Magnolia Pictures and Whose Streets? Llc presents whose streets? A film by Sabaah Folayan and Damon Davis

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Magnolia Pictures and Whose Streets? LLC
Presents


WHOSE STREETS?

A film by Sabaah Folayan and Damon Davis
100 minutes


Official Selection:

Sundance Film Festival 2017 – World Premiere (U.S. Documentary Competition)

Full Frame 2017

San Francisco International Film Festival 2017



http://www.magpictures.com/whosestreets/

http://www.whosestreets.com


FINAL PRESS NOTES


Distributor Contact:

Press Contact NY/Nat’l:

Press Contact LA/Nat’l:

Arianne Ayers

Ryan Werner

Josh Haroutunian

George Nicholis

Emilie Spiegel

Brooke Blumberg

Magnolia Pictures

Laura Sok

Sunshine Sachs

(212) 924-6701 phone

Cinetic Media

haroutunian@sunshinesachs.com


publicity@magpictures.com

ryan@cineticmedia.com

Emilie@cineticmedia.com

laura@cineticmedia.com


blumberg@sunshinesachs.com

























SYNOPSIS

Told by the activists and leaders who live and breathe this movement for justice, Whose Streets? is an unflinching look at the Ferguson uprising. When unarmed teenager Michael Brown is killed by police and left lying in the street for hours, it marks a breaking point for the residents of St. Louis, Missouri. Grief, long-standing racial tensions and renewed anger bring residents together to hold vigil and protest this latest tragedy. Empowered parents, artists, and teachers from around the country come together as freedom fighters. As the national guard descends on Ferguson with military grade weaponry, these young community members become the torchbearers of a new resistance. Filmmakers Sabaah Folayan and Damon Davis know this story because they have lived the story. Whose Streets? is a powerful battle cry from a generation fighting, not for their civil rights, but for the right to live.



DIRECTOR’S STATEMENT

Every day, Americans experience a mediascape that humanizes whiteness, delving into the emotional lives of privileged white protagonists while portraying people of color as two-dimensional and mostly negative stereotypes. Nowhere was this more apparent than in the case of Mike Brown who, despite being college-bound and well regarded by his community, was portrayed as a "thug" and a "criminal."

As a result, Ferguson has experienced media colonization since August 9th; as all eyes turned to the protests, the Grand Jury, and the response to the non-indictment, people became desensitized to the scenes of chaos. The dehumanization of Mike Brown was perpetrated by his murderer, perpetuated by the media, and reinforced by violent police repression of his community. This was a modern day lynching.
We are intimately aware of how we are portrayed in the media and how this portrayal encourages both conscious and unconscious racial bias. For this reason, it is essential that Black people be the ones to tell our own true stories. We are uniquely suited to make this film because we ourselves are organizers, activists and deeply connected to the events of August 9th and beyond. We are making this film, in part, as tribute to our people—our deeply complex, courageous, flawed, powerful, and ever hopeful people—who dare to dream of brighter days. This is more than a documentary...this is a story we personally lived. This is our story to tell.
- Sabaah Folayan & Damon Davis


ABOUT THE PROTAGONISTS
You sacrifice your comfort, your security….you sacrifice everything to do this work.” – Brittany Ferrell

Having shaken the American consciousness overnight, the youth of St. Louis are faced with questions many seasoned politicians have yet to answer. The need for solutions pressures Brittany Ferrell, a 25-year-old nursing student and mother of young daughter Kenna, to begin organizing alongside other young queer activists. They founded the group Millennial Activists United (MAU). She leaves school, and activism becomes her life in the months following the murder. Challenges come from within and without. As Brittany struggles to balance her professional aspirations, family responsibilities and revolutionary ideals, she and her partner, MAU co-founder Alexis Templeton, face homophobia from inside the Movement. The pair stage direct actions that are increasingly dangerous, leading to a showdown on a major interstate highway and Brittany’s arrest. Facing felony charges and imprisonment, Brittany could lose it all.

