestant Tradition. 1988.

_____, ed. The Gothick Novel: A Selection of Critical Essays. (Casebook Series). Houndmills: Macmillan, 1990.*

Schaefer, Martin. "The Rise and Fall of Antiutopia: Utopia, Gothic Romance, Dystopia." Science-Fiction Studies 6 (1979): 287-95.

Schmitt, Cannon. Alien Nation: Nineteenth-Century Gothic Fictions and English Nationality. (New Cultural Studies). Philadelphia: U of Pennsylvania P, 1997.*

Schneider, Steven J., ed. Horror Film and Psychoanalysis: Freud's Worst Nightmare. Cambridge UP, 2004.

Sedgwick, Eve Kosofsky. The Coherence of Gothic Conventions. New York: Arno Press, 1980.

_____. "Imagery of the Surface in the Gothic Novel." PMLA 96 (March 1981): 255-70.

_____. "Toward the Gothic: Terrorism and the Homosexual Panic," Between Men: English Literature and Male Homosocial Desire. New York: Columbia UP, 1985. 87-96.

Sickels, Eleanor M. "King Death." 1932. In The Gothick Novel. Ed. Victor Sage. (Casebook Series). Houndmills: Macmillan, 1990. 100-08.*

Smith, Allan Lloyd, and Victor Sage, eds. Gothick Origins and Innovations. Amsterdam: Rodopi, 1994.*

Smith, Andrew. Gothic Radicalism: Literature, Philosophy and Psychoanalysis in the Nineteenth Century. Houndmills: Macmillan, 2000. (M. Shelley, Poe, Stevenson, Stoker).

_____. Gothic Literature. (Edinburgh Critical Guides to Literature). Edinburgh: Edinburgh UP.

Stevens, David. The Gothic Tradition. (Contexts in Literature). Cambridge: Cambridge UP, 2000.*

Summers, Montague. The Gothic Quest. London, 1938.

_____. The Gothic Quest: A History of the Gothic Novel. New York: Russell and Russell, 1964.

_____. Extract from The Vampire in Literature. In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 58-74.*

Thompson, G. R., ed. The Gothic Imagination: Essays in Dark Romanticism. Pullman (WA): Washington State UP, 1974.

Tinkler-Villani, Valeria, and Peter Davidson, eds. Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. Amsterdam: Rodopi, 1995.*

Todorov, Tzvetan. Extract from The Fantastic. In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 124.*

Tompkins, Joyce M. S. The Popular Novel in England 1770-1800. London, 1932; 1962. Gloucester (MA).

_____. The Popular Novel in England 1770-1800. Lincoln: U of Nebraska P, 1961.

_____. "The Gothic Romance." 1932. In The Gothick Novel. Ed. Victor Sage. (Casebook Series). Houndmills: Macmillan, 1990. 87-99.*

_____. Ann Radcliffe and her Influence on Later Writers. New York: Arno, 1980.

Trinquier, J. "Le motif du repaire des brigands et le topos du locus horridus: Apulée, Métamorphoses, IV, 6." RPh 73 (1999): 257-277.

Twitchell, James. Dreadful Pleasures: An Anatomy of Modern Horror. New York: Oxford UP, 1985.*

Varma, Devendra P. The Gothic Flame. London, 1957.

_____. The Gothic Flame. London: Methuen, 1989.*

Varnado, S. L. Haunted Presence: The Numinous in Gothic Fiction. Tuscaloosa: U of Alabama P, 1987.

Voller, Jack. The Supernatural Sublime: The Metaphysics of Terror in Anglo-American Romanticism. DeKalb: Northern Illinois UP, 1994.

Westfahl, Gary, and George Slusser, eds. Nursery Realms: Children in the Worlds of Science Fiction, Fantasy, and Horror. Athens (GA): U of Georgia P, 1999.*

Wheatley, Dennis. Author's Note from The Devil Rides Out. In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 75-76.*

Wiesenfarth, Joseph. Gothic Manners and the Classic English Novel. Madison: U of Wisconsin P, 1988.

Williams, Anne. Art of Darkness. A Poetics of Gothic. Chicago: University of Chicago Press, 1995.*

Winter, Douglas E. "The Pathos of Genre." In DarkEcho Horror. Ed. Paula Guran. 1998.


http://www.darkecho.com/darkecho/darkthot/pathos.html

Wolfreys, Julian. Victorian Haunting: Spectrality, Gothic, the Uncanny. Houndmills: Palgrave.

Wolfreys, Julian, and Ruth Robbins, eds. Victorian Gothic: The Culture and Literature of Dis-Ease and Desire. Houndmills: Macmillan, 1999. (Le Fanu, Dickens, Julia Margaret Cameron, Mary Elizabeth Coleridge, Vernon Lee, Oscar Wilde, Richard Marsh, H. Rider Haggard, Kipling, Hopkins).

Wolstenholme, Susan. Gothic (Re)Visions: Writing Women as Readers. Albany: State U of New York P, 1993.

Wright, Angela, and Dale Townshend, eds. Romantic Gothic: An Edinburgh Companion. Edinburgh: Edinburgh UP, 2015.

Anthologies


The Arbor House Treasury of Horror and the Supernatural. 1981.

The Architecture of Fear. Arbor House, 1987.

Baldick, Chris, ed. The Oxford Book of Gothic Tales. Oxford: Oxford UP, 1992, 1993.*



The Best Mystery and Suspense Stories. 1993.

