Robert j. Gluck

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179 Tampa Avenue, Albany, New York 12208

(518) 527-5934

email: web:

1999 - 2001 Rensselaer Polytechnic Institute, Master of Fine Arts.

1981 - 1989 Reconstructionist Rabbinical College, Rabbi, Master of Hebrew Letters

Doctor of Divinity (Honorary, 2014).

1982 - 1984 Wurzweiler School of Social Work, Yeshiva University, Master of Social Work.

1976 - 1978 University at Albany, Bachelor of Arts [Electronic Music, Joel Chadabe].

1973 - 1975 Crane School of Music, SUNY at Potsdam [Electronic Music, Donald Funes].

1962 - 1970 Julliard School of Music, Preparatory Division [Piano, Regina Rubinoff].

Professional Experience: Music

2016 - Professor, University at Albany

2008 - 2015 Associate Professor, University at Albany.

2003 - 2007 Assistant Professor, University at Albany.

1999 - 2003 Adjunct Lecturer in Music and Judaic Studies (2002 – 2003), University at Albany.

1999 – 2010 Associate Director, Publications, Electronic Music Foundation, Albany, NY.

Co-Executive Editor, EMF Institute (with Joel Chadabe).

2000 - 2001 Adjunct Lecturer of Computer Music, Rensselaer Polytechnic Institute.

1998 - 2000 Graduate Teaching Assistant, Rensselaer Polytechnic Institute.

1998 - 1999 Adjunct Instructor of Electronic Music, Simon's Rock College.

Other Professional Experience
2001 - 2002 Acting Jewish Chaplain, Skidmore College (Fall).

Coordinator of Jewish Campus Life, Rensselaer Polytechnic Institute (Spring).

1993 - 1998 Rabbi, Congregation Ahavath Shalom, Great Barrington, MA.

1990 - 1993 Executive Director, Reconstructionist Rabbinical Association, Wyncote, PA.

1989 - 1992 Outreach Dir., Fed'n Reconstructionist Congregations and Havurot, Wyncote, PA.

1989 - 1990 Acting Dean of Students, Reconstructionist Rabbinical College, Wyncote, PA.

Awards and grants

2015 UAlbany Dept. of Africana Studies “Chair’s Award” “For Outstanding Service & Commitment.”

2014 Doctor of Divinity Honoris Causa, Reconstructionist Rabbinical College, Wyncote, PA.

2014 University at Albany FRAP B award.

2013 Top ten books about jazz, Ottawa Citizen.*

2012 Top ten books about jazz, New York City Jazz Record.*

2012 Top ten books about music, Spin magazine.*

2010 University at Albany FRAP A award.

2005, 2006, 2009, 2010, 2011, 2012, 2014, 2017:

United University Professions Individ. Research award.

2003, 2004, 2005, 2006, 2007, 2008, 2012, 2014 College of Arts and Sciences.

University at Albany, travel award.

2002 and 2003 Meet the Composer grants (New York State).

2001 Founders Award of Excellence, Rensselaer Polytechnic Institute.

1989 J. Walter Sokolov Prize for best essay, Reconstructionist Rabbinical College.

  • for You’ll Know When You Get There: Herbie Hancock and the Mwandishi Band,

Recordings on CD, CD-ROM and DVD
At This Time, Bob Gluck & Tani Tabbal (Ictus CD), November 2017.
Infinite Spirit: Revisiting the Music of the Mwandishi Band (Bob Gluck with Billy Hart,

Eddie Henderson, Christopher Dean Sullivan), January 2016.

Tropelets, Bob Gluck & Andrew Sterman (Ictus CD), March 2014
Textures and Pulsations for two pianos, Bob Gluck & Aruan Ortiz (Ictus CD 167), November 2012
Bob Gluck Trio: Returning (FMR CD 292), May 2011.
Something Quiet, w/ Joe Giardullo and Christopher Dean Sullivan (FMR CD 294), January 2011.
Neil Rolnick: Extended Family (Innova Records), 2011. Solo piano performance of “Faith.”
Bob Gluck Trio: Sideways (FMR CD 251), 2008.
Electric Brew (EMF Media, CD 069), 2007.
Electric Songs (EMF Media, CD 051), 2003.
Stories Heard and Retold (EMF Media, CD 008), 1998.


Recordings on CD, CD-ROM and DVD (continued)
60 x 60 Project 2004-2005, Vox Novus CD, 2007.
Shankar Barua, The Idea 7. New Delhi (India), 2004, CD-ROM.

Robert Gluck and Cynthia Rubin, "Layered Histories" (video), ICMC 2004: Expanded Horizons

(DVD), San Francisco: ICMA (one of eleven works selected).

Shankar Barua, The Idea 6. New Delhi (India), 2003, CD-ROM.


· You’ll Know When You Get There: Herbie Hancock and the Mwandishi Band.

University of Chicago Press, August 2012 (paper, 2013).

· The Miles Davis Lost Quintet and Other Revolutionary Ensembles.

University of Chicago Press, February 2016 (paper, 2017).

Current project: Paul Winter and his Circles: interfacing music, ecology, and education

Refereed publications on Music and Musicology

· “Paul Bley and Live Synthesizer Performance.” Jazz Perspectives, Spring 2014.

· Interview with David Rosenboom on his early career: late 1960s-early 1970s. Journal SEAMUS,

Society for Electroacoustic Music in the United States. forthcoming 2014.

· “Electric Circus, Electric Ear and the Intermedia Center in Late-1960s New York." Leonardo 45:1,

MIT Press. Winter 2012.

· Nurturing Young Composers: Morton Subotnick's Late-1960s Studio in New York City."

Computer Music Journal, 36:1, Spring 2012.

· "A Conversation with Ilhan Mimaroglu," Journal SEAMUS, Society for Electroacoustic Music in

the United States, Spring 2012. Also published in Jazz Dergisi, Istanbul, Nov. 2012.

· "Interview with Mario Davidovsky," Journal SEAMUS, Society for Electroacoustic Music in the

United States (2011).


Refereed publications on Music and Musicology (continued)
· “Across, Between, and Within Cultures”, Organized Sound 13:2, Cambridge University

Press, July 2008.

· "A Conversation with Halim El-Dabh," Journal SEAMUS, Society for Electroacoustic Music in the

United States. Competitive selection by ICMC/SEAMUS joint jury (2008).

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