We live here…we got a right to be out here! Since the police are not being held accountable we have to hold them accountable.” – David Whitt
David Whitt is a husband and father of four. He is in his apartment when shots ring out just a few feet outside his door. He recounts how masked men with assault rifles drawn arrive riding atop fire trucks in the hours following the fatal shooting. Police erect a curtain around Michael Brown’s body to prevent residents from seeing what is happening. Witnessing the heavy-handed response by police and their early attempts to conceal information, Whitt picks up a handheld camera and begins to film. He and his chapter of Copwatch become guardians of Mike Brown’s memorial, rebuilding it when it is vandalized and later removed. His counter-surveillance of local police results in eviction for him and other activists in the neighborhood. While fighting for justice, Whitt also struggles for his family’s livelihood.
I don’t really consider myself a leader. It’s damn near like being a politician and that’s one thing I don’t want to become. I’m just a black man dealing with the cards that I was dealt.” – Tef Poe
Underground hip-hop artist and activist Tef Poe arrives at Canfield Green to see blood fresh on the street. Tef is one of many who refuse to go inside, even when faced with military weapons and an enforced curfew. While on the frontlines he meets Tory Russell and together they form Hands Up United. As mainstream media descends upon the city, Tef becomes a regular presence on outlets like CNN, drawing criticism from all sides.

He emerges a natural spokesperson, testifying at the UN Convention Against Torture in Geneva and leading marches at Ferguson October. But his high profile threatens to both derail his musical career and splinter Hands Up United.


I love my people…people I don't know, people I've never met, people I may never see. I love them enough to make sure they have the right to live without fear of dying every day.” – Kayla Reed

Kayla Reed is one of many who found a renewed sense of purpose in seeking justice for Mike Brown. On August 10th she drives Tef Poe out to the protests and joins in. Shortly afterwards, she leaves her job as a pharmacy technician. Day after day she takes to the street and protest soon becomes a way of life. Magnetic and humorous, Kayla is tapped to head the Organization for Black Struggle, a 35 year-old St. Louis civil rights organization. Over time she takes bolder stands, instigating night actions and direct confrontations with the police. A major turning point comes when she leads an occupation of the steps at St. Louis city hall and police pepper spray protesters. Is she putting people needlessly at risk? As she battles her own doubts, her greater responsibilities require her to lead, which means she must face scrutiny from within the Movement.
I don’t know what year it is... but it’s not 2014.” – Tory Russell
Tory Russell is a father and teacher who sees himself as a public servant. A charismatic speaker, he illuminates the systemic issues facing St. Louis. When Mike Brown is killed, Tory leads a march to the Ferguson police department to seek answers and is thwarted by an unresponsive local government. He tells the disappointed crowd it will take more than a day to get 500 years worth of answers, and vows to continue the fight. Reimagining the dilapidated community of North St. Louis, Tory proposes a solution from the ground up. He launches a Books & Breakfast program and takes over a building to provide cultural resources and basic necessities for the community.

ABOUT THE FILMMAKERS

Sabaah Folayan (Writer/Director, Producer) is an activist and storyteller born and raised in South Central LA. As an advocate at Rikers Island, Folayan interviewed incarcerated people about their experiences with trauma. She later helped organize The Millions March, one of the largest marches for racial justice in New York history, in response to the non-indictment of the police officer who choked Eric Garner to death. Folayan entered the world of storytelling through theater, attending the Lee Strasberg Institute of Theatre and Film as a teenager, and performing as a member of the Black Theater Ensemble while a pre-med student at Columbia University. In September 2014, she went to Ferguson with cinematographer Lucas Alvarado-Farrar to learn the truth behind the dramatic scenes playing out on the news. Hearing the stories from the community inspired her to embark on her directorial debut Whose Streets? landing her a coveted spot on Filmmaker Magazine’s annual “25 New Faces of Independent Film” along with Co-Director Damon Davis. Folayan recently directed an episode of Glamour Magazine + The Girl Project’s Get Schooled web series presented by Maybelline. She is a 2015 Firelight Media Producers Lab Fellow, 2016 Chicken & Egg Accelerator Lab Fellow, and 2016 Sundance Institute Documentary Edit and Story Lab Fellow.

