The dualistic structure of literature is illustrated in the following list, which catalogs
the archetypes of literature.
The circular pattern of the monomyth. In addition to having this dualistic pattern, literature as a whole makes up a single story with a circular structure. This composite story ("composite" because it is made up of all the individual works of literature) is called " the monomyth" because it is the "one story" of literature. The monomyth is shaped like a circle and has four separate phases. As such, it corresponds to some familiar cycles of human experience, such as dawn-zenith-sunset-darkness and spring-summer- autumn-winter.
Romance (which Northrop calls "the story of summer" ) pictures idealized human experience and is a-wish-fulfillment dream of complete happiness. Its opposite, anti-romance ("the story of winter"), portrays unideal experience and is an anxiety dream of total bondage and frustration. Tragedy ("the story of fall") narrates a fall downward from bliss to catastrophe, and comedy ("the story of spring") narrates a rise from bondage to happiness and freedom. These are the four kinds of plot material, and together they make up the composite story of literature. The earlier list of archetypes takes its place within the framework of the monomyth. Romance and comedy employ the archetypes of ideal experience, while tragedy and anti-romance use the archetypes of un-ideal experience. The monomyth unifies literature as a whole including Biblical literature.
It is a general outline where every individual story or poem, as well as the imagery and symbolism, can be put. If the dual list of archetypes is particularly applicable to images and characters, the cyclic pattern of the monomyth is a similarly good framework for organizing archetypal plot motifs. These plot motifs usually unfold along the circular
pattern of the monomyth. The most important archetypal plot motifs are the following:
1. The quest in which the hero leaves the security of his home, undertakes an ordeal that tests his powers and temporarily defeats him overcomes the obstacles and either returns home in triumph or achieves a new state of bliss (which still constitutes a return to the initial state).
2. The death rebirth motif in which a hero endures death or danger and returns to life or security.
The initiation in which the hero is thrust out of an existing, usually ideal, situation and undergoes a series of ordeals as he or she passes from ignorance and immaturity to social or spiritual adulthood.
4. The journey in which the hero passes through various trials.
5. Tragedy or its more specific form of the fall from innocence.
6. Comedy, a U shaped story that begin in prosperity, descends into tragedy, but rises to a happy ending as obstacles to success are overcome.
7. Crime and Punishment, in which the order of society is destroyed and the criminal undergoes punishment as social order is reestablished.
8. The temptation motif, in which an innocent person becomes the victim of an evil tempter or temptress.
9. The rescue motif for the chase and rescue motif in which characters undergo dire threats and then are rescued.
10. The Cinderella or rags-to-riches pattern in which a character overcomes the obstacles of ostracism and poverty.