Bissett, Alan. Damage land: New Scottish Gothic Fiction. Edinburgh: Polygon, 2001.

Bleiler, E. F., ed. Five Victorian Ghost Novels. New York: Dover.

_____, ed. Three Gothic Novels. New York: Dover.

Charlesworth, Michael, ed. The Gothic Revival 1720-1870: Literary Sources and Documents. 3 vols. Mountfield (East Sussex): Helm Information, 2002.

Classic Horror Short Stories. At HorrorMasters.com

http://www.horrormasters.com/Themes/Horror_Short_Stories_4.htm

2011


Cox, Michael. The Oxford Book of Twentieth-Century Ghost Stories. Oxford: Oxford UP, 1996.

Cuddon, J. A., ed. The Penguin Book of Horror Stories. Harmondsworth: Penguin, 1984.

Dalby, Richard, ed. Twelve Gothic Tales. Oxford: Oxford UP, 1998.*

Dark Forces. Viking, 1980.

Derleth, August, ed. Fearful Pleasures. Stories. 1946.

Dickens, Charles, et al. Classic Ghost Stories. New York: Dover.

Felices pesadillas: Los mejores relatos de terror aparecidos en Valdemar (1987-2003). Ed. Rafael Díaz Santander and Juan Luis González Caballero. (El Club Diógenes, 200). Madrid: Valdemar, 2003.*

Four Gothic Novels: Horace Walpole, The Castle of Otranto. William Beckford, Vathek. Matthew Lewis, The Monk. Mary Shelley, Frankenstein. Oxford: Oxford UP, 1994.*

Hartwell, David G., ed. Foundations of Fear.

_____, ed. The Dark Descent. Anthology of horror fiction. (World Fantasy Award).

Lacassin, Francis, ed. Romans terrifiants. (Horace Walpole, Le Château d'Otrante, Ann Radcliffe, L'Italien; M. G. Lewis, Le Moine; E. T. A. Hoffmann, Les Elixirs du Diable; Charles Maturin, Melmoth). (Bouquins). Paris: Laffont, 1984.

McGrath, Patrick, and Bradford Morrow, eds. The Picador Book of the New Gothic. London: Picador, 1992.

Metahorror. New York: Dell, 1992.

Pérez Andújar, Javier, ed. Vosotros los que leéis aún estáis entre los vivos. Barcelona: Círculo de Lectores, 2005.* (Prologue: "De entre los vivos", 11-18).

Slung, Michele, ed. Shudder Again. Stories. Harmondsworth: Penguin, 1994.

Trott, Nicola, ed. Gothic Novels: An Anthology. Oxford: Blackwell, 1997.

Walker, I. M. "The 'Legitimate' Sources of Terror in 'The Fall of the House of Usher'." Modern Language Review 66 (1966): 585-92. In Twentieth Century Interpretations of Poe's Tales. Ed. William L. Howarth. Englewood Cliffs (NJ): Prentice-Hall, 1971. 47-54.*

Wise, Herbert A., and Phyllis Fraser, eds. Great Tales of Terror and the Supernatural. 1944.


The Year's Best Fantasy and Horror. 1993.

Anthologies: Critical

Botting, Fred, and Dale Townshend, eds. Gothic. 4 vols. (Critical Concepts in Literary and Cultural Studies). London: Routledge, 2004.

Audio


Llorens Cubedo, Dídac. "La novela gótica inglesa." Audio. YouTube (UNEDradio) 17 Jan. 2014.*

http://www.youtube.com/watch?v=-vXWsZ4cPsE

2014


Bibliography

García Landa, José Angel. "Gothic Novel; Horror Fiction." From A Bibliography of Literary Theory, Criticism, and Philology. iPaper at Academia.edu 23 Sept. 2010.*



http://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda/Papers/296965/Gothic-Novel--Horror-Fiction

2010
Internet resources



Dagonbytes.com ("Gothic" website).

http://www.dagonbytes.com

2005-09-28


Feo Amante's Horror Homepage.

http://www.feoamante.com/

2004-12-05


HorrorMasters.com

http://www.horrormasters.com/

2011


Journals
Ellery Queen's Mystery Magazine (Oct. 1992)
Horror Studies 2.1 (2011).

Literature

Austen, Jane. Northanger Abbey. Written 1790s, pub. 1818 (posth).

_____. Northanger Abbey. Ed. Susan Fraiman. (Norton Critical Edition). New York: Norton, 2004.

_____. Northanger Abbey. Oxford, 1923.

_____. Northanger Abbey. Ed. Anne Henry Ehrenpreis. Harmondsworth: Penguin, 1972.

_____. Northanger Abbey. (Penguin Classics). Harmondsworth: Penguin.

_____. Northanger Abbey, Lady Susan, The Watsons, and Sanditon. Ed. John Davie. Oxford: Oxford UP.

_____. Northanger Abbey. Ware: Wordsworth.

_____. Northanger Abbey. Ed. Susan Fraiman. (Norton Critical Edition). New York: Norton, 2004.

_____. Northanger Abbey. Electronic Text Center, U of Virginia Library


http://etext.lib.virginia.edu/toc/modeng/public/AusNort.html

2008
_____. La abadía de Northanger. Alba Editorial, 1996.



Series
(El Club Diógenes, 200). Madrid: Valdemar, 2003.*
(Jet [Terror], 200). Barcelona: Plaza & Janés - DeBols!llo, 2000.*

See also Horror and Terror; Monsters; Horror films.



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