Damon Davis (Co-Director, Producer) is an award-winning interdisciplinary artist who works and resides in St. Louis, Missouri. His scope includes illustration, painting, printmaking, music, film, and public art. Davis has work in the permanent collection at the Smithsonian’s National Museum of African American History and Culture, and has exhibited at the Museum of Contemporary African Diasporan Arts (MoCADA) in Brooklyn and the San Diego Contemporary Museum of Art. Acclaimed cultural critic and scholar Jeff Chang licensed Davis’ piece, All Hands on Deck, as the cover art for Chang’s 2016 book We Gon’ Be Alright: Notes on Race and Resegregation. For his work as the founder of independent music and art imprint, Far Fetched, Davis received The Riverfront Times Master Mind Award (2013), St. Louis Soup Across the Delmar Divide Award (2013), and Best Hip Hop Producer SLUMfest Award (2014). He is also a Regional Arts Commission Community Arts Training Fellow (2012) and was named to Alive Magazine's Buzz List (2013). The documentary short A Story To Tell (2013), which profiled Davis, his work, and the creative process, won an Emmy Award Mid America for Best Short Form Program. Whose Streets? is Davis’ first foray into feature-length documentary; Filmmaker Magazine selected him and Director Sabaah Folayan for their “25 New Faces of Independent Film 2016.” Davis is a 2015 Firelight Media Producers Lab Fellow and a 2016 Sundance Institute Music and Sound Design Lab Fellow at Skywalker Sound.

Jennifer MacArthur (Producer) is a creative producer and media strategist. She founded the social impact strategy firm Borderline Media in 2008. Borderline’s strategy work includes Almost Sunrise (2016), Southern Rites (HBO, 2015), and the Emmy nominated films Gideon’s Army (HBO, 2013) and Traces of the Trade (POV, 2008). MacArthur also advised on America Divided (EPIX, 2016), American Promise (POV, 2014), and Oscar nominated Dirty Wars (IFC, 2013). BRITDOC selected MacArthur for their inaugural Impact Producers Retreat in 2012. She later established the peer support network Impact Producers Group and launched Impact Socials, a networking event for creative change-makers. Borderline co-hosted Impact Socials with POV, Sundance Institute, Skoll Foundation and BRITDOC. MacArthur’s commitment to field-building keeps her active on the festival circuit as an industry delegate, a Lab Leader for IFP Labs, and a mentor for Good Pitch and Tribeca New Media. It has also taken her to Melbourne, Guadalajara, and Amsterdam for keynotes addressing neoliberalism, big data, white privilege, social movements, and low-fi transmedia. MacArthur is a 2016 Sundance Creative Producing Summit Fellow, 2016 Opportunity Agenda Creative Change Leader, 2015 Rockwood JustFilms Fellow and 2015 NAMAC Creative Lab Leader. Recently, she joined the Industry Advisory Board for the Camden International Film Festival/Points North Institute.

Flannery Miller (Producer) is a filmmaker and impact producer committed to using visual storytelling to promote human rights and social justice. She is co-founder of Global Video Letters (GVL), a participatory media initiative dedicated to social inclusion and citizen journalism. Their project The Kabul Cards exhibited at the Nobel Peace Center in 2012. As Director of Human Rights Education at Skylight Pictures from 2011 to 2014, Miller designed and produced impact campaigns for Emmy-nominated Granito: How to Nail a Dictator (Official Selection, Sundance; Grand Prix Best Creative Documentary, 2011) and Disruption (2014). She produced the Dictator in the Dock short film series and managed the outreach for Skylight’s transmedia project Every Memory Matters, both about the Guatemalan armed conflict and genocide. Until recently, Miller produced social impact media, art installations and events for Soze, a creative impact firm based in New York.

Lucas Alvarado-Farrar (Director of Photography) is a filmmaker, photographer, and the Creative Director and Founder of Far Fetched Future. He has worked largely around hip hop and jazz and the youth cultures attached to them, documenting the field across the US. Alvarado-Farrar has had the opportunity to shoot everything from one of the only four black US fencing Olympians, to Annie Leibovitz on set, to an album cover for Dreamville/Interscope rap artist Cozz. His work has been featured in The New Yorker, The Washington Post, XXL, VICE, Complex, and in a music column for The Huffington Post. In 2013 he was one of thirty artists selected for the GersonZevi Gallery’s Land Art Road Trip, a month-long traveling artists’ residency throughout the American Southwest. Alvarado-Farrar is currently a field producer for Revolt TV, shooting and packaging content for air.


Christopher McNabb (Editor) is a filmmaker, editor, and writer dedicated to the art of both fiction and nonfiction storytelling. McNabb worked as the editor and post-production supervisor for The Skin Deep, a startup media company dedicated to creating interactive content. He was the editor of The Skin Deep’s Emmy-winning project {THE AND} (Official Selection, IDFA 2014), an interactive documentary about contemporary human relationships, and the accompanying short film {THE AND} Marcela & Rock (Official Selection, Sundance 2015). McNabb was also an assistant editor for Emmy-winning documentary filmmaker Lana Wilson on her second feature film in production, The Departed. He graduated with a bachelor’s degree in Film Studies from Wesleyan University where his thesis film, Driven, won the NNK Award for Best Screenplay. McNabb is a 2016 Sundance Institute Documentary Edit and Story Lab Fellow.

Samora Abayomi Pinderhughes (Composer) is a world-renowned pianist and composer. Samora has performed in venues including the White House, the Blue Note, MoMA, the Sundance Film Festival, Monterey Jazz Festival, and Carnegie Hall, and has toured internationally with artists including Branford Marsalis, Christian Scott, Jose James, Harvey Mason, and Emily King. Pinderhughes was raised in the Bay Area and moved to New York to study jazz at The Juilliard School. He is the director and creator of The Transformations Suite, an acclaimed project combining music, theatre, and poetry to examine the radical history of resistance within the communities of the African Diaspora. Pinderhughes’ other projects include: I’m Still Here: Letters on Trauma & Healing (Institute for Arts and Civic Dialogue); The James Baldwin Essays: Examining the American Dream Narrative commissioned by Harlem Stage; The Migration of Protest: Meditations on Jacob Lawrence for the Museum of Modern Art; and Billy Strayhorn: The Music of the Sutherland Period for the Kennedy Center and the Smithsonian Museum of American Art. Pinderhughes is a Sundance Institute Composers Lab Fellow for film scoring. He is also a member of Blackout for Human Rights and was musical director for their 2016 #MLKNow and #JusticeForFlint events.

Chris Renteria (Co-Producer) is a commercial and documentary photographer and­ filmmaker based in St Louis, Missouri. Renteria captured hundreds of hours of footage and evocative stills on the streets of Ferguson and St. Louis in the wake of Michael Brown’s killing. Several of these formed part of the collaborative Ferguson photo retrospective Wade in the Water held at the Kranzberg Arts Center. Renteria also produced a short film featuring images of Ferguson residents, activists and organizers alongside searing audio of the mass tear gassing of one of the largest peaceful rallies on the evening of August 17, 2014. His work has been featured by CNN, Tumblr, The Food Network, PBS and published by numerous websites, and he has held solo and group exhibitions across the country. Renteria is Co-­founder and Creative Producer for The St. Louis Photo Authority®, a non­profit organization dedicated to promoting the visual arts and community engagement by training children and adults in storytelling with the mediums of photography and video.

CREDITS
Written + Directed by

Sabaah Folayan


Co-Director

Damon Davis


Produced by

Jennifer MacArthur


Producers

Sabaah Folayan

Damon Davis
Producer

Flannery Miller


Edited by

Christopher McNabb


Director of Photography

Lucas Alvarado-Farrar


Original Music by

Samora Abayomi Pinderhughes


Co-Producer

Chris Renteria


Unit Production Manager

Chris Renteria


Creative Producer

Lucas Alvarado-Farrar


Line Producer

Patricia E. Gillespie


Camera Operator

Chris Renteria

Sound Recordists

Chris Renteria

Sabaah Folayan

Lucas Alvarado-Farrar

Production Assistants

Darian Wigfall

Kyle Porter

Elizabeth Unger


Story Consultant

Carol Dysinger


Consulting Editors

Arielle Amsalem

Blair McClendon
Assistant Editors

Simone Varano

Levan Amiranashvili

Tonio Ramsay


Post Production Supervisor

Jack Reynolds
Associate Producer

Jonathan T. Hall


Archival Producer

Mridu Chandra



ARCHIVAL MATERIAL COURTESY OF
City of St. Louis - STL TV

Johnetta Elzie



Ferguson Police Department

Ryan Frank

Kevin Christopher Productions

Jeremy Levine

Katina Parker



Bradley J. Rayford

Rebecca Rivas

RUPTLY

St. Louis Police Department

Shawn Carrié

Allen D. Singleton

Andrew Stephanian

The Supreme Court of the United States

Landon Van Soest

Nicholas Weissman

Rondriguez White

The White House

David Whitt

Jeff Wirth

Ashley Yates



ADDITIONAL MATERIAL
ABC

Al Jazeera

Argus News

Associated Press

CBS

C-SPAN


CNN

Democracy Now

Elite Daily

Fox News


Antonio French

GlobalGrind.com

HLN


Huffington Post

KSDK

KMOV


KTVI

Bassem Masri

MSNBC

NBC

NYT Video / Brent McDonald

PBS Newshour

RUPTLY

The Riverfront Times

USA Today

Vine / Michael Calhoun

Yahoo News

YouTube / Annette Kelly



YouTube / Cop Block

YouTube / djoh652864

YouTube / Froggie Leggs

YouTube / Human Neighborhood

YouTube / Lareisa Danielle

YouTube / Laugh SHINE Repeat Glossware



YouTube / Lord Rothchild

YouTube / ripthegeneral



YouTube / Umar Lee

YouTube / Gmaster RED



Digital Intermediate Provided by

POST FACTORY NY
DI Colorist

Adam Inglis

Tif Luckenbill
DI Producer

Colin Davis
DI Technologist

Jeff Roth
Mix Producer

Cristina Esterás-Ortiz


Re-Recording Mixer

Keith Hodne
Additional Music By

Damon Davis



Russell Hall

Christian Scott aTunde Adjuah
Musicians

Kush Abadey

Marcus Gilmore

Russell Hall

Jimmy Macbride

Clovis Nicolas

Elena Pinderhughes

Andrew Renfroe

Christian Scott aTunde Adjuah

Luke Sellick
Music Supervisor

Jasmine Martin



MUSIC

Freedom Song

Written by Natanjah Driscol and Damon Davis

Performed by Natanjah Driscol

Courtesy of FarFetched

Under License from FarFetched


Strange Fruition

Written by Wasalu Jaco, Francis Albert Lai, Rudolph Loyola Lopez

Performed by Lupe Fiasco

Courtesy of Atlantic Recording Corp

Under License from Warner Music Group

Hell You Talmbout

Written by Roman Gianarthur Irvin, Charles Joseph II, Nate "Rocket" Wonder, Nathaniel Irvin III, George A Peters II, Janelle Monáe Robinson

Performed by Janelle Monae

Courtesy of Atlantic Recording Corp

Under License from Warner Music Group

Alright

Written by Kendrick Lamar, Kawan Prather, Mark Anthony Spears, Pharrell Williams

Performed by Kendrick Lamar

Courtesy of Aftermath/Interscope Records

Under License from Universal Music Enterprises

Animation Provided by

THE MILL
Title Designer

Eric Chang


Title Animator

Mikhael Villegas


Title Producers

Jonathan Robinson

Devan Maura Saber
Production Coordinator

Cynthia Louissaint


Additional Title Design

Damon Davis


End Titles Created With

ENDCRAWL .com


Production and Clearance Counsel

David Morrison



Thompson Bukher LLP

Sales Representation
Submarine

Josh Braun

Dan Braun

Ben Braun

Matt Burke

Publicity
Acme PR

Nancy Willen

Emily McDonald

Christina Mondy


Fiscal Sponsor

Women Make Movies


Bookkeepers

MBS Accounting Technology & Advisory

Vision Payroll Service

Accounting


Dawn R. Parker, CPA & Associates

VERY SPECIAL THANKS
Brittany Ferrell

David Whitt

McKenzie Davis

Alexis Templeton

Tef Poe

Ashley Yates



Tory Russell

Kayla Reed

Lezley McSpadden

Michael Brown Sr. and family

The Whitt Family

T-Dubb-O


Dhoruba

Bassem Masri

David Royal

Montague Simmons

Catherine “Mama Kat” Daniels

Brother Shahid

Emily Bland

Johnetta Elzie

Reverend Sekou

Saul The Barber

Mike Pagano

Cheeraz Gormon



FarFetched Crew

The Costello Family and The Staff of Mokabees

Ferguson Burger Bar

Greater St. Marks Church



Ed Crim

St. Louis Photo Authority®

Organization for Black Struggle

Hands Up United

Amplify Ferguson

Ferguson Action

The Dred Scott Heritage Foundation

The City of St. Louis

SPECIAL THANKS
Aina Abiodun
Matthew Aizenstadt
Joelle Alexis
Sara Archambault
Nels Bangerter
Lillian Benson
Aziza Binti
Linda Blackbourn & Pier Mantovani
Dr. Andrea Boyles

Jimmie Briggs


Marcellus Buckley
Lacey Burch
lyric cabral
Gregory L. Carr, Jr.
Randolph Carr
Doris Casap
Nick Castle
Andrew Catauro

George S. Clinton Charlotte Coates


Rachel Coates
Steve Coates
Sarah Coffey
Mint Cornwall
Brenda Coughlin

Reese and Elmae Davis


Philipp Engelhorn

Rachel Epstein


Jodie Evans

Kristin Feeley


Sean Flynn
Miss Fuqua
Leah Giblin

Elegance Giovanni

Robert Greene
Mikaela Gross
Joe Harrison

Judith Helfand

Vivien Hillgrove
Warrington Hudlin

Tabitha Jackson

Lynne Jackson

Waberi Jordan


Kassandra & Kayda Khalil

Beck Kitsis


Ethan Kogan

Maya Krinsky


Danielle LeBeau
Simon Andrew MacArthur
Michael Raisler

Giovanna Marchese


Autumn Marie
Mateo Martinez
Carlen May-Mann
Keiller McDuff
Melissa McGregor
Thenjiwe McHarris
Tynesha McHarris
Cara Mertes
Molly Metzgar
William S. Meyer

Rucyl Mills


Maurice Mitchell
Andrea Nelson Meigs
Quincy Newell
Jonathan Oppenheim
Lauren Pabst
Jo'Elle Parker
Noah Payne

Taylor Payne


Enrique Pedráza Botero

Margaret Phillips


Victoria Phillips

Simorin Pinto


Laura Poitras
Keri Putnam
David Ragland

Michael Raisler
Raven Rakia

Cynthia Renteria


Danny Renteria
Maxfield Renteria

Dalychia Saah


Rudee Sade
Jorge Sanchez
Rafe Scobey-Thal
Kashif Shaheed
Tariq Shaheed
Nathan Sheard
Daniel Spencer
Mike Staab

Jasmine Sudarkasa

Scott Snyder
Rahdi Taylor

Jeff Truesdell


Adam Vitabile
Eric Ward
Yvonne Welbon
Jeremiah Wonsewitz
Chi-hui Yang
Michelle Zei


THANKS


Maite Alberdi

Aman Ali

Rob Alexander

Sharon Alpert

Alyse Ardell Speigel

Daisy Auger-Dominguez

Biko Baker

Joslyn Barnes

Dante Barry


Lorrie Bartlett

Gina Belafonte

W. Kamau Bell

Traci Blackwell

Black Lives Matter Network

Heidi Boisvert

Valerie Boucard

Katie Bowers

Iyabo Boyd

Susan Bracey

Imani Jacqueline Brown

Jamila Brown

Jen Chaiken

Daniel Chalfen

Maria Clement

Steve Cohen

Tanya Coke

Will Coley

Jocelyn Cooley

David Courier

Todd Cox

Marta Cunningham

Paco de Onis

Nikkole Denson-Randolph

Ramona Diaz

Dream Defenders

Anna Duncan

Thuko Durkac-Somo

Jayeesha Dutta

Beka Economopoulos

Kelly Edwards

Mohammed Elsafty

Sabine Fayoux

Beadi Finzi

Liam Flanders

David Flores

For Ahkeem Film


Marcelino Ford-Livene

Ben Fowlie

Maxyne Franklin

Paula Froehle

Leah Gallegos

Lisa Gelobter

Jessica George

Barbara Ghammashi

Ryan Gleeson

Tom Green

Cat Gund

dream hampton

Suzan Shown Harjo

Jamila Hammami

Craig Harwood

Josh Healey

Martisse Hill

Tracie Holder

Justine Hebron

Charon Hribar

Rosalind Hudnell

Christina Hollenback

Alan Jenkins

Eric Hynes

Elisabeth Johnsen

Jason Jones

Cristina Jimenez Moreta

Caroline Kaplan

Simon Kilmurry

Janet Kim

Brendan Keogh

Lisa Kjerulff

Hari Kondabolu

Bakari Kitwana

Anna Lee

Talib Kweli

Caroline Libresco

Rebecca Lichtenfeld

Nakisha Lewis


Jean Little

Jeremy Liu

Loira Limbal

Andrew Lowenthal

Paula Madison

Jean-Michelle Lopez

Mucinda Martinez

César Maxit

Eva-Marie Malone

Alexandra McDougald

Rhonda Medina

Daniel McCabe

Mike Milano

Douglas Miles

Valerie Meratz

Holly Mititquq Nordlum

Luke Moody

Million Hoodies

Molly Murphy

Khaliah Neal

Darnell Moore

The Nexus Group

Sarah Nobles

Stanley Nelson

Zahra Noorbakhsh

Christina Norman

Sara Nodjoumi

Anshantia Oso

Ohio Student Association

Sam Pollard

Anna Ponder

Ted Passon

Michael Premo

Dawn Porter

Daniela Quiroz

Robert Raben

Eric Rapp

Julius Pryor IV

Betsy Richards


Alex Rivera

Bradley J. Royford

RaMell Ross

Jess Search

Gibran Rivera

Ishita Srivastava

Lina Srivastava

Jesse Antoine Short Bull

Marcia Smith

Amanda Spain

Tereza Šimíková

Cori Stern

Mark Strandquist

The Sparrow Project

Laura Teodosio

Jidan Terry-Koon

Quita Sullivan

Janelle Treibitz

Leah Thomas

Jeff Unay

Tracy Van Slyke

Lucy Turley

Danielle Varga

Brian Walker

Aaron Walton

Caroline von Kuhn

Nicholas Weissman

Washington University Archive

Jess Wells-Hasan

Bridget Whelan

Sandra Whipman

Elliott Whitton

Dava Whisenant

Eileen Wiseman

Minah and Greg Worley

Roger Ross Williams

Anu Yadav


Pamela Yates

Jasiri X

3erd eye entertainment – Kelly Moore

Debra Zimmerman



Whose Streets?
A Sabaah Folayan and Damon Davis Film
Presented by Whose Streets? LLC in association with:

Borderline Media

Ford

MacArthur

Sundance Institute

OSF






Made possible by the generous support of


Threshold

Code Pink

Cinereach

Chicken + Egg

Firelight Media

BFF Summit

IDA/Pare Lorentz

Bertha BRITDOC

Tribeca Film Institute

Chicago Media Project

GoodPitch

Points North Institute



Completed with the support of WMM’s Production Assistance Program

Women Make Movies



With additional funding from

Ferguson Defense Fund


The Fledgling Fund

The Harnisch Foundation

Farhad Ibrahimi

Mr. Abraham Leo Lateiner

Abe Latimer

William S. Meyer

The Opportunity Agenda

The Shelly & Donald Rubin Foundation

The Russell Family Foundation

Solidaire

Thought Works

Sam Vinal

Richard Voelbel

Weissberg Foundation

and

New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature

This motion picture is protected under the laws of the United States of America and other countries. Unauthorized distribution, reproduction, or exhibition of this motion picture may result in criminal prosecution as well as civil liability.
© 2017 WHOSE STREETS? LLC. ALL RIGHTS RESERVED.

WHOSESTREETS.COM



49 west 27th street 7th floor new york, ny 10001

tel 212 924 6701 fax 212 924 6742



www.magpictures.